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More than 6 million copies sold! The classic Christian novel of the crucifixion and one Roman soldier’s transformation through faith. At the height of his popularity, Lloyd C. Douglas was receiving an average of one hundred letters a week from fans. One of those fans, a department store clerk in Ohio named Hazel McCann, wrote to Douglas asking what he thought had happened to Christ’s garments after the crucifixion. Douglas immediately began working on The Robe, sending each chapter to Hazel as he finished it. It is to her that Douglas dedicated this book. A Roman soldier wins Christ’s robe as a gambling prize. He then sets forth on a quest to find the truth about the Nazarene—a quest...
This book is both a personal and a philosophical autobiography of Robert S. Hartman, the creator of formal axiology. After experiencing first-hand the horrible effects of World War I and the beginnings of Nazism in Germany, Hartman wondered what could be done to organize goodness instead of badness - for a change. First, the concept of good must be defined. Next, different kinds of goodness, like intrinsic, extrinsic, and systemic, must be differentiated. Then this understanding must be used to comprehend and to change the world, including its economic, political, military, religious, educational, intellectual, and psychological dimensions. By telling his own story, Hartman gives his readers a glimpse of the form of the good and of a much better world.
"Concepts" is a search for theism's roots - coined prototheism - a science of religion. Its notion is: Belief in God is a misconception of the Life Urge emerging from deep in human nature. "Concepts" traces Life's trajectory - from Earth's origin, to consciousness, to today's runaway material culture.
D.--from the Introduction "Canadian Bulletin of Medical History"
This study examines the way that the modernization and incorporation of the American publishing industry in the early twentieth century both helped to foment the emerging late industrial cultural hierarchy and capitalized on that same hierarchy to increase readership and profits. More importantly, however, it attempts to trace the ways in which recently-introduced marketing techniques, reconceived ideas of audience, and new paradigms in author-publisher relations affected American writers of the 1930s and the literature they produced. Using case studies of authors chosen from various points on the spectrum of so-called high-, middle-, and lowbrow literature, the author demonstrates that, contrary to popular critical opinion, this new publishing landscape--dominated by big-business practices and strict categorizations of audiences, writers, and works--did not ruin or corrupt literature but in fact enriched our literary heritage by providing authors with inspiration and opportunity that they may not otherwise have had.
The Dictionary of Midwestern Literature, Volume One, surveys the lives and writings of nearly 400 Midwestern authors and identifies some of the most important criticism of their writings. The Dictionary is based on the belief that the literature of any region simultaneously captures the experience and influences the worldview of its people, reflecting as well as shaping the evolving sense of individual and collective identity, meaning, and values. Volume One presents individual lives and literary orientations and offers a broad survey of the Midwestern experience as expressed by its many diverse peoples over time.Philip A. Greasley's introduction fills in background information and describes...
In A Hoosier Sampler, James A. Huston provides a thorough compilation of the works of some of Indiana's most notable writers. Huston brings to the foreground such world renowned authors as Lew Wallace, Lloyd C. Douglas, Charles Major, Kurt Vonnegut, and James Whitcomb Riley among others, to produce a comprehensive volume of great works that provides the true flavor of each author's style as well as interesting, enjoyable, and instructive reading. Covering nearly every accomplished Indiana writer, this anthology will be of great use to students and professors of literature as well as the general reader.
Bible and Cinema: Fifty Key Films introduces a wide range of those movies - among the most important, critically-acclaimed and highest-grossing films of all time - which have drawn inspiration, either directly or indirectly, from the Bible.
Includes section: "Some Michigan books."