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North Korean Art: The Enigmatic World of Chosonhwa
In-depth analysis of chosonhwa, the emblem of North Korean art The primary resource research, the first of its kind on chosonhwa -Vivid visual materials of the North Korean art scene based on nine visits over six years by Georgetown University professor BG Muhn -The art creation environment of North Korean contemporary ideological and collaborative paintings revealed for the first time North Korean Art: The Enigmatic World of Chosonhwa offers the reader a rare glimpse into the art, culture, and society of North Korea, a country largely closed off from the world for more than seven decades. This book examines the development and characteristics of chosonhwa, the style of painting unique to th...
North Korean Art: Paradoxical Realism
North Korean Art: Paradoxical Realism at the 2018 Gwangju Biennale is an exhibition that reflects the culmination of an eight-year exploration into the art of the Democratic People's Republic of Korea (DPRK). During that time, BG Muhn made nine research trips to the DPRK to pursue a growing passion for the uniqueness and mystery surrounding Chosonhwa, the North Korean name for traditional ink wash painting on rice paper. The DPRK is notably the only country in the world after the fall of the Soviet Union in 1991 that continues to create Socialist Realism art. This exhibition is likely the first opportunity for people around the world to see North Korean Chosonhwa in such a broad range of images within Socialist Realism art.
Käthe Kollwitz
The German printmaker, draughtsman, and sculptor Kathe Kollwitz's images of mothers and children and of protest against social injustice have long been admired by both critics and the public. Kollwitz adhered to a figurative style in the era of abstraction and she depicted socially-engaged subject matter when it was unfashionable. Critics have often focused on those issues and have rarely studied the ways in which the artist manipulated technique and resolved formal problems. This illustrated book redresses this imbalance, portraying Kollwitz as an innovative and virtuosic artist rather than a mere chronicler of particular themes.
Soviet Socialist Realism and Art in the Asia-Pacific
This study evaluates how the ideology of Socialist Realism, developed by the Soviets in policies and the practices of art, has been influential in the Asia-Pacific region from 1917 until today. Focusing primarily on Russia, then China, Vietnam, Korea, Singapore, Indonesia, the Philippines and Australia, this book demonstrates how each society adopted and adapted the Soviet example to make some of the most important imagery of recent history. Included is an examination of how the practice of Western art history, the nature of art history in Asia and the forces of the Cold War have led to this influence being inadequately acknowledged across Asia and more widely. The book will be relevant to those interested in art history, Asian studies, political history and cultural history.
Interpretation of Visual Arts Across Societies and Political Culture: Emerging Research and Opportunities
It is thought that every work of art possesses multiple interpretations, depending on each viewer. Analyzing personal assessments of artwork can help enable us to gain an understanding of one another, as well as broaden our own opinions and views. Interpretation of Visual Arts Across Societies and Political Culture: Emerging Research and Opportunities is a detailed reference source that breaks down the ways art can be evaluated, and addresses how this type of analysis can influence an array of social groups and regions. Highlighting relevant topics such as artistic impression, modern art, culture wars, and freedom of expression, this publication is an ideal resource for artists, academics, students, and researchers that are interested in expanding their knowledge of the arts.
Art in America
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Maṇḍalas in the Making
The first scholarly monograph on Buddhist maṇḍalas in China, this book examines the Maṇḍala of Eight Great Bodhisattvas. This iconographic template, in which a central Buddha is flanked by eight attendants, flourished during the Tibetan (786–848) and post-Tibetan Guiyijun (848–1036) periods at Dunhuang. A rare motif that appears in only four cave shrines at the Mogao and Yulin sites, the maṇḍala bore associations with political authority and received patronage from local rulers. Attending to the historical and cultural contexts surrounding this iconography, this book demonstrates that transcultural communication over the Silk Routes during this period, and the religious dialogue between the Chinese and Tibetan communities, were defining characteristics of the visual language of Buddhist maṇḍalas at Dunhuang.
Timothy Cook, Dancing with the Moon
Timothy Cook has been lauded as a leading contemporary Australian artist: critically acclaimed, honored with the prestigious 2012 29th Telstra National Indigenous and Torres Strait Islander Art Award, included in major exhibitions throughout Australia, and well represented in significant public and corporate collections. He has lived and worked for his entire life in a small settlement in the Tiwi Islands, in remote Indigenous Australia, deeply attached to his place. Cook is also a maverick artist: non-conformist, individualistic, original and inventive, straddling the modern and ancient with confidence. In this stunning monograph, author Seva Frangos attests to Timothy Cook's achievements, inhabiting a place and space where innovation might seem impossible against the background of tradition and ritual; where he realigns artistic and cultural boundaries and re-explores being Tiwi. These pages capture the remarkable levels of energy and emotional charge in his painting, and provide a brilliant introduction to Cook's vast body of work created over two decades in a range of media. [Subject: Art, Aboriginal Studies]
The Commissar Vanishes
A New York Times Notable Book, 1997 The lavishly illustrated and often darkly hilarious retelling of Soviet history through the doctored photographs under Stalin. The Commissar Vanishes has been hailed as a brilliant, indispensable record of an era. The Commissar Vanishes offers a unique and chilling look at how one man--Joseph Stalin--manipulated the science of photography to advance his own political career and erase the memory of his victims. Over the past thirty years David King has assembled the world's largest archive of doctored Soviet photographs, the best of which appear here, in a book Tatyana Tolstaya, in The New York Review of Books, called "an extraordinary, incomparable volume."
