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Jorge Luis Borges
Jorge Luis Borges is generally acknowledged to be one of the twentieth century’s most significant writers. Yet in all the critical debates on his work, the fact that he is Argentinian is rarely discussed, as if his international reputation had somehow cleansed him of nationality. In this brilliant introduction to his work, Sarlo challenges these “universalist” readings, arguing that they leave aside vital aspects of Borges’ writing, including his powerful vision of Argentina’s past and its traditions, which placed both the writer and his country at the intersection of European and Latin American culture.
Jorge Luis Borges
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Scenes from Postmodern Life
In this bracing book. Beatriz Sarlo offers a remarkably clear, forthright, and forceful statement of what precisely cultural criticism is and might be in our age of manic consumption, commercialization, popularization, and mass marketing.
The Technical Imagination
The Technical Imagination explores how technology entered the popular imagination in the Argentina of the 1920s and 1930s and how its products helped to shape modern thinking at all levels of Argentine society.
Scenes from Postmodern Life
In this bracing book. Beatriz Sarlo offers a remarkably clear, forthright, and forceful statement of what precisely cultural criticism is and might be in our age of manic consumption, commercialization, popularization, and mass marketing.
La Imaginacion Tecnica
"In what Beatriz Sarlo calls six "episodes," ranging from the proto-science fiction of Horacio Quiroga and the apocalyptic urban surrealism of Roberto Arlt through the development of mass media, tales of inventors and inventions, and an entertaining tour of "weird science" and medical quackery. The Technical Imagination examines how technology entered the popular imagination in 1920s and 1930s Argentina. Often wry, but always sympathetic, and dispensing erudition with a light touch, Sarlo shows how the products of modern technology (radio, the telephone and telegraph, movies, and rudimentary forays into television, among other phenomena) announced an unprecedented break with the past while also provoking an ironic recrudescence of age-old superstitions. Although the new technologies helped to shape notions of modernity at all levels of Argentine society, Sarlo focuses particularly on the working-class amateur inventors of Buenos Aires, and on how their inventions - even when they failed, as they frequently did - point to what can he recognized today as the reorganization of an intellectual hierarchy, and thus of an era's, and a culture's, intellectual history."--BOOK JACKET.
Through the Kaleidoscope
Schelling's collection reflects the multi-layered, labyrinthine quality of modernity in Latin America, wedding new cultures to old, external to local, and high to popular.
Childhood in the Works of Silvina Ocampo and Alejandra Pizarnik
In the final analysis, Ocampo's works achieve equilibrium between childhood and age, whereas Pizarnik's much-discussed poetic crisis of exile from language itself parallels her deep sense of anxiety at being exiled from the world of childhood."--BOOK JACKET.
Women's Writing In Latin America
In the last two decades Latin American literature has received great critical acclaim in the English-speaking world, although attention has been focused primarily on the classic works of male literary figures such as Borges, Paz, and Cortázar. More recently, studies have begun to evaluate the works of established women writers such as Sor Juana Iné
Culture in the Age of Three Worlds
Over the last half of the twentieth century, culture moved to the foreground of political and intellectual life. Suddenly everyone discovered that culture had been mass produced like Ford's cars; the masses had culture and culture had a mass. Culture was everywhere, no longer the property of the cultured or the cultivated. Radical social movements around the globe invented a politics of culture. Culture In the Age of Three Worlds is a reflection on this cultural turn which was a fundamental aspect of the age of three worlds, that short half century between 1945 and 1989 when it was imagined that the world was divided into three-the capitalist first world, the communist second world, and the decolonizing third world. Recasting the legacies of British cultural studies and the radical traditions of the American studies movement in a global context, Michael Denning explores the political and intellectual battles over the meanings of culture, addresses the rise of a distinctive 'American ideology,' and charts the lineaments of the global cultures that emerged as three worlds gave way to one.
