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Inroduction: Historicizing the Early Qing Landscape -- Recovering the Kangxi Landscape. Excerpt from "Record of Traveling at the Invitation of the Emperor" by Zhang Yushu -- Reconstructing Kangxi -- Allegories of Empire. Mountain Veins -- "Record of the Mountain Estate to Escape the Heat" by the Kangxi Emperor -- Only Here in Rehe -- Space and Pictoriality. Painting and the Surveyed Site -- Paper Gardens -- The Metonymic Landscape. Touring the Rear Park -- Conclusion: The Landscape of the Emperor.
Floating Time: Chinese Prints, 1954-2002 brings together, for the first time, the University of Sydney Art Collection's ninty-three modern and contemporary Chinese prints. This substantial collection includes national prize-winning prints and works by internationally acclaimed artists, including Zhao Zongzao and Su Xinping. The half-century represented here reveals not only the development of the powerful woodcut tradition under Mao, but also the rapid expansion of printmaking as artists embraced a broader set of themes and more experimental techniques. Such developments reflect the tumultuous periods in which these works were produced and offer a unique and intimate glimpse into the lives of these fifty artists - a vastly different perspective from the familiar forms of contemporary Chinese art seen in better known international art circuits.
Thirty-Six Views comprises poems and descriptions published by the Kangxi emperor in 1712 commemorating his newly finished summer palace and reflecting on his life there. The text is accompanied by wood-block prints of its most scenic views created by several outstanding court artists and copperplate engravings by Italian artist Matteo Ripa.
This new volume explores the art and architecture of Southeast Asia in the postwar period. Ten essays by emerging scholars draw upon unexplored archives and works of art, bearing witness to rich local histories and uncovering complex artistic exchanges across Cambodia, Indonesia, Hong Kong, Myanmar, the Philippines, Singapore, Thailand, and beyond. The collection sheds new light on the significance of architecture, painting, installation, photography, and sculpture in the historical narratives of this period and offers fresh insights into artistic production and reception within the cultural and political contexts of postcolonialism and the Cold War, the legacies of which continue to shape the region today. This book will appeal to readers interested in intersections of art history and the histories of modernism, postcolonialism, and the Cold War; the disciplines of architecture, photography, installation; and the histories and cultures of Southeast Asia.
The authors in this volume believe that long-term, profound, and sometimes tumultuous changes in the last five hundred years of the history of China have been no less geographical than social, political, or economic. From the dialectics of local-empire relations to the imperial state’s persistent array of projects for absorbing and transforming ethnic regions on the margins of empire; from the tripling of imperial territories in the Qing to the disputes over the identity of the former “outer zones” in the early Republican era; and from the universalistic imagination of “all-under-heaven” to the fraught processes of re-drawing a new set of nation-state boundaries in the twentieth century, the study of the dynamics of geography, broadly conceived, promises to provide insight into the contested development of the geographical entity which we, today, call 'China.'
Courts and societies across the early modern Eurasian world were fundamentally transformed by the physical, technological, and conceptual developments of their era. Evolving forms of communication, greatly expanded mobility, the spread of scientific knowledge, and the emergence of an increasingly integrated global economy all affected how states articulated and projected visions of authority into societies that, in turn, perceived and responded to these visions in often contrasting terms. Landscape both reflected and served as a vehicle for these transformations, as the relationship between the land and its imagination and consumption became a fruitful site for the negotiation of imperial id...
"The turn of the third century CE—known as the Jian’an era or Three Kingdoms period—holds double significance for the Chinese cultural tradition. Its writings laid the foundation of classical poetry and literary criticism. Its historical personages and events have also inspired works of poetry, fiction, drama, film, and art throughout Chinese history, including Internet fantasy literature today. There is a vast body of secondary literature on these two subjects individually, but very little on their interface. The image of the Jian’an era, with its feasting, drinking, heroism, and literary panache, as well as intense male friendship, was to return time and again in the romanticized n...
Snow and Ice-Related Hazards, Risks, and Disasters provides you with the latest scientific developments in glacier surges and melting, ice shelf collapses, paleo-climate reconstruction, sea level rise, climate change implications, causality, impacts, preparedness, and mitigation. It takes a geo-scientific approach to the topic while also covering current thinking about directly related social scientific issues that can adversely affect ecosystems and global economies. Puts the contributions from expert oceanographers, geologists, geophysicists, environmental scientists, and climatologists selected by a world-renowned editorial board in your hands Presents the latest research on causality, glacial surges, ice-shelf collapses, sea level rise, climate change implications, and more Numerous tables, maps, diagrams, illustrations and photographs of hazardous processes will be included Features new insights into the implications of climate change on increased melting, collapsing, flooding, methane emissions, and sea level rise