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With contributions from 30 leading media scholars, this collection provides a comprehensive overview of the main methodologies of critical media studies. Chapters address various methods of textual analysis, as well as reception studies, policy, production studies, and contextual, multi-method approaches, like intertextuality and cultural geography. Film and television are at the heart of the collection, which also addresses emergent technologies and new research tools in such areas as software studies, gaming, and digital humanities. Each chapter includes an intellectual history of a particular method or approach, a discussion of why and how it was used to study a particular medium or media, relevant examples of influential work in the area, and an in-depth review of a case study drawn from the author's own research. Together, the chapters in this collection give media critics a complete toolbox of essential critical media studies methodologies.
A glorious call to throw off restraint and balance in favor of excess, abandon, and disproportion, in essays ranging from such topics as mindfulness, decluttering, David Cronenberg, and consent. In her debut essay collection, “brilliant and stylish” (The Washington Post) critic Becca Rothfeld takes on one of the most sacred cows of our time: the demand that we apply the virtues of equality and democracy to culture and aesthetics. The result is a culture that is flattened and sanitized, purged of ugliness, excess, and provocation. Our embrace of minimalism has left us spiritually impoverished. We see it in our homes, where we bring in Marie Kondo to rid them of their idiosyncrasies and da...
An immeasurably influential female voice in post-war Japanese literature, Kono writes with a strange and disorienting beauty: her tales are marked by disquieting scenes, her characters all teetering on the brink of self-destruction. In the famous title story, the protagonist loathes young girls but compulsively buys expensive clothes for little boys so that she can watch them dress and undress. Taeko Kono's detached gaze at these events is transfixing: What are we hunting for? And why? Kono rarely gives the reader straightforward answers, rather reflecting, subverting and examining their expectations, both of what women are capable of, and of the narrative form itself.
Oleg and Nikola—hustlers, entrepreneurs, ambassadors of capitalism—have come to the town of N to build an obsolete turbine, never mind why. Enlisting the help of former engineer Sobotka, they reopen the old turbine factory, preaching the gospel of “self-organization” and bringing new life to the depressed post-communist town. But as the project spins out of control, Oleg and Nikola find themselves increasingly entangled with the locals, for whom this return to past prosperity brings bitter reckonings and reunions. At once a savage sendup of our current political moment and a rueful elegy for what might have been, this sprawling novel blends tragedy and comedy in its portrayal of ordinary people wondering where it all went wrong, and whether it could have gone any other way.
A new translation of the best and most provocative short stories by the author of Transit and The Seventh Cross. Best known for the anti-fascist novel The Seventh Cross and the existential thriller Transit, Anna Seghers was also a gifted writer of short fiction. The stories she wrote throughout her life reflect her political activism as well as her deep engagement with myth; they are also some of her most formally experimental work. This selection of Seghers’s best stories, written between 1925 and 1965, displays the range of her creativity over the years. It includes her most famous short fiction, such as the autobiographical “The Dead Girls’ Class Trip,” and others, like “Jans Is...
"Simone Weil is one of the most challenging and yet beguiling thinkers of the twentieth century. There is a highly charged mystical current that runs through her life and works that seems almost timeless. And yet Weil was a keen observer of the modern condition, coming of age as she did during the 1930s. Amid the recurrent indignities and inhumanities of modern life, she wondered what is to become of the precious space we have for grace, for friendship, and for truth? One of our most astute historians of existentialism, Robert Zaretsky shifts his attention to the utterly original Simone Weil with this new book. Taking up the central elements of her philosophy-affliction, attention, resistance, roots, and spirituality-he explores how they animated her life, and how they might animate ours"--
A strikingly original exploration of what it might mean to be authentically human in the age of artificial intelligence, from the author of the critically-acclaimed Interior States. • "At times personal, at times philosophical, with a bracing mixture of openness and skepticism, it speaks thoughtfully and articulately to the most crucial issues awaiting our future." —Phillip Lopate “[A] truly fantastic book.”—Ezra Klein For most of human history the world was a magical and enchanted place ruled by forces beyond our understanding. The rise of science and Descartes's division of mind from world made materialism our ruling paradigm, in the process asking whether our own consciousness...
Christoph, a middle-aged writer, has a story to share with Lena, a young actress. A long time ago, he was in a relationship with a woman called Magdalena, who was also an actress. Lena is currently in a relationship with a man called Chris, who is also a writer. As the two talk, it becomes clear that the two relationships contain echoes, similarities, and coincidences too remarkable to be called coincidences. Are Chris and Lena doomed to repeat Christoph and Magdalena's broken relationship, or are Christoph and Magdalena a warning from the future? Who really exists? Is there such a thing as fate? And so begins a uniquely existential game of past and present that will leave no one unharmed.
“One of the first honest, moving and funny portrayals of a solid marriage I have ever read.” —Jessica Grose, The New York Times A Best Book of 2022 from The New Yorker and Chicago Tribune An illuminating, poignant, and savagely funny examination of modern marriage from Ask Polly advice columnist Heather Havrilesky If falling in love is the peak of human experience, then marriage is the slow descent down that mountain, on a trail built from conflict, compromise, and nagging doubts. Considering the limited economic advantages to marriage, the deluge of other mate options a swipe away, and the fact that almost half of all marriages in the United States end in divorce anyway, why do so man...
When the New Yorker writer Rebecca Mead relocated to her birth city, London, with her family in the summer of 2018, she was both fleeing the political situation in America and seeking to expose her son to a wider world. With a keen sense of what she'd given up as she left New York, her home of thirty years, she tried to knit herself into the fabric of a changed London. The move raised poignant questions about place: What does it mean to leave the place you have adopted as home and country? And what is the value and cost of uprooting yourself? In a deft mix of memoir and reportage, drawing on literature and art, recent and ancient history, and the experience of encounters with individuals, en...