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Three Early Modern Hebrew Scholars on the Mysteries of Song
In discoursing on music, three early modern Jewish scholars stand out for their originality. The first is Judah Moscato, who, as chief rabbi in Mantua, preached sermons, one of them on music: there Moscato presents music as a cosmic and spiritual phenomenon. The second scholar is Leon Modena, the foremost Jewish intellectual in early seventeenth-century Venice. Modena deals with music in two responsa to questions put to him for rabbinical adjudication, one of them an examination of biblical and rabbinical sources on the legitimacy of performing art music in the synagogue. Abraham Portaleone, the third scholar, treated music in a massive disquisition on the Ancient Temple and its ritual, describing it as an art correlating with contemporary Italian music. The introduction surveys the development of Hebrew art music from the Bible through the Talmud and rabbinical writings until the early modern era. The epilogue defines the special contribution of Hebrew scholars to early modern theory.
Persistence and Flexibility
Using a variety of anthropological approaches, the authors illustrate how the Jewish identity has persisted in the United States despite great subcultural variation and a wide range of adaptations. Within the various essays, attention is given to both mainstream Jews and to the Hasidim, Yemenites, Indian Sephardim, Soviet Emigres, and Jews for Jesus. Institutions such as the family, the school, and the synagogue, are considered through techniques of participation/ observation and in archeological research. Persistence and Flexibility provides a means of viewing the Jewish community through the prism of key events, or rituals, and symbols.
Cultures of Eschatology
In all religions, in the medieval West as in the East, ideas about the past, the present and the future were shaped by expectations related to the End. The volumes Cultures of Eschatology explore the many ways apocalyptic thought and visions of the end intersected with the development of pre-modern religio-political communities, with social changes and with the emergence of new intellectual and literary traditions. The two volumes present a wide variety of case studies from the early Christian communities of Antiquity, through the times of the Islamic invasion and the Crusades and up to modern receptions, from the Latin West to the Byzantine Empire, from South Yemen to the Hidden Lands of Ti...
Twenty Israeli Composers
Twenty of Israel's leading art-music composers discuss the interaction of inspiration, method and cultural context in their work, revealing both international and national influence and scope. Israel’s contemporary art music reflects a modern society that is an intricate fabric of national and ethnic origins, languages and dialects, customs and traditions—a heterogeneous culture of cultures. It is a rich and distinctive environment—at once ancient and modern, spiritual and secular, traditional and progressive. Twenty Israeli Composers, the first published collection of interviews with Israeli composers, explores this developing and distinctive music culture. The featured composers have...
The Mishnah, Religious Perspectives Volume 1
Understanding the religious perspectives of the Mishnah starts with asking three questions. First, what is the relationship of the Mishnah to Scripture, or “oral torah” to “written torah,” for understanding the religion of Judaism? Second, what is the relationship between religious ideas and the world in which those ideas emerged? Third, what is the formal religious significance of the language of the Mishnah? These questions are posed with regard to a Judaism that existed from just prior to the destruction of the Temple in 70 C.E. until around 200 C.E. and assumes as well the groundwork of Neusner’s earlier volume The Mishnah: Social Perspectives. In the present volume, Neusner co...
Music in Lubavitcher Life
Music in Lubavitcher Life illuminates the world of the Lubavitcher Hasidim, a community of ultra-orthodox Jews centered in the Crown Heights section of Brooklyn, New York. Drawing primarily on twenty years of close study of the Lubavitcher community, Ellen Koskoff combines lively anecdotes with historical background and musical analysis to reveal music making among the Lubavitchers as a gateway to their ideas about the nature of human spirituality, human social interaction, and God._x000B_Lubavitcher music centers on the nigunim, a body of paraliturgical, folk, and popular melodies that Lubavitchers regard as a primary form of spiritual communication with the divine. For a song to be include...
Christus Militans
In Christus Militans knüpft Gabriella Gelardini an Interpretationen an, die das Markusevangelium im Kontext des jüdisch-römischen Krieges und des Aufstiegs der Flavier interpretieren. Von Interesse sind darin aber nicht nur „ideologische Macht- oder Herrschaftsdiskurse“ und damit „politische Theologie,“ sondern insbesondere auch die militärischen Zusammenhänge und die Kriegssemantik im engeren Sinn. Dies erfolgt eingedenk der großen Bedeutung, die das Militär und der Krieg für die Herstellung und Aufrechterhaltung von Herrschaft in der Antike hatten, besonders bei Dynastiewechseln, etwa wie hier von der julisch-claudischen zur flavischen Dynastie. Diesen Wechsel zur flavische...
The Mishnah: Religious Perspectives
Condensing research concerning questions of religion which encompass the social history of ideas and the religious uses of language, this book deals with three questions: the relationship of the Mishnah to Scripture, the relationship of the religious ideas people hold to the world in which they live, and the religious meaning of the formalization of language that characterizes the Mishnah in particular. In discussing how the Mishnah relates to Scripture - in the (later) mythic language of Rabbinic Judaism: "the oral Torah" to "the written Torah" - a complete analysis is presented, based on a systematic application of a single taxonomic program. Then an examination is made of how the stages i...
Men of Silk
Hasidism, a kabbalah-inspired movement founded by Israel Ba'al Shem Tov (c1700-1760), transformed Jewish communities across Eastern and East Central Europe. In Men of Silk, Glenn Dynner draws upon newly discovered Polish archival material and neglected Hebrew testimonies to illuminate Hasidism's dramatic ascendancy in the region of Central Poland during the early nineteenth century. Dynner presents Hasidism as a socioreligious phenomenon that was shaped in crucial ways by its Polish context. His social historical analysis dispels prevailing romantic notions about Hasidism. Despite their folksy image, the movement's charismatic leaders are revealed as astute populists who proved remarkably adept at securing elite patronage, neutralizing powerful opponents, and methodically co-opting Jewish institutions. The book also reveals the full spectrum of Hasidic devotees, from humble shtetl dwellers to influential Warsaw entrepreneurs.
Music and Jewish Culture in Early Modern Italy
Musical culture in Jewish communities in early modern Italy was much more diverse than researchers originally thought. An interdisciplinary reassessment, Music and Jewish Culture in Early Modern Italy evaluates the social, cultural, political, economic, and religious circumstances that shaped this community, especially in light of the need to recognize individual experiences within minority populations. Contributors draw from rich materials, topics, and approaches as they explore the inherently diverse understandings of music in daily life, the many ways that Jewish communities conceived of music, and the reception of and responses to Jewish musical culture. Highlighting the multifaceted experience of music within Jewish communities, Music and Jewish Culture in Early Modern Italy sheds new light on the place of music in complex, previously misunderstood environments.
