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Bauhaus - a Conceptual Model
"The Bauhaus--founded in Weimar in 1919, located in Dessau beginning in 1925, and ultimately shut down in 1933 shortly after relocating in Berlin--continues to be the most effective and successful export article of twentieth-century German culture. Even more than seventy years after it was closed, this interdisciplinary school for art, architecture, design, and theater has not lost any of its currentness. On the occasion of the ninetieth anniversary of the founding of the Bauhaus, this profusely illustrated, comprehensive publication with over three hundred illustrations reexamines and reevaluates the art school's history and influence. In this collaborative project by the three leading institutes at the former sites of the Bauhaus's activities--the Bauhaus-Archiv Berlin, the Stiftung Bauhaus Dessau, and the Bauhaus-Museum of the Klassik Stiftung Weimar--the historic Bauhaus and the trail of its reception are closely examined and analyzed based on sixty-eight selected highlights, including the hitherto neglected aspects of the Bauhaus during the period of National Socialism as well as its international propagation and commercialization."--English trade ed. book jacket.
Walking Through Walls
The thematic exhibition 'Walking Through Walls' presents a contemporary panorama of the artistic responses made to the detrimental effects of human-made barriers, divisions and walls, showcasing works by Jose Dávila, Mona Hatoum, Nadia Kaabi-Linke, Christian Odzuck, Anri Sala, Regina Silveira, alongside many others. Acknowledging the location of the Gropius Bau alongside the former Berlin Wall, the exhibition offers a global perspective on the physical and psychological repercussions of coexisting in divided societies. On the occasion of the 30th anniversary of the fall of the Wall, the exhibition is a timely exploration of how barriers can articulate feelings of vulnerability and anxiety, and represent individual and collective identities.0Artists: Jose Dávila, Mona Hatoum, Nadia Kaabi-Linke, Christian Odzuck, Anri Sala, Regina Silveira and others.00Exhibition: Gropius Bau, Berlin, Germany (12.09.2019-19.01.2020)
Theatrum Botanicum
This publication emerges from Uriel Orlow's Theatrum Botanicum (2015-18), a multi-faceted project encompassing film, sound, photography, and installation, which looks to the botanical world as a stage for politics. Working from the dual vantage points of South Africa and Europe, the project considers plants as both witnesses to, and dynamic agents in, history. It links nature and humans, rural and cosmopolitan medicine, tradition and modernity across different geographies, histories, and systems of knowledge--exploring the variety of curative, spiritual, and economic powers of plants. The project addresses "botanical nationalism" and "flower diplomacy" during apartheid; plant migration; the ...
Pacific Standard Time
"This volume is published for the occasion of the Getty's citywide grant initiative Pacific Standard Time: Art in Los Angeles 1945-1980 and accompanies the exhibition Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture 1950- 1970, held at the J. Paul Getty Museum, Los Angeles."
Berlin Unwrapped
This guide to one of Europe's most exciting cities allows you to discover the most authentic local haunts, the facts behind the historic facades, and the best in culture and entertainment. With chapters on nightlife, museums, city sights, and the suburbs, as well as sections on Berlin's fascinating history, Berlin Unwrapped is a must for anyone who wants to savor the true essence of the German capital, offering a wealth of insider tips, both on and off the tourist track. Penny Croucher lived in Berlin for many years, working as a journalist, and developed a lasting passion for the city.
Ai Weiwei
Begleitband zur weltweit grössten Einzelausstellung des politischen Konzeptkünstlers Ai Weiwei in Berlin. Der eindrucksvolle und bestens bebilderte Band behandelt unter anderem die Ai Weiweis ästhetischen Widerstand, seinen Umgang mit der Tradition und seinen Blick auf die europäische Moderne.
Germany
From Neil MacGregor, the author of A History of the World in 100 Objects, this is a view of Germany like no other Today, as the dominant economic force in Europe, Germany looms as large as ever over world affairs. But how much do we really understand about it, and how do its people understand themselves? In this enthralling new book, Neil MacGregor guides us through the complex history, culture and identity of this most mercurial of countries by telling the stories behind 30 objects in his uniquely magical way. Beginning with the fifteenth-century invention of the Gutenberg press, MacGregor ventures beyond the usual sticking point of the Second World War to get to the heart of a nation that has given us Luther and Hitler, the Beetle and Brecht - and remade our world again and again. This is a view of Germany like no other. Neil MacGregor has been Director of the British Museum since August 2002. He was Director of the National Gallery in London from 1987 to 2002. His celebrated books include A History of the World in 100 Objects, now translated into more than a dozen languages and one of the top-selling titles ever published by Penguin Press, and Shakespeare's Restless World.
Gurlitt
"The present volume reflects the documentary approach of both exhibitions. At the same time, it also reflects the current state of the scholarly and journalistic examination of Hildebrand Gurlitt and the art collection he compiled"--Page 11.
Frida Kahlo
The passionate life and work of the Mexican artist, comprehensively presented for the first time in paintings and photographs. Private photographs form among the possessions of her family and close friends afford the reader of this book some rare and unusual insights into Frida Kahlo's life and times. --Book Jacket.
On the Museum's Ruins
"What determines the significance of a work of art? Doe it abide eternally within the work? Or is it continually constructed and reconstructed from the outside, through the work's presentation? The historical shift from autonomous modernist object to postmodernist critique of institutions, from artwork to discursive context, is the subject of Douglas Crimp's essays and Louise Lawler's photographs in On the Museum's Ruins. Taking the museum as paradigmatic institution of artistic modernism, Crimp surveys its historical origins and current transformations. The new paradigm of postmodernism is elaborated through analyses of art practices broadly conceived--not only the practices of artists but also those of critics and curators, of international exhibitions, and of new or refurbished museums."--back cover.
