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DIVTraces the development of the Greek hierarchical view of life that continues to permeate Western society /div
Maharaja Ripudaman Singh of Nabha (1883-1942) was an exceptional ruler, a princely 'rebel' who resisted the paramount power in different ways. Forced to abdicate in 1923 ostensibly on account of 'maladministration', Ripudaman Singh was sent to Kodaikanal in 1928, where he died after 14 years in captivity without any recourse to judicial appeal. Set against the backdrop of Indian nationalism, Sikh resurgence, and British paramountcy, J.S. Grewal and Indu Banga trace the Maharaja's political career, revealing the devious ways in which the paramount power dealt with traditional nobility. They explore his career, education, and upbringing to explain his ideological stance, appreciation for Indian nationalism, and his active involvement in the Sikh reformist movement. Moved by Panthic and nationalist concerns, the Maharaja of Nabha bridged 'Indian India' and British India through the concerns he affirmed, reforms he introduced, and the causes he espoused as a patriot.
Howard J. Curzer presents a fresh new reading of Aristotle's Nicomachean Ethics, which brings each of the virtues alive. He argues that justice and friendship are symbiotic in Aristotle's view; reveals how virtue ethics is not only about being good, but about becoming good; and describes Aristotle's ultimate quest to determine happiness.
Aristotle's Nicomachean Ethics, which equates the ultimate end of human life with happiness (eudaimonia), is thought by many readers to argue that this highest goal consists in the largest possible aggregate of intrinsic goods. Richard Kraut proposes instead that Aristotle identifies happiness with only one type of good: excellent activity of the rational soul. In defense of this reading, Kraut discusses Aristotle's attempt to organize all human goods into a single structure, so that each subordinate end is desirable for the sake of some higher goal. This book also emphasizes the philosopher's hierarchy of natural kinds, in which every type of creature achieves its good by imitating divine life. As Kraut argues, Aristotle's belief that thinking is the sole activity of the gods leads him to an intellectualist conception of the ethical virtues. Aristotle values these traits because, by subordinating emotion to reason, they enhance our ability to lead a life devoted to philosophy or politics.
In this 2002 book, Anna Elisabetta Galeotti examines the most intractable problems which toleration encounters and argues that what is really at stake is not religious or moral disagreement but the unequal status of different social groups. Liberal theories of toleration fail to grasp this and consequently come up with normative solutions that are inadequate when confronted with controversial cases. Galeotti proposes, as an alternative, toleration as recognition, which addresses the problem of according equal respect to groups as well as equal liberty to individuals. She offers an interpretation that is both a revision and an expansion of liberal theory, in which toleration constitutes an important component not only of a theory of justice, but also of the politics of identity. Her study will appeal to a wide range of readers in political philosophy, political theory, and law.
Deals with the reality of the indigenous peoples of Europe - Thracians, Scythians, Celts, Germans, Etruscans, and other peoples of Italy, the Alps, and beyond.
The Early Amazons offers a new understanding of the ancient Amazon myth, situating mythical representations in the realm of cultural history. The first section examines how the Amazons have presented a challenge to views on history, myth and gender in classical mythology from the late eighteenth century up to the impact of structuralism. Topics included are nineteenth-century historiography and the interest in linguistics. The second section sheds new light on the culture of archaic Greece, offering a coherent assessment of literary and visual representations. Taking mythical narrative as a form of oral storytelling, it shows the emergence of the Amazon motif and its meaning in the world of epic. Iconographical analysis reveals how the visual arts have made a contribution of their own to the imaginary presence of the Amazons.