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This book contains papers presented in various technical sessions at the Polyurethanes Expo 2001 conference held between September 30-October 3, 2001 at Greater Columbus Convention Center, Columbus, Ohio.
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This book contains papers presented in various technical sessions at the Polyurethanes Expo 2001 conference held between September 30-October 3, 2001 at Greater Columbus Convention Center, Columbus, Ohio.
This is a sequel to my first novel, FRIENDS AND DREAMS, and is narrated by its two protagonists: CYRIL JIDEOFO and BOLA AKANDE. In the prequel, Cyril was betrayed by his friend, BERNARD EKWEKWE, and was sent to prison for eight years for a crime he did not commit. Bola, a Columbia University student, meets and falls in love with Cyrils daughter, CHIZUBE. Cyril, obsessed by the cruel injustice of his fate, and eager to clear his name of the stain of imprisonment, desperately searches for an all-important letter written by Bernard a letter he is sure would prove his innocence. He finds a good job with a Nigerian accounting firm, in Newark, NJ, and then gets a crucial piece of information at a welcoming party for his family, organized by the firm. Bola has two problems: he does not know who his father is; and his mother, Hannah, is unaccountably hostile to his girlfriend Chizube. Cyrils search ultimately comes to a shattering climax at the Newark International Airport. In the Epilogue, Bolas mother tells him the unvarnished story of his life.
Polymeric Foams Structure–Property–Performance: A Design Guide is a response to the design challenges faced by engineers in a growing market with evolving standards, new regulations, and an ever-increasing variety of application types for polymeric foam. Bernard Obi, an author with wide experience in testing, characterizing, and applying polymer foams, approaches this emerging complexity with a practical design methodology that focuses on understanding the relationship between structure–properties of polymeric foams and their performance attributes. The book not only introduces the fundamentals of polymer and foam science and engineering, but also goes more in-depth, covering foam proc...
By 1977 National Public Radio (NPR) was in trouble, plagued by too little funding and small audiences. The phenomenal success of its adaptation of Star Wars as a radio drama in 1981 gave NPR the needed ratings, publicity, and boost in donations that kept it afloat at exactly the time it was threatened the most. Most importantly, Star Wars brought a new audience to NPR. As it did in theaters, where George Lucas's films redefined movie making, so too did NPR's Star Wars forever change the artistic world of radio drama. That a radio network, dependent exclusively on audio, would find a lifeline in one of the most visually dynamic movies ever released is the stuff of irony. Utilizing new interviews with creatives such as Anthony Daniels (C-3PO), Ann Sachs (Princess Leia), Perry King (Han Solo), and director John Madden, and archival research, this book details how an unlikely alliance of academics, radio executives, Lucasfilm employees, actors, and behind-the-scenes artists banded together, despite the obstacles, to create a unique and consequential work. It is also the story of how writer Brian Daley was the fulcrum who made it all possible.