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The Chinese Garden
With their centuries-long development, the English landscape garden, the formal French garden, as well Japanese and Chinese gardens constitute an unparalleled repository of design solutions familiar throughout the world. They are frequently drawn upon as reference works, but often in a piecemeal and haphazard fashion and from botanical or art-historical vantage points. That is where the books of this new series come in. They present the various garden types from the perspective of contemporary landscape and garden design. Starting from the formidable beauty of the world’s most distinguished gardens, they point the way toward the essential compositional principles, the plants most commonly ...
Mapping Chengde
The imperial residence of Chengde was built by two powerful and ambitious Manchu emperors between 1703 and 1780 in the mountains of Jehol. The site, which is on UNESCO's World Heritage List, combines the largest classical gardens in China with a unique series of grand monasteries in the Sino-Tibetan style. Mapping Chengde, the first scholarly publication in English on the Manchu summer capital, reveals how this unlikely architectural and landscape enterprise came to help forge a dynasty's multicultural identity and concretize its claims of political legitimacy. Using both visual and textual materials, the author explores the hidden dimensions of landscape, showing how geographical imagination shaped the aesthetics of Qing court culture while proposing a new interpretation of the mental universe that conceived one of the world's most remarkable examples of imperial architecture.
A Jesuit Garden in Beijing and Early Modern Chinese Culture
In this volume, Hui Zou analyzes historical, architectural, visual, literary, and philosophical perspectives on the Western-styled garden that formed part of the great Yuanming Yuan complex in Beijing, constructed during the Qing dynasty. Designed and built in the late eighteenth century by Italian and French Jesuits, the garden described in this book was a wonderland of multistoried buildings, fountains, labyrinths, and geometrical hills. It even included an open-air theater. Through detailed examination of historical literature and representations, Zou analyzes the ways in which the Jesuits accommodated their design within the Chinese cultural context. He shows how an especially important ...
Where Dragon Veins Meet
Winner of the 2023 On the Brinck Book Award, presented by the University of New Mexico School of Architecture + Planning An auspicious political landscape, represented in image and text In 1702, the second emperor of the Qing dynasty ordered construction of a new summer palace in Rehe (now Chengde, Hebei) to support his annual tours north among the court’s Inner Mongolian allies. The Mountain Estate to Escape the Heat (Bishu Shanzhuang) was strategically located at the node of mountain “veins” through which the Qing empire’s geomantic energy was said to flow. At this site, from late spring through early autumn, the Kangxi emperor presided over rituals of intimacy and exchange that ce...
Qing Encounters
Qing Encounters: Artistic Exchanges between China and the West examines how the contact between China and Europe in the eighteenth and early nineteenth centuries transformed the arts on both sides of the East-West divide. The essays in the volume reveal the extent to which images, artifacts, and natural specimens were traded and copied, and how these materials inflected both cultures’ visions of novelty and pleasure, battle and power, and ways of seeing and representing. Artists and craftspeople on both continents borrowed and adapted forms, techniques, and modes of representation, producing deliberate, meaningful, and complex new creations. By considering this reciprocity from both Eastern and Western perspectives, Qing Encounters offers a new and nuanced understanding of this critical period.
The Oxford Handbook of Public History
Public history is a large and complex field, with boundaries, methods, and subjects that are hotly debated, and the Oxford Handbook of Public History reflects these complexities. This book defines public history as a transnational field, and public history work as analytical and active: practical work informed by thoughtful reflection. The book locates public history as a professional practice within an intellectual framework that is increasingly democratic, technological, and transnational.
The "Chinese Garden in Good Taste"
During the eighteenth century, Europe saw a radical change in taste in the art of the garden that led to the development and spread over the continent of gardens inspired by an artistic naturalness. A contribution to this process was also given by the Society of Jesus, whose members were the first who revealed to Europe the natural forms of the gardens of China. The book explores the Jesuits' discovery of that world, and documents and analyzes the materials both on Chinese flora and art of garden they made available during the seventeenth and eighteenth centuries. Providing a picture of the information concerning Chinese plants and gardens transmitted by Jesuits and evaluating the ways in which the gradual deepening of the Jesuits' investigation reflected changes in botanical studies and in gardening taste in European culture of the period as well, the book focuses on European intellectual and social history of the seventeenth and eighteenth centuries, as well as on the cultural landscape.
