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John Ashbery and English Poetry
A study of how we should read one of America's most important poets
Art, Labour and American Life
This book examines labour in the age of US hegemony through the art that has grappled with it; and, vice versa, developments in American culture as they have been shaped by work’s transformations over the last century. Describing the complex relations between cultural forms and the work practices, Art, Labour and American Life explores everything from Fordism to feminization, from white-collar ascendency to zero hours precarity, as these things have manifested in painting, performance art, poetry, fiction, philosophy and music. Labour, all but invisible in cultural histories of the period, despite the fact most Americans have spent most of their lives doing it, here receives an urgent re-emphasis, as we witness work’s radical redefinition across the world.
Living in History
Challenging received ideas about the British Poetry Revival, Luke Roberts presents a new account of experimental poetry and literary activism. Drawing on a wide range of contexts and traditions, Living in History begins by examining the legacies of empire and exile in the work of Kamau Brathwaite, J. H. Prynne, and poets associated with the Communist Party and the African National Congress. It then focuses on the work of Linton Kwesi Johnson, Denise Riley, Anna Mendelssohn and others, in the development of liberation struggles around gender, race and sexuality across the 1970s. Tracking the ambivalence between poetic ambition and political commitment, and how one sometimes interferes with the other, Luke Roberts troubles the exclusions of 'British Poetry' as a category and tests the claims made on behalf avant-garde and experimental poetics against the historical record. Bringing together both major and neglected authorships and offering extended close readings, fresh archival research and new contextual evidence, Living in History is an ambitious and exciting intervention in the field.
Who Does Ben Think He Is?
The ancestry of Ben Hickman updated to mark his 40th birthday on 11th July 2020
Jet
The weekly source of African American political and entertainment news.
Reading F. T. Prince
F.T. Prince (1912-2003) is now emerging as one of the most distinctive voices of twentieth-century Anglophone poetry. Born in South Africa, he came to England in the 1930s, where he studied alongside Stephen Spender and W.H. Auden. First published by T.S. Eliot, and celebrated in his day by poets as various as Siegfried Sassoon and John Ashbery, his poems have long intrigued readers with their formal experiments, Baroque influences, and intellectual puzzles. During his own lifetime, he found fame with the war poem ‘Soldiers Bathing’ (1942), and was known chiefly as a Milton scholar. However, this collection of specially commissioned essays sheds new light on his achievements and reveals his central place in the story of modern poetry. Enthralled by the canon, yet embraced by the avant-garde, he has influenced poets from Geoffrey Hill to Susan Howe, a unique conduit between modernism and the Movement, British regionalism and American cosmopolitanism. Yet his poetry is not merely of interest for its continuing influence on wider tradition. Subtle, original, and various, F.T. Prince’s poetry asks important questions about power, responsibility, and collective memory.
John Ashbery and Anglo-American Exchange
This book shows how Ashbery's poetry has been centrally concerned with questions of national identity and intercultural poetic exchange. Through detailed close readings of his poetry, original interviews, and extensive archival research, a new account of Ashbery's aesthetic, and a significant re-mapping of post-war English poetry, is presented.
Dissonant Voices
"Dissonant Voices: Race, Jazz, and Innovative Poetics in Midcentury America explores the braiding together of racial politics, popular music, and avant-garde poetics in post-war American culture. Ranging from roughly the late-1940s to the early 1970s, this study examines the development of open field poetics, alternately termed projective verse, after Charles Olson's influential essay of the same name. In doing so, it traces projective verse from its creation amidst the crucible of racial integration at Black Mountain College, to its development through a series of interracial friendships explored among writers involved in the Boston, San Francisco, and downtown New York scenes, to its reima...
Avant-Gardes in Crisis
Avant-Gardes in Crisis claims that the avant-gardes of the late twentieth and early twenty-first centuries are in crisis, in that artmaking both responds to political, economic, and social crises and reveals a crisis of confidence regarding resistance's very possibility. Specifically, this collection casts contemporary avant-gardes as a reaction to a crisis in the reproduction of life that accelerated in the 1970s—a crisis that encompasses living-wage rarity, deadly epidemics, and other aspects of an uneven management of vitality indexed by race, citizenship, gender, sexual orientation, class, and disability. The contributors collectively argue that a minoritarian concept of the avant-garde, one attuned to uneven patterns of resource depletion and infrastructural failure (broadly conceived), clarifies the interplay between art and politics as it has played out, for instance, in discussions of art's autonomy or institutionality. Writ large, this book seeks to restore the historical and political context for the debates on the avant-garde that have raged since the 1970s.
