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The Derveni Krater
This beautifully illustrated book represents the first full publication of the most elaborate metal vessel from the ancient world yet discovered. Found in an undisturbed Macedonian tomb of the late 4th century B.C., the volute krater is a tour de force of highly sophisticated methods of bronze working. An unusual program of iconography informs every area of the vessel. Snakes with copper and silver inlaid stripes frame the rising handles, wrapping their bodies around masks of underworld deities. On the shoulder sit four cast bronze figures: on one side a youthful Dionysos with an exhausted maenad, on the other a sleeping Silenos and a maenad handling a snake. In the major repousse frieze on the body a bearded hunter is associated with Dionysian figures. What was the function of this extraordinary object? And what is the meaning of the intricate iconography? The krater is placed in its Macedonian archaeological context as an heirloom of the descendants of the man named in the Thessalian inscription on its rim, and in its art-historical context as a highly elaborated, early-4th-century version of a metal type known in Athens by about 470 B.C.
Greek Art and Aesthetics in the Fourth Century B.C.
Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by P...
Faces of Power
During his reign and following his death, the physiognomy of Alexander the Great was one of the most famous in history, adorning numerous works of art. This study demonstrates how the various portraits transmit not so much a likeness of Alexander as a set of cliches that symbolized the ruler
Power and Pathos
For the general public and specialists alike, the Hellenistic period (323–31 BC) and its diverse artistic legacy remain underexplored and not well understood. Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories. As the first comprehensive volume on...
Small Bronze Sculpture from the Ancient World
Historical and technical considerations in provenancing and collecting Greek, Etruscan, and Roman bronzes.
In the Shadow of Olympus
In tracing the emergence of the Macedonian kingdom from its origins as a Balkan backwater to a major European and Asian power, Eugene Borza offers to specialists and lay readers alike a revealing account of a relatively unexplored segment of ancient history. He draws from recent archaeological discoveries and an enhanced understanding of historical geography to form a narrative that provides a material-culture setting for political events. Examining the dynamics of Macedonian relations with the Greek city-states, he suggests that the Macedonians, although they gradually incorporated aspects of Greek culture into their own society, maintained a distinct ethnicity as a Balkan people. "Borza has taken the trouble to know Macedonia: the land, its prehistory, its position in the Balkans, and its turbulent modern history. All contribute...to our understanding of the emergence of Macedon.... Borza has employed two of the historian's most valuable tools, autopsy and common sense, to produce a well-balanced introduction to the state that altered the course of Greek and Near Eastern history."--Waldemar Heckel, Bryn Mawr Classical Review
North American Women Artists of the Twentieth Century
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
The Treasures of Alexander the Great
This book investigates the kinds and quantities of treasure seized by Alexander the Great, from gold and silver to land and slaves, and reassesses the widespread belief that the Macedonian king used the profits of war to improve the ancient economies he conquered. It reveals what became of the king's wealth and what Alexander's redistribution of these vast resources can tell us about his much-disputed policies and personality.
Brill's Companion to Ancient Macedon
Drawing on the latest archaeology, epigraphy and historical interpretation, this major volume presents a survey of ancient Macedon, important parts of which are published by their excavators for the first time, including the palace of King Philip II. Archaeologists and historians of the ancient Greek worlds will welcome this milestone in the study of this rapidly changing filed, packed with new information, interpretations and essential bibliography.
Death in Babylon
Though Alexander the Great lived more than seventeen centuries before the onset of Iberian expansion into Muslim Africa and Asia, he loomed large in the literature of late medieval and early modern Portugal and Spain. Exploring little-studied chronicles, chivalric romances, novels, travelogues, and crypto-Muslim texts, Vincent Barletta shows that the story of Alexander not only sowed the seeds of Iberian empire but foreshadowed the decline of Portuguese and Spanish influence in the centuries to come. Death in Babylon depicts Alexander as a complex symbol of Western domination, immortality, dissolution, heroism, villainy, and death. But Barletta also shows that texts ostensibly celebrating the conqueror were haunted by failure. Examining literary and historical works in Aljamiado, Castilian, Catalan, Greek, Latin, and Portuguese, Death in Babylon develops a view of empire and modernity informed by the ethical metaphysics of French phenomenologist Emmanuel Levinas. A novel contribution to the literature of empire building, Death in Babylon provides a frame for the deep mortal anxiety that has infused and given shape to the spread of imperial Europe from its very beginning.
