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A Drawn Game
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All the Year Round
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Tooth and Nail
Learn more than 1,300 essential test words by reading a mesmerizing mystery"--Cover
My Mind To Me A Kingdom Is
In My Mind To Me A Kingdom Is, the extraordinary follow-up to his prize-winning novel Forbidden Line, Paul Stanbridge tells us about remarkable things. He tells us about the plains of Doggerland, lost under the North Sea. He tells us about ancient horses, carved into chalk hillsides. He tells us about the mysteries of trees. My Mind to Me A Kingdom Is is a book bursting with the joy of discovery, the beauty of the world, and the rich, warm pulse of life. It is also a book about death. In 2015, Paul's brother took his own life, leaving behind pitifully few possessions and an irreducible complex of questions. In his search for answers, Paul discovers that facts can be the opposite of truth, and that to see something fully, we must sometimes look away. Blending fiction and memoir, knowing and unknowing, love and loss, My Mind To Me A Kingdom Is is a heartbreaking and generous exploration of grief. A beautiful and painful tribute to Paul's brother, it stands alone.
Performing New German Realities
'One in four people in Germany today have a so-called migration background, however, the relationship between theatre and migration there has only recently begun to take centre stage. Indeed, fifty years after large-scale Turkish labour migration to the Federal Republic of Germany began, theatre by Turkish-German artists is only now becoming a consistent feature of Germany’s influential state-funded theatrical landscape. Drawing on extensive archival and field work, this book asks where, when, why, and how plays engaging with the new realities of “postmigrant” Germany have been performed over the past 30 years. Focusing on plays by renowned artists Emine Sevgi Özdamar, and Feridun Zai...
Phantom Images
Ghosts have made an unexpected reappearance in German literature since 1989. Catherine Smale reads this as symptomatic of writers' attempts to renegotiate their personal and collective identity in the wake of German reunification. Focusing on two major authors from the former GDR, Christa Wolf and Irina Liebmann, Smale examines the ways in which their work adopts notions of haunting in its creative engagement with the double legacy of Socialism and National Socialism. The ghost has long been regarded as a vehicle for making manifest taboo or unauthorized memories. However, Smale goes further, demonstrating how the human subject is destabilized by the return of the phantom and is itself rendered insecure and spectral. Drawing on a wide range of theoretical reference, from the psychoanalytic concept of intergenerational phantoms to Derridean hauntology, Smale's study highlights the particular challenge which Wolf and Liebmann pose to the familiar understanding of how German writers have confronted their country's troublesome past.Catherine Smale is Lecturer in German at King's College London.
The Broken Road
'There's going to be a crusade. A boy came to the cathedral and preached. He's going to lead a crusade of children. And we'll take Jerusalem because we're innocent, we're closer to God. We'll be soldiers for Christ.' Rufus is an apprentice in his father's goldsmith workshop in Cologne, Gemany. One day he hears a boy, Nick, preach in the city centre. Nick's message and words are mesmerising and Rufus is spellbound. He is overcome with the desire to follow the flawed yet charismatic young Crusade leader on his journey to the Holy Land. And Rufus is not alone. Many children are captivated just as Rufus is, and leave their homes and families having fallen under Nick's spell. But what begins as a journey of innocence turns, terribly, into a journey of sorrow and despair. An extraordinary tale based on a historical event that has resonated through the ages.
Representing the "good German" in Literature and Culture After 1945
Essays analyzing postwar literary, cultural, and historical representations of "good Germans" during the Second World War and the Nazi period. In the aftermath of the Second World War, both the allied occupying powers and the nascent German authorities sought Germans whose record during the war and the Nazi period could serve as a counterpoint to the notion of Germans asevil. That search has never really stopped. In the past few years, we have witnessed a burgeoning of cultural representations of this "other" kind of Third Reich citizen - the "good German" - as opposed to the committed Nazi or genocidal maniac. Such representations have highlighted individuals' choices in favor of dissenting...
German Division as Shared Experience
Despite the nearly three decades since German reunification, there remains little understanding of the ways in which experiences overlapped across East-West divides. German Division as Shared Experience considers everyday life across the two Germanies, using perspectives from history, literary and cultural studies, anthropology and art history to explore how interconnections as well as fractures between East and West Germany after 1945 were experienced, lived and felt. Through its novel approach to historical method, the volume points to new understandings of the place of narrative, form and lived sensibility in shaping Germans’ simultaneously shared and separate experiences of belonging during forty years of division from 1945 to 1990.
