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The Humanist Controversy and Other Writings
There can be little doubt that Louis Althusser was one of the most influential philosophers of the twentieth century, and his influence subsists in many of the concepts currently deployed in disciplines such as cultural studies, social theory and literary criticism. Yet Althusser was also a leading intellectual in the French Communist Party and a foremost participant in the debates in the human sciences that are marked by the names of Claude Lvi-Strauss, Jacques Lacan and Georges Canguilhem. His writings were major interventions in a specific political and theoretical conjuncture and it is this aspect of his work that this new collection of previously untranslated texts seeks to reflect. Consisting of writings from the very height of Althusser's intellectual powers, during the period 1966-67, this book covers, among other things, the critique of Lvi-Strauss's structuralism, the theory of discourse and its relationship to psychoanalysis, the place of Ludwig Feuerbach, the tasks of Marxist philosophy, and the famous "humanist controversy."
Encyclopedia of Contemporary Literary Theory
The last half of the twentieth century has seen the emergence of literary theory as a new discipline. As with any body of scholarship, various schools of thought exist, and sometimes conflict, within it. I.R. Makaryk has compiled a welcome guide to the field. Accessible and jargon-free, the Encyclopedia of Contemporary Literary Theory provides lucid, concise explanations of myriad approaches to literature that have arisen over the past forty years. Some 170 scholars from around the world have contributed their expertise to this volume. Their work is organized into three parts. In Part I, forty evaluative essays examine the historical and cultural context out of which new schools of and appro...
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The Mediocracy
Dominique Lecourt argues that a counter-revolution in French intellectual life has seen the period of the master thinkers of the 1960s succeeded by an era of generalized mediocrity. The author discusses how contemporary French ideology is content to legitimize a globally hegemonic neo-liberalism.
Breaking the Glass Armor
"Classical works have for us become covered with the glassy armor of familiarity," wrote Victor Shklovsky in 1914. Here Kristin Thompson "defamiliarizes" the reader with eleven different films. Developing the technique formulated in her Eisenstein's Ivan the Terrible (Princeton, 1981), she clearly demonstrates the flexibility of the neoformalist approach. She argues that critics often use cut-and-dried methods and choose films that easily fit those methods. Neoformalism, on the other hand, encourages the critic to deal with each film differently and to modify his or her analytical assumptions continually. Thompson's analyses are thus refreshingly varied and revealing, ranging from an ordinar...
Disembodiment
Disembodiment examines self-destruction, self-injury, and radical self-endangerment as unconventional performances of resistance and refusal. Banu Bargu troubles the dominant approach that treats these acts as individual pathologies, cries for help, and signs of despair, taking the reader on an unsettling journey that passes through the suicides of enslaved Africans, the hunger strikes of woman suffragists, Gandhian fasting practices, Bouazizi's self-incineration, and the lip-sewing practices of migrants and asylum seekers to chart a bleak repertoire of contention performed by the oppressed. As a work in global critical theory whose normative compass is the suffering body, Disembodiment offers a bold materialist theory of corporeal agency that upholds the fundamental rebelliousness of the body.
The Jamesonian Unconscious
Imagine Fredric Jameson--the world's foremost Marxist critic--kidnapped and taken on a joyride through the cultural ephemera, generational hype, and Cold War fallout of our post-post-contemporary landscape. In The Jamesonian Unconscious, a book as joyful as it is critical and insightful, Clint Burnham devises unexpected encounters between Jameson and alternative rock groups, new movies, and subcultures. At the same time, Burnham offers an extraordinary analysis of Jameson's work and career that refines and extends his most important themes. In an unusual biographical move, Burnham negotiates Jameson's major works--including Marxism and Form, The Political Unconscious, and Postmodernism, or, ...
Philosophy of the Encounter
From Althusser's most prolific period, this book is destined to become a classic.
The Ideology of Imagination
To demonstrate his thesis, the author undertakes critical re-readings of four major Romantic authors - Coleridge, Wordsworth, Shelley, and Keats - and shows how the legacy of ideology and imagination is reflected in the novels of George Eliot. He shows that for each of these writers, the imagination is neither a faculty that can be presumed nor one idea among others; it is something that must be theorized and, in Coleridge's words, "instituted." Once instituted, Coleridge asserts, the imagination can address England's fundamental social antagonisms and help restore national unity. More pointedly, the institution of the imagination is the cornerstone of a "revolution in philosophy" that would prevent the importation of a more radical - and more French - political revolution.
The Work of Mourning
Jacques Derrida is, in the words of the New York Times, "perhaps the world's most famous philosopher—if not the only famous philosopher." He often provokes controversy as soon as his name is mentioned. But he also inspires the respect that comes from an illustrious career, and, among many who were his colleagues and peers, he inspired friendship. The Work of Mourning is a collection that honors those friendships in the wake of passing. Gathered here are texts—letters of condolence, memorial essays, eulogies, funeral orations—written after the deaths of well-known figures: Roland Barthes, Paul de Man, Michel Foucault, Louis Althusser, Edmond Jabès, Louis Marin, Sarah Kofman, Gilles Del...
