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Gonzalo de Berceo and the Latin Miracles of the Virgin
In Gonzalo de Berceo and the Latin Miracles of the Virgin, Patricia Timmons and Robert Boenig present the first English translation of a twelfth-century Latin collection of miracles that Berceo, the first named poet in the Spanish language, used as a source for his thirteenth-century Spanish collection Milagros de Nuestra Señora. Using the MS Thott 128, close to the one Berceo must have used, Timmons and Boenig provide both translation and analysis, exploring the Latin Miracles, suggesting how it was used as a sacred text, and placing it within the history of Christians' evolving understanding of the Virgin's role in their lives. In addition, this volume explores Berceo's reaction to the La...
Miracles of Our Lady
Miracle tales, in which people are rewarded for piety or punished for sin through the intervention of the Virgin Mary, were a popular literary form all through the Middle Ages. Milagros de Nuestra Sehora, a collection of such stories by the Spanish secular priest Gonzalo de Berceo, is a premier example of this genre; it is also regarded as one of the four most important texts of medieval Spain. Difficulties in translating this work have made it unavailable in English except in fragments; now Spanish-language scholars Richard Terry Mount and Annette Grant Cash have made the entire work accessible to English readers for the first time. Berceo's miracle tales use the verse form cuaderna via (fo...
A Companion to Mester de Clerecía Poetry
Mester de clerecía is the term traditionally used to designate the first generations of learned poetry in medieval Ibero-Romance dialects (the precursors of modern Castilian and other Romance languages of the Iberian Peninsula). In its time, this poetry was anything but traditional. These long poems of structured verse reappropriate the heroic past through the retelling of legends from Classical Antiquity, saints’ lives, miracle stories, Biblical apocrypha, and other tales. At the same time, the poems recast the place of their authors, and learned characters within their stories, in the shifting dynamics of their thirteenth and fourteenth century present. Contributors are Pablo Ancos, Maria Cristina Balestrini, Fernando Baños Vallejo, Andrew M. Beresford, Olivier Biaggini, Martha M. Daas, Emily C. Francomano, Ryan Giles, Michelle M. Hamilton, Anthony John Lappin, Clara Pascual-Argente, Connie L. Scarborough, Donald W. Wood, and Carina Zubillaga.
Medieval Fare
Unique in its cultural and religious makeup, medieval Iberia represented a crossroads of cultures. This crossroads was reflected in large and small ways. On a grand scale, we see the convergence of intellectual ideas and great innovations in agriculture and science. On a more intimate level, we see an intersection of cultures as reflected in habits of consumption. The acts of producing food, cooking, and eating demonstrate the political realities of the land: at times interdependent, and, at times, at odds. Food, as an archeological and anthropological tool, can help us understand a particular moment in time. In considering the nature of consumption, we may arrive at the heart of a culture. In Medieval Fare, the author explores food references found in a number of medieval Iberian texts in order to expand our knowledge of daily life in the Middle Ages. By examining the depiction of food and consumption, this pioneering study provides insight into the cultural, religious, and social complexities of medieval Iberia.
Festschrift
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Women, Jews, and Muslims in the Texts of Reconquest Castile
Groundbreaking study of the impact of gender and religion in the power struggle behind medieval Spanish texts
Christ, Mary, and the Saints
The last decade has witnessed a striking upsurge of interest in Iberian hagiography. In painting and the fine arts through to poetic and narrative treatments composed in Castilian and Catalan, the legacies of Christ, Mary, and the saints have been approached from a range of perspectives and subjected to detailed critical scrutiny. This book, which focuses specifically on the application of theoretical and methodological approaches to analysis, asks what scholars of early Iberian hagiography can bring to the analysis of the sacred past and how the study of the discipline can be taken forward innovatively in the future. Its fourteen essays, each focusing on a different aspect of composition, seek in particular to explore interdisciplinary methodologies and the ways in which they intersect with broader discourses in other branches of research. Contributors are Carme Arronis Llopis, Fernando Baños Vallejo, Andrew M. Beresford, Sarah Jane Boss, Sarah V. Buxton, Marinela Garcia Sempere, Ryan D. Giles, Ariel Guiance, Lluís Ramon i Ferrer, Rebeca Sanmartín Bastida, Connie L. Scarborough, and Lesley K. Twomey.
Desire Against the Law
The churches and manuscripts of medieval Europe incessantly juxtapose imagery depicting sacred themes with likenesses of the crudest and basest nature. Drawing on the contrast between Bakhtin's concepts of the carnivalesque and the domain of the law, this book examines such opposites in six major works of pre-1350 Spanish literature.
Medieval Iberia
As the first comprehensive reference to the vital world of medieval Spain, this unique volume focuses on the Iberian kingdoms from the fall of the Roman Empire to the aftermath of the Reconquista. The nearly 1,000 signed A-Z entries, written by renowned specialists in the field, encompass topics of key relevance to medieval Iberia, including people, events, works, and institutions, as well as interdisciplinary coverage of literature, language, history, arts, folklore, religion, and science. Also providing in-depth discussions of the rich contributions of Muslim and Jewish cultures, and offering useful insights into their interactions with Catholic Spain, this comprehensive work is an invaluable tool for students, scholars, and general readers alike. For a full list of entries and contributors, a generous selection of sample entries, and more, visit the Medieval Iberia: An Encyclopedia website.
