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Whitechapel at War: Isaac Rosenberg and his Circle is the first book for almost 20 years to focus on the visual work of poet-painter Isaac Rosenberg. It is also the first to explore his art in the context of his Whitechapel peers, including painters David Bomberg, Mark Gertler, Jacob Kramer, Bernard Meninsky and Clare Winsten, and the writers John Rodker, Joseph Leftwich and Stephen Winsten.
A catalogue of the collection was first published in 1987 but has been out of print for some time. This new revised and expanded edition includes information on acquisitions since 1987, and updated biographies of artists covered in the first edition.
Marking the remarkable century of Ben Uri Gallery and Museum, from humble beginnings in London's East End in 1915 to a fully-fledged mainstream art museum, under its banner 'Art, Identity and Migration', this publication vividly illustrates rarely seen masterworks from its collection by some of the greatest artists of the twentieth century, including Soutine, Chagall, Auerbach, Bomberg, Kitaj and Kossoff. Further highlights include the 'Whitechapel Boys'; Les Peintres Juifs de L'Ecole de Paris, Official War artists from both conflicts; mid-century emigres influencing the direction of the arts, and contemporary artists making ground-breaking work across new media. This unique collection, prim...
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This is the first book to explore and evaluate the potential of museum and gallery spaces and partnerships for art therapy. Showcasing approaches by well-known art therapists, the edited collection contains descriptions of, and reflections on, art therapy in museums and galleries around the globe. Case studies encompass a broad range of client groups, including people with dementia, refugees and clients recovering from substance abuse, exploring the therapeutic skills required to work in these settings. The collection also establishes the context for art therapy in museums and galleries through reviewing key literature and engaging with the latest research, to consider wider perspectives on how these spaces inform therapeutic practice. Offering a comprehensive look at ways in which these locations enable novel and creative therapeutic work, this is an essential book for art therapists, arts and health practitioners and museum professionals.
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The comics within capture in intimate, often awkward, but always relatable detail the tribulations and triumphs of life. In particular, the lives of 18 Jewish women artists who bare all in their work, which appeared in the internationally acclaimed exhibition "Graphic Details: Confessional Comics by Jewish Women." The comics are enhanced by original essays and interviews with the artists that provide further insight into the creation of autobiographical comics that resonate beyond self, beyond gender, and beyond ethnicity.
Marking the remarkable century of Ben Uri Gallery and Museum, from humble beginnings in London's East End in 1915 to a fully-fledged mainstream art museum, under its banner Art, Identity and Migration , this publication reveals eleven essays covering each aspect of the century's art history in parallel with the effect of emigre and Jewish artists on the cultural mosaic of Britain and Europe. They discuss the museum's world class collection including masterworks by some of the greatest artists of the twentieth century, including Soutine, Chagall, Auerbach, Bomberg, Kitaj and Kossoff. An array of distinguished scholars survey the 'Whitechapel Boys'; Yiddish London, Les Peintres Juifs de L'Ecole de Paris, Official War artists from both conflicts; mid-century émigrés influencing the direction of the arts, and contemporary artists making ground-breaking work across new media. They point to this unique collection, primarily of artists born into the Jewish faith, many shaping modern British, European and American art history, representing a distinct visual survey of artistic and social life in Britain and the cultural heritage of British Jewry.
The dramatic fall of the Berlin Wall in 1989 brought the division of Germany to an end. This book -- a survey of German art between 1945 and 1990 -- compares how art mirrored the different political circumstances in the two German states during this period. It reveals for the first time how artists from East and West Germany responded to the Nazi dictatorship, the Holocaust and the world war, and various political developments, showing that the dividing line between East and West was much less strict than has been imagined. Authorities on German art discuss major works by such artists as Max Beckmann, Max Ernst, Otto Dix, Josef Albers, Georg Baselitz, Eva Hesse, Gerhard Richter, Josef Beuys, Anselm Kiefer, Hanne Darboven, and others. The book also includes biographies of the artists. This handsome book is the catalogue for the exhibition "Deutschlandbilder" to be held at the 47 Berliner Festwochen from September 1997 until January 1998.
Insiders/Outsiders', published to accompany a UK-wide arts festival of the same name in 2019, examines the extraordinarily rich and pervasive contribution of refugees from Nazi-dominated Europe to the visual culture, art education and art-world structures of the United Kingdom. In every field, emigres arriving from Europe in the 1930s - supported by a small number of like-minded individuals already resident in the UK - introduced a professionalism, internationalism and bold avant-gardism to a British art world not known for these attributes. At a time when the issue of immigration is much debated, the book serves as a reminder of the importance of cultural cross-fertilization and of the deep, long-lasting and wide-ranging contribution that refugees make to British life. Exhibition: Arts festival throughout Britain (May 2019 - May 2020).