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The backdrop to this story is the raging Nigeria/Biafra civil war (1967-1970). Titi, a young Biafran girl, arrives in Geneva, Switzerland, in the employ of Chukwuka and Ngozi Okeke, as a maid. What Titi lacked in formal education, she more than made up in charm and stunning beauty. She soon leaves the Okeke household for reasons related to her love life, and is then employed as a nurse-maid by an American family. She gets seriously and emotionally involved with Eddy, the brother of the President of an East African country, and fi nds herself entangled in matters of love, war and diplomacy as Biafra struggles to achieve international recognition. The story tells about a small community of Africans in Switzerland, the intrigues of their interactions and the dynamics of their lives.
'Achebe is the man who invented African literature because he was able to show, in the structure and language of 'Things Fall Apart', that the future of African writing did not lie in simple imitation of European forms but in the fusion of such forms with oral traditions', says Professor Simon Gikandi of the University of Michigan, Ann Arbor. This biography of Chinua Achebe captures how his personal characteristics have combined with historical events to produce the man who cleared the frontiers of literature for Africa North America: Indiana U Press; Nigeria: HEBN
Christian Chike Momah was born on October 20, 1930 to Sidney and Grace Momah, of Obiuno, Otolo, Nnewi, Nigeria. He was educated at the St. Michael's (C.M.S.) School, Aba; the Government College, Umuahia; and the University College, Ibadan, where he earned a Bachelor's degree in History, English and Religious Studies in 1953. In 1959, he obtained the Associateship of the Library Association from the University College, London.
This is a sequel to my first novel, FRIENDS AND DREAMS, and is narrated by its two protagonists: CYRIL JIDEOFO and BOLA AKANDE. In the prequel, Cyril was betrayed by his friend, BERNARD EKWEKWE, and was sent to prison for eight years for a crime he did not commit. Bola, a Columbia University student, meets and falls in love with Cyrils daughter, CHIZUBE. Cyril, obsessed by the cruel injustice of his fate, and eager to clear his name of the stain of imprisonment, desperately searches for an all-important letter written by Bernard a letter he is sure would prove his innocence. He finds a good job with a Nigerian accounting firm, in Newark, NJ, and then gets a crucial piece of information at a welcoming party for his family, organized by the firm. Bola has two problems: he does not know who his father is; and his mother, Hannah, is unaccountably hostile to his girlfriend Chizube. Cyrils search ultimately comes to a shattering climax at the Newark International Airport. In the Epilogue, Bolas mother tells him the unvarnished story of his life.
WINNER OF THE ASAUK FAGE & OLIVER PRIZE 2016 The author meticulously contextualises the experiences of Achebe and his peers as students at Government College Umuahia and argues for a re-assessment of this influential group of Nigerian writers in relation to the literary culture fostered by the school and its tutors. This is the first in-depth scholarly study of the literary awakening of the young intellectuals who became known as Nigeria's "first-generation" writers in the post-colonial period. Terri Ochiagha's research focuses on Chinua Achebe, Elechi Amadi, Chike Momah, Christopher Okigbo and Chukwuemeka Ike, and also discusses the experiences of Gabriel Okara, Ken Saro-Wiwa and I.C. Anieb...
Biography of the Nigerian poet whose work combined Igbo mysticism and classical influences.
This is a story of the Igbo Diaspora in America. It is a story of the cultural conflicts that often arise when an Igbo youth falls in love with, and wants to marry, a non-Igbo. Okocha Anigbo, one of the two sons of Chief Nat and Lolo Ekemma Anigbo, meets and falls in love with an American girl, Tatiana Karefa, the daughter of Edna and Philip Karefa, a jovial and unapologetic Baptist. But Chief Anigbo, a well-respected Igbo community leader and vocal opponent of cross-cultural marriages, is bitterly and implacably opposed to his sons plan to marry the American girl. Entreaties from his son, and even from one of the respected elders of the Igbo community, Chikezie Odogwu, fail to persuade him to change his position. For his part, Okocha sees the traditional and cultural underpinnings relating to the institution of marriage among the Igbo as a veritable Wall of Jericho that needs to be breached, to let the Igbo youth freely marry from outside the Igbo clan. In the teeth of Chief Anigbos opposition, but with the blessing of Philip Karefa, Okocha and Tatiana marry. The denouement comes with the birth of their child.
The essays here underscore Herbert Ekwe-Ekwe's continuing optimism about the possibilities of Africans constructing post-"Berlin-states" as the launch pad to transform the topography of the African renaissance. Readings from Reading is a timely publication, coming on the eve of the historic January 2011 referendum in south Sudan in which the people of the region will choose to vote to restore their national independence or get stuck hopelessly in the Sudan, the first of the "Berlin-states" that Africans tragically "inherited" in January 1956. Ekwe-Ekwe insists that the contemporary Africa state, imposed on Africans by a band of European conqueror states and currently run by what the author d...
It doesnt take days or weeks or months to read a book. It takes hours. READ MORE explains how. Most people readily admit that reading books is beneficial, and wish they could read a bit more, and in some cases, a lot more. But most people also have what seem like perfectly valid excuses for not reading, chief among which are lack of time, work-load and responsibility. Yes, they all seem perfectly understandable excuses until you read this book, and discover accounts of people going out of their way to indulge in the habit, from Rudi Giuliani, who, as New York Mayor during 9-11, finally arrived home at past 2 A.M. on the night of that fateful day, and still picked up a book to read; to Barack...
Postcolonial Poetics is about how we read postcolonial and world literatures today, and about how the structures of that writing shape our reading. The book’s eight chapters explore the ways in which postcolonial writing in English from various 21st-century contexts, including southern and West Africa, and Black and Asian Britain, interacts with our imaginative understanding of the world. Throughout, the focus is on reading practices, where reading is taken as an inventive, border-traversing activity, one that postcolonial writing with its interests in margins, intersections, subversions, and crossings specifically encourages. This close, sustained focus on reading, reception, and literariness is an outstanding feature of the study, as is its wide generic range, embracing poetry, essays, and life-writing, as well as fiction. The field-defining scholar Elleke Boehmer holds that literature has the capacity to keep reimagining and refreshing how we understand ourselves in relation to the world and to some of the most pressing questions of our time, including resistance, reconciliation, survival after terror, and migration.