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An exciting, wide-ranging exploration of the power and diversity of female figures of worship in world cultures and belief systems, from the ancient world to today.
This book proposes new understandings of modern life in Britain by bringing constructs of female spirituality centre stage and examining three ‘forgotten’ artists identified with the Pre-Raphaelites and Victorianism. Thomas Cooper Gotch, Robert Anning Bell and Frederick Cayley Robinson are resituated squarely within the tumultuous social and cultural changes of the period. Becoming visible again, in more inclusive histories, allows such artists not only to re-inhabit but to reshape narratives of modernism, reanimating the scholarly discourse and creating a dynamic cultural history of modern Britain expressed through their striking visions of womanhood. This book will be of interest to scholars in art history, gender studies and British studies.
Explores the problems for studying art and religion in Eurasia arising from ancestral, colonial and post-colonial biases in historiography.
This book employs new archaeological and historical evidence to explain how and why Roman Britain became Anglo-Saxon England.
One of the greatest commanders of the ancient world brought vividly to life: Hannibal, the brilliant general who successfully crossed the Alps with his war elephants and brought Rome to its knees. Hannibal Barca of Carthage, born 247 BC, was one of the great generals of the ancient world. Historian Patrick N. Hunt has led archeological expeditions in the Alps and elsewhere to study Hannibal's achievements. Now he brings Hannibal's incredible story to life in this book
In this book Dr Wallace makes a fundamental contribution to the study of urbanism in the Roman provinces. She attempts for the first time to present a detailed archaeological account of the first decade of one of the best-excavated cities in the Roman Empire. Delving into the artefact and structural reports from all excavations of pre-Boudican levels in London, she brings together vast quantities of data which are discussed and illustrated according to a novel methodology that address both the difficulties and complexity of 'grey literature' and urban excavation.
Symbols and tropes of liquidity have long been connected to notions of the feminine and, therefore, with orthodox constructions of femininity and womanhood. Underpinning these ideas is the vital importance of water as life force, which has given it a central place in cultural vocabularies worldwide. These symbolic economies, in turn, inform the discourses through which positive or negative associations of women with water come to bear impact on the social positioning of female gendered identities. Women and Water in Global Fiction brings together an array of studies of this phenomenon as seen in writing by and about women from around the world. The literature explored in this volume works to...
This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online. Roman Britain is a critical area of research within the provinces of the Roman empire. Within the last 15-20 years, the study of Roman Britain has been transformed through an enormous amount of new and interesting work which is not reflected in the main stream literature.
This work presents six case-studies of objects from different periods and regions of antiquity that are labelled by variations of the name Mithra, including the Roman Mithras, Persian Mihr, and Bactrian Miiro. Each chapter places each object in its original context, before questioning its role in religious ritual, tradition, and belief
The fourth catalogue in a series that documents the renowned Cesnola Collection of Cypriot Art, this book focuses on the collection’s 453 terracotta oil lamps dating from the Classical, Hellenistic, Roman, and Early Byzantine periods. The rich iconography on many of these common, everyday objects provides a rare look into daily life on Cyprus in antiquity and highlights the island’s participation in Roman artistic and cultural production. Each lamp is illustrated, and the accompanying text addresses typology, decoration, and makers’ marks on each of these objects that provide new insights into art, craft, and trade in the ancient Mediterranean.