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Louisiana State University
Louisiana State University began in 1860 as a small, all-male military school near Pineville. The institution survived the Civil War, Reconstruction politics, and budgetary difficulties to become a nationally and internationally recognized leader in research and teaching. A devastating fire destroyed the campus in 1869, and the school moved to Baton Rouge, where it has remained. Successive moves to larger campuses in 1887 and 1925 created greater opportunities in academics, student life, and athletics. Academics began with classical and engineering courses. New majors in the arts, literature, engineering, agriculture, and the sciences evolved, along with research in those fields. Student life changed from military regimentation to coeducation and students' freedom to live off campus and make their own decisions. Intercollegiate athletics began in 1893 with baseball and football games against Tulane, and the LSU Tigers have since won numerous championships. These evolutionary steps all helped to create Louisiana's flagship university.
A Companion to Modernist Poetry
A COMPANION TO MODERNIST POETRY A Companion to Modernist Poetry A Companion to Modernist Poetry presents contemporary approaches to modernist poetry in a uniquely in-depth and accessible text. The first section of the volume reflects the attention to historical and cultural context that has been especially fruitful in recent scholarship. The second section focuses on various movements and groupings of poets, placing writers in literary history and indicating the currents and countercurrents whose interaction generated the category of modernism as it is now broadly conceived. The third section traces the arcs of twenty-one poets’ careers, illustrated by analyses of key works. The Companion ...
Race and White Identity in Southern Fiction
White southern writers are frequently associated with the racism of blackface minstrelsy in their representations of African American characters, however, this book makes visible the ways in which southern novelists repeatedly imagine their white characters as in some sense fundamentally black.
Perspectives on Barry Hannah
Contributions by Melanie R. Benson, Thomas Ærvold, Bjerre, Martyn Bone, Mark S. Graybill, Richard E. Lee, Kenneth Millard, James B. Potts III, Scott Romine, Matthew Shipe, and Daniel E. Williams Perspectives on Barry Hannah is a collection of essays devoted to the work of the award-winning fiction writer Barry Hannah (1942–2010). The anthology features a broad range of critical approaches and covers the span of Hannah's career from Geronimo Rex (1972) to Yonder Stands Your Orphan (2001). The book also includes a previously unpublished interview with Hannah. The ten essays cover all of Hannah’s thirteen published books. The contributors give fresh perspectives on Hannah’s classic works...
Hemingway and Italy
“A true gift for Hemingway aficionados! With previously unpublished work by Hemingway, memories of the writer by those who knew him, and essays by an outstanding international team of scholars, this collection deepens our understanding of Hemingway’s relationship to a country that he loved and that was central to his fiction.”—Carl P. Eby, author of Hemingway’s Fetishism: Psychoanalysis and the Mirror of Manhood “These extremely powerful essays bring a richer and more cosmopolitan understanding of the Italian underpinnings of Hemingway’s writing.”—Linda Patterson Miller, editor of Letters from the Lost Generation: Gerald and Sara Murphy and Friends “A useful experience fo...
Inventing Southern Literature
I take...an outward route, arguing that the Agrarian project was and must be seen as a willed campaign on the part of one elite to establish and control 'the South' in a period of intense cultural maneuvering. The principal organizers of I'll Take My Stand knew full well there were other 'Souths' than the one they touted; they deliberately presented a fabricated South as the one and only real thing. In Inventing Southern Literature Michael Kreyling casts a penetrating ray upon the traditional canon of southern literature and questions the modes by which it was created. He finds that it was, indeed, an invention rather than a creation. In the 1930s the foundations were laid by the Fugitive-Ag...
