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In Craftsmen and Jewelers in the Middle and Lower Danube Region (6th to 7th Centuries) Daniela Tănase uses archaeological evidence to examine blacksmithing and goldsmithing and shows how the practice was subject to multiple influences.
A cutting-edge analysis of 2,500 years of Persian visual, architectural, and material cultures of power and their role in connecting the world. With the rise of the Achaemenid Empire (550–330 BCE), Persian institutions of kingship became the model for legitimacy, authority, and prestige across three continents. Despite enormous upheavals, Iranian visual and political cultures connected an ever-wider swath of Afro-Eurasia over the next two millennia, exerting influence at key historical junctures. This book provides the first critical exploration of the role Persian cultures played in articulating the myriad ways power was expressed across Afro-Eurasia between the sixth century BCE and the ...
A groundbreaking comparative history of the formation of Bohemia, Hungary and Poland, from their origins in the eleventh century.
This book explores the uncharted territory of the history of archaeology under Communism through the biographies of five women archaeologists from the Soviet Union, Bulgaria, Romania, Hungary, and Poland. They were working in medieval archaeology, with a specific focus on the (early) Slavs. The choice of specialists in medieval archaeology has much to do with the fact that in the five East European countries considered in this book, medieval archaeology began to develop into a serious discipline less than a century ago. The main catalyst for the sudden rise of medieval archaeology was a dramatic shift in emphasis from traditional political and constitutional to social and economic history. In five countries, the rise of medieval archaeology thus coincides in time, and was ultimately caused by the imposition of Communist regimes. The five women were therefore true pioneers in their field, and respective countries.
This book examines the remarkable Velestino hoard, found in Thessaly in the 1920s, and analyses the light that this collection of artifacts sheds on a poorly studied period of Byzantine history, and on largely neglected aspects of Byzantine civilization. Many collections of Byzantine gold- and silverware, such as Vrap and Seuso, have been surrounded by controversy. None, however, has been under more suspicion than the Velestino hoard, particularly with regards to its authenticity. The hoard contains no gold and no silver, and is in fact a collection of bronze and leaden plaques, some with human, and others with animal or geometric representations. The authors examine three distinct aspects of the hoard: the iconography of its components, the method of its production, and the function of those components. The conclusions that they reached provide valuable new insights into eighth-century Byzantine culture. The book explores the Byzantine cultural and political context of the Velestino hoard and will appeal to historians and art historians of early Byzantium, as well as archaeologists and historians of early medieval technologies.