Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Philip Pearlstein
"This selection of sixty paintings and watercolors from the past two decades reveals the intelligence and virtuosity that have made Pearlstein a contemporary master over the course of his long career. The book also includes an enlightening interview with the artist and a thoughtful essay by curator and scholar Robert Storr, who has known Pearlstein for many years."--BOOK JACKET.
Rackstraw Downes
Rackstraw Downes paints down-to-earth, often gritty features of today's American environment in an unflinching and highly realistic style. This book is the first to provide a multifaceted picture of his work, its intellectual foundations, and its place in the history of art--from both outside commentators and Downes himself. Beautifully illustrated, with copious examples from thirty years of the artist's work, the book makes eminently clear why Downes is widely regarded as a "painter's painter." It showcases many of the artist's panoramic pictures--painted with a strong sense of place and a miniaturist's sense of scale. The images, which depict industrial parks, construction sites, housing p...
Corcoran Gallery of Art
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Rackstraw Downes
This 48-page catalog was published on the occasion of the exhibition titled Rackstraw Downes: A Wider View, which took place at the List Gallery, Swarthmore College March 5 - April 5, 2020. The catalog includes essay by the exhibition curator, Andrea Packard, and Alfred Mac Adam.
The Isabella Stewart Gardner Museum
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
MashUp
MashUp: The Birth of Modern Culture traces the inexorable rise of collage, montage, sampling and the cut-up. Tracing its roots from the multiple-perspectives, montages and readymades of Marcel Duchamp, Kurt Schwitters and Hannah Hoch, to the present with its postmodern network culture, where remixing and co-production are the norm and the New Aesthetic seeks to harmonise the now-everyday crossover of the digital and the actual. The book addresses the development of détournement and deconstruction in art, architecture, music and society. Each chapter is a detailed, inclusive look at a cross-section of the main artists and thinkers that have embraced and developed all forms of 'mashup' cultur...
Lastingness
One of the country's leading literary scholars, explores the fascinating question of why some people's creative talents flourish with age while others' fade. America grows older yet stays focused on its young. Whatever hill we try to climb, we're "over" it by fifty and should that hill involve entertainment or athletics we're finished long before. And if younger is better, it doesn't appear that youngest is best: we want our teachers, doctors, generals, and presidents to have reached a certain age. In context after context and contest after contest, we're more than a little conflicted about elders of the tribe; when is it right to honor them, and when to say "step aside"' In his new book, Nicholas Delbanco, one of America's most formidable scholars, tackles the enigma of "lastingness," searching for the answers to the question of why some artists' work diminishes with age, and that of others reaches its peak. Both an intellectual inquiry ino the essence of aging and creativity and a personal journey of discovery, LASTINGNESS is a brilliant exploration of what determines what one needs to do to keep the habits of creation and achievement alive.
O N E E V E R Y O N E
Ohio State students, faculty and staff were photographed by artist and professor Ann Hamilton through a semi-transparent membrane that registersin focus only what immediately touches its surface while rendering more softly the gesture or outline of the body. In these images, touch-something we feel more than we see-is visible. In them, we feel the glance of cloth's fall, the weight of a hand, the press of a cheek, the possibility of recognition in portraits haunted by contact.Standing behind the semi-opaque film, one can hear but can not see, hidden until stepping toward the surface, guided by my voice. Each press of the object, the face, a hand, or cloth touching the membrane is revealed in...
William Bailey
None
