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Empires of Faith in Late Antiquity
Explores the problems for studying art and religion in Eurasia arising from ancestral, colonial and post-colonial biases in historiography.
Images of Mithra
This work presents six case-studies of objects from different periods and regions of antiquity that are labelled by variations of the name Mithra, including the Roman Mithras, Persian Mihr, and Bactrian Miiro. Each chapter places each object in its original context, before questioning its role in religious ritual, tradition, and belief
Figurines
As touchable objects, figurines have potential for a potent agency in relation to those who use them. This volume considers the figurine as a key conceptual and material problematic in the art history of antiquity through comparative juxtaposition and deep art-historical engagement with Chinese, pre-Columbian Mesoamerican, and Greco-Roman cultures.
Amaravati
A visual exploration of the Buddhist stupa or reliquary mounds at one of ancient India’s most remarkable monuments at Amarāvatī. In this book, Jaś Elsner presents a fresh perspective on the rich visual culture of ancient South Asia, connecting the stupa’s artistic innovations with advancements in Buddhist philosophy and practice. He offers new insights into early Buddhist art in South India, as well as a new understanding of the relationship between early Buddhism and its material culture. The photographs collected here, particularly those featuring objects from the British Museum in London, reveal in detail how the stupa communicated Buddhist teachings and practices to its followers, making this book an invaluable resource for students and scholars alike.
The Illustrated Afterlife of Terence’s Comedies (800–1200)
Widely read as school texts, the comedies by the Roman dramatist Terence have come down to us in hundreds of medieval copies. Fourteen of the manuscripts produced between 800 and 1200 were given some kind of illustration. In this volume, Beatrice Radden Keefe explores the semiotics of the imagery found in the earliest illustrated Terence manuscripts, and its relationship to the iconography of comedy and theatre from antiquity. She examines six further manuscripts to show how later illustrators abandoned this imagery to varying degrees, finding new emphases and creating new layers of meaning. Illustrators of Terence, it is demonstrated here, brought a range of interests to illustrating the comedies, clarifying their narrative, incorporating social commentary and moralisation, and linking them with Christian allegorical traditions.
Mystery Cults in Visual Representation in Graeco-Roman Antiquity
This book fills a gap in the study of mystery cults in Graeco-Roman Antiquity. Focusing on the visual language surrounding these cults, it aims to understand how images depict mysteries in different cults: Dionysus, Mithras, Mother of the Gods, and Isiac cults.
The Art of the Roman Empire AD 100-450
A beautifully illustrated, new edition of the best single-volume guide to Roman and early Christian art. Provides an introduction to the great diversity of artistic styles during the period, and their context.
Dominic Matteo
Dominic Matteo has played alongside some of English football's biggest names. He remains one of the few internationals to have appeared for both England and Scotland. In this book, he charts the ups and downs of a career that began when he was spotted as a 10-year-old playing for his local boys' team by Kenny Dalglish.
The Mysteries of Mithras
Attilio Mastrocinque explains the mysteries of Mithras in a new way, as a transformation of Mazdean elements into an ideological and religious reading of Augustus' story. The author shows that the character of Mithras played the role of Apollo in favoring Augustus' victory and the birth of the Roman Empire.
Imagining the Divine
Religion has always been a fundamental force for constructing identity, from antiquity to the contemporary world. The transformation of ancient cults into faith systems, which we recognise now as major world religions, took place in the first millennium AD, in the period we call 'Late Antiquity'. Our argument is that the creative impetus for both the emergence, and much of the visual distinctiveness of the world religions came in contexts of cultural encounter. Bridging the traditional divide between classical, Asian, Islamic and Western history, this exhibition and its accompanying catalogue highlights religious and artistic creativity at points of contact and cultural borders between late ...
