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Providing all the tools for engaged, informed individual analysis of the text, this is an essential starting point for students of American literature and women's writing, or for anyone fascinated by Chopin's controversial work.
The Politics of Love explores the entanglement of emotions, social movements, and science in reconfiguring human and nonhuman relations. As Darwin's evolutionary theory informed the development of sexual science and the sex reform movement between the 1890s and the 1920s, sex reformers emerged as a group of diverse and culturally influential professionals—doctors, psychologists, artists, political activists, novelists, and academics—who shared a profound commitment to changing the world by changing the practice of sex. Sex reformers reinvented love as a scientific practice of sex that brought humans and nonhumans into the fold of early-twentieth-century racial, gender, and sexual politics. Carla Christina Hustak illuminates how sex reformers' insistence that love can shift human and nonhuman relations is more than just a historical narrative—it is a moment in time interconnected with urgent contemporary concerns over the global implications of our emotional relationships to other humans, animals, the earth, and atmospheric and technological forces.
The greatest American Indian baseball player of all time, Charles Albert Bender, was, according to a contemporary, the coolest pitcher in the game. Using a trademark delivery, an impressive assortment of pitches that may have included the game s first slider, and an apparently unflappable demeanor, he earned a reputation as baseball s great clutch pitcher during tight Deadball Era pennant races and in front of boisterous World Series crowds. More remarkably yet, Chief Bender s Hall of Fame career unfolded in the face of immeasurable prejudice. This skillfully told and complete account of Bender s life is also a portrait of greatness of character maintained despite incredible pressure of how ...
The Birth of a Jungle probes the historical emergence of the jungle as a discourse in the U.S during the Progressive Era.
Peter Matthiessen and Ecological Imagination offers an ecocritical reading of the Watson Trilogy - Killing Mister Watson (1990), Lost Man's River (1997), and Bone By Bone (1999) - which draws together themes Matthiessen has been exploring both in his fiction and nonfiction. While this study argues that his ecological imagination comes from his unique experience as a novelist, naturalist, environmentalist, social activist, and a student of Zen, it also illustrates that for Matthiessen, economic, political, social, racial, psychological, epistemological, and ecological issues are all inseparably interconnected. Set in the Everglades frontier in the formative era of American industrial capitalism, Matthiessen's novels are his grand attempt to reexamine the root causes of ecological disaster in the region and the costs to the people and the land that accompanied the conquering of the frontier.
Beneath the polished surface of the genteel environments delineated in Wharton's fiction, characters are competing fiercely for desirable mates, questing for social status and resources, and plotting ruthlessly to advance their relatives' fortunes in life. This book identifies these and other evolutionary issues central to her fiction, demonstrating their significance in terms of character, setting, plot, and theme. Connections to existing Wharton criticism are made throughout the book, so that readers can see how an evolutionary perspective enriches, refutes, or reconfigures insights derived from other critical approaches.
Investigates the literary and cultural significance of 'sailor talk, ' rethinking the nineteenth-century sailor and sailor-writer, whose language articulated the rich and complex culture of seafarers in port and at sea, and the foundational role of maritime language in the works of Herman Melville, Joseph Conrad, and Jack London.
Although she enjoyed only modest success during her lifetime, Kate Chopin is now recognised as a unique voice in American literature. Her seminal novel, The Awakening, published in 1899, explored new and startling territory, and stunned readers with its frank depiction of the limits of marriage and motherhood. Chopin's aesthetic tastes and cultural influences were drawn from both the European and American traditions, and her manipulation of her 'foreignness' contributed to the composition of a complex voice that was strikingly different to that of her contemporaries. The essays in this Companion treat a wide range of Chopin's stories and novels, drawing her relationship with other writers, genres and literary developments, and pay close attention to the transatlantic dimension of her work. The result is a collection that brings a fresh perspective to Chopin's writing, one that will appeal to researchers and students of American, nineteenth-century, and feminist literature.
The call of the sea -- The maritime romantic ideal on the San Francisco Bay -- Hell-ships and seafaring women -- Crafting the sea in Martin Eden -- The specter of survival cannibalism -- Trading in imperialism-- Local history and colonial complexities.
Presents American literature from the beginnings to the Revolutionary War, including essays, narratives and more.