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Drawing on America's Past
This book presents watercolor renderings along with a selection of the artifacts in the Index of American Design, a visual archive of decorative, folk, and popular arts made in America from the colonial period to about 1900. Three essays explore the history, operation, and ambitions of the Index of American Design, examine folk art collecting in America during the early decades of the twentieth century, and consider the Index's role in the search for a national cultural identity in the early twentieth-century United States.
200 Years of American Architectural Drawing
Based on an exhibit opening in 1977 at the Cooper-Hewitt Museum and entitled: 200 years of American architectural drawing.
Drawing America's Wildlife
This fully revised portfolio includes field sketches, drawings of footprints, and four-colour photographs of more than 60 species of North American animals taken in their natural habitats. Rather than a drawing manual, this is a reference geared toward artists of any media interested in drawing animals. The hundreds of detailed sketches and photographs capture the true nature of the species. Flat artists can use this guide as a starting point for larger compositions, while sculptors and woodcarvers can use it to define natural-looking poses for their subjects. This replaces 1565231430.
The American Drawing-Book
Originally published in 1847 this classic book contains a guide to drawing, aimed at both the amateur and professional. This book would be great for anyone wishing to learn a more classic style of drawing, but also for the beginner as it has much to teach about the basic principles of the art.
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Drawing American Manga Superheroes
Summary: Provides techniques and tips for creating Manga characters in the American style, including step-by-step instructions on how to draw facial expressions, bodies in motion, and backgrounds.
Jack Davis
Jack Davis: Drawing American Pop Culture is a gigantic, unparalleled career-spanning retrospective, between whose hard covers resides the greatest collection ― in terms of both quantity and quality ― of Jack Davis’ work ever assembled! It includes work from every stage of his long and varied career, such as: excerpts of satirical drawings from his college humor ’zine, The Bull Sheet; examples of his comics work from EC, MAD, Humbug, Trump, and obscure work he did for other companies in the 1950s such as Dell; movie posters including It’s a Mad, Mad, Mad, Mad World, The Bad News Bears, Woody Allen’sBananas, The Party, and others; LP jacket art for such musicians and bands as Hans Conreid and the Creature Orchestra’s Monster Rally, Spike Jones and Ben Cooler; cartoons and illustrations fromPlayboy, Sports Illustrated, Time, TV Guide, Esquire, and many others; unpublished illustrations and drawings Davis did as self-promotional pieces, proposed comic strips that never sold (such as his Civil War epic “Beaureagard”), finished drawings for unrealized magazine projects ― and even illustrations unearthed in the Davis archives that the artist himself can’t identify!
