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Franz Kafka
The Missing Person, The Trial and The Castle are known throughout the world as great works of modern fiction, admired for the originality of their technique, subtlety of language and multiple suggestiveness. The present study takes power in its social, psychological and moral complexity and follows this thematic thread through the labyrinth of imagery and motif in each novel. The detailed analyses of the novel are preceded by an account of Kafka's life and a survey of critical approaches to his work.
Fabulierwelten
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The Text and Its Context
This Festschrift for Ronald Speirs, Professor of German at the University of Birmingham, contains twenty-four original essays by scholars from Great Britain, Germany, Austria, and Norway. Between them they encompass the entire modern period from the later eighteenth century onwards, and focus on a wide range of German-speaking environments. Several essays throw new light on authors to whom Professor Speirs himself has devoted particular attention (such as Brecht, Thomas Mann, Nietzsche, and Fontane), whilst others discuss writers such as Lenz, Büchner, Böhlau, C. F. Meyer, Keyserling, Jahnn, and Huch. Above all, however, the contributions address the complexities of writing in ideologically diverse contexts, including the Third Reich and the former German Democratic Republic. This interplay between text and context is the cornerstone which links all the essays, as it has consistently informed Ronald Speirs's own work - which combines a scrupulous attention to textual detail with an acute awareness of the socio-political milieux and philosophical influences that shape creative literature.
The Conflagration of Community
“After Auschwitz to write even a single poem is barbaric.” The Conflagration of Community challenges Theodor Adorno’s famous statement about aesthetic production after the Holocaust, arguing for the possibility of literature to bear witness to extreme collective and personal experiences. J. Hillis Miller masterfully considers how novels about the Holocaust relate to fictions written before and after it, and uses theories of community from Jean-Luc Nancy and Derrida to explore the dissolution of community bonds in its wake. Miller juxtaposes readings of books about the Holocaust—Keneally’s Schindler’s List, McEwan’s Black Dogs, Spiegelman’s Maus, and Kertész’s Fatelessness—with Kafka’s novels and Morrison’s Beloved, asking what it means to think of texts as acts of testimony. Throughout, Miller questions the resonance between the difficulty of imagining, understanding, or remembering Auschwitz—a difficulty so often a theme in records of the Holocaust—and the exasperating resistance to clear, conclusive interpretation of these novels. The Conflagration of Community is an eloquent study of literature’s value to fathoming the unfathomable.
Literary Freedom and Social Constraints in the Works of Swiss Writer Gertrud Leutenegger
This work analyzes texts by contemporary Swiss writer Gertrud Leutenegger in regard to the interrelationship of literary freedom and social constraints by applying different discursive variants of literary discourse analysis. How do the enigmatic texts written in an idiosyncratic and unique style, filled with myths and codes of dream and life sequences relate to the Swiss environment? Are they just free associations and combinations constituting an esoteric utopia? Is Gertrud Leutenegger ortslos as Martin Roda Becher defines postmodern writers? Critical approaches of several schools of literary criticism; feminism, male gender studies, psychoanalysis, mythology, theory of style, linguistics,...
Franz Kafka
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The Autofictional
This open access book offers innovative and wide-ranging responses to the continuously flourishing literary phenomenon of autofiction. The book shows the insights that are gained in the shift from the genre descriptor to the adjective, and from a broad application of “the autofictional” as a theoretical lens and aesthetic strategy. In three sections on “Approaches,” “Affordances,” and “Forms,” the volume proposes new theoretical approaches for the study of autofiction and the autofictional, offers fresh perspectives on many of the prominent authors in the discussion, draws them into a dialogue with autofictional practice from across the globe, and brings into view texts, forms, and media that have not traditionally been considered for their autofictional dimensions. The book, in sum, expands the parameters of research on autofiction to date to allow new voices and viewpoints to emerge.
Inscription and Rebellion
Employs research on the GDR's healthcare system along with feminist and queer theory to get at socialism's legacy, revealing a specifically East German literary convention: employment of symptomatic female bodies to either enforce or rebel against political and social norms.
Heinrich Böll and Ireland
Nobel Prize winning author Heinrich Böll’s Irisches Tagebuch (Irish Journal) which was first published in 1957, has been read by millions of German readers and has had an unsurpassed impact on the German image of Ireland. But there is much more to Heinrich Böll’s relationship with Ireland than the Irisches Tagebuch. In this new book, Böll scholar Gisela Holfter carefully charts Heinrich Böll’s personal and literary connections with Ireland and Irish literature from his reading Irish fairytales in early childhood, to establishing a second home on Achill Island and his and his wife Annemarie’s translations of numerous books by Irish authors such as Brendan Behan, J. M. Synge, G. B. Shaw, Flann O’Brien and Tomás O’Crohan. This book also examines the response in Ireland to Böll’s works, notably the controversy that ensued following the broadcast of his film Irland und seine Kinder (Children of Eire) in the 1960s. Heinrich Böll and Ireland offers new insights for students, academics and the general reader alike.
Theatre Under the Nazis
Were those who worked in the theatres of the Third Reich willing participants in the Nazi propaganda machine or artists independent of official ideology? To what extent did composers such as Richard Strauss and Carl Orff follow Nazi dogma? How did famous directors such as Gustaf Grüdgens and Jürgen Fehling react to the new regime? Why were Shakespeare and George Bernard Shaw among the most performed dramatists of the time? And why did the Nazis sanction Jewish theatre? This is the first book in English about theater in the entire Nazi period. The book is based on contemporary press reports, research in German archives, and interviews with surviving playwrights, actors, and musicians.
