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"As a nation of immigrants, many of us suffer from a vague but painful homesickness we do not understand", he writes. With a voice that is at once sorrowful, soul-searching, and hilarious, Sutter cures that ill by sharing his passion for and faith in his rugged locale. Like a lovers' quarrel with a peculiar place, Cold Comfort conveys deep insights about what makes the place where you live your true home."--pub. desc.
Winner of the 1994 Minnesota Book Award for Poetry. Barton Sutter's poetry is earthy and muscular, chiseled from his native Midwestern landscape. Drawing from the narrative, formal tradition of Robert Frost and E. A. Robinson, Sutter's poems are full of the grist of rural life--old farms, old shops, wild mushrooms, beaver dams, roadside bars and eccentric, vital people.
Many canonical literary works look to the wild as the site for establishing a man's selfhood. But nature is just as often subjected to his most violent displays of mastery. This tension lies at the heart of 'Eco-Man', which brings together two rapidly growing fields: men's studies and ecocriticism.
The preacher is too often caught between biblical and contemporary time. Residing first in one, then in the other, the preacher must somehow find a way to bring the two times -- separate as they might seem -- together. The temptation of course is to capitulate to one side or the other of this tension. The preacher can reside solely in the biblical time, offering the congregation what amounts to weekly lectures on history and archeology, spiced up with the occasional moralistic conclusion. Or, setting up shop permanently in contemporary time, she or he can offer commentaries on society and culture that occasionally tip their hats in the direction of Scripture. A third way, contends Barbara Lu...
In You and Yours, Naomi Shihab Nye continues her conversation with ordinary people whose lives become, through her empathetic use of poetic language, extraordinary. Nye writes of local life in her inner-city Texas neighborhood, about rural schools and urban communities she’s visited in this country, as well as the daily rituals of Jews and Palestinians who live in the war-torn Middle East. The Day I missed the day on which it was said others should not have certain weapons, but we could. Not only could, but should, and do. I missed that day. Was I sleeping? I might have been digging in the yard, doing something small and slow as usual. Or maybe I wasn’t born yet. What about all the other...
Why God Is a Woman is a collection of poems written about a magical island where women rule and men are the second sex. It is also the story of a boy who, exiled from the island because he could not abide by its sexist laws, looks back with both nostalgia and bitterness and wonders: Why does God have to be a woman? Celebrated prose poet Nin Andrews creates a world both fantastic and familiar where all the myths, logic, and institutions support the dominance of women. Nin Andrews's books include The Book of Orgasms and Sleeping with Houdini.
In these poems of taut clarity, craft, and texture, Michael Waters continues his bold exploration of sensual pleasure and moral transgression as means of affirming spiritual faith. Just as a joyride suggests recklessness and exhilaration, so Celestial Joyride is an energized journey marked by spiritual recklessness in the face of perpetual mortality. Compelling, musical narratives offer rich meaning and vivid consequence. Michael Waters's poetry books include BOA Editions titles Gospel Night, Darling Vulgarity, finalist for the Los Angeles Times Book Prize; and Parthenopi, finalist for the Paterson Poetry Prize. He teaches at Monmouth University and in the Drew University MFA Program.
When the Gnostic Gospels collide with new age spiritualism, the Oxford Happiness Test, and treatises on Buddhist practice, we know we're in the territory of a Bruce Beasley collection. Alternately devout and heretical, Beasley—known for his intense and continuing soul-quest through previous award-winning books—interrogates the absurdities, psychic violence, and spiritual condition of twenty-first century America with despair, philosophic intelligence, and piercing humor. Bruce Beasley is the author of eight collections of poetry, including Theophobia (BOA, 2012). The winner of numerous literary awards and fellowships, he lives in Bellingham, WA, where he is a professor of English at Western Washington University.
Mark Irwin's poetics are a direct descendent of Rilke and Hart Crane. His poetry is propelled by charged rhythms and a haunting music. "An impeccable craftsman, Mark Irwin writes with a lyrical urgency that somehow combines the brilliance of Valery and the natural ease of observation of William Carlos Williams." --David St. John Mark Irwin is the author of four previous collections of poetry, two of them with BOA. Among his literary awards are National Endowment for the Arts and Ohio Art Council Fellowships, two Push-cart Prizes, the James Wright Poetry Award and a Fulbright Fellow-ship to Romania. He lives with his family in Denver, Colorado, and spends a part of each year on a wilderness ranch in the San Luis Valley.
Winner of the Isabella Gardner Award, this book-length poem is a collection of voices-in-dialogue—overheard, remembered, internal—that represents the mind at work as it considers the destructiveness of humanity, the hypocrisy bred in the bones of American venture. Voices from personal conversations, political speeches, Guantanamo detainees, news, and poets fill these pages, capturing a world of disrupted beauty and unrealized potential.