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Dixonia
In this thorough research guide to the career and music of Bill Dixon the author has documented how Dixon refined a sonically unique pan-tonal language of trumpet playing. As a trumpeter, composer, educator, and theoretician, Bill Dixon has politically and musically influenced many phases of the development of Black music in the second half of the 20th century. This authoritative guide details information about the life and music of Bill Dixon. Bill Dixon comments throughout the text on the familiar and unfamiliar aspects of his career as it unfolds between performances and recordings. The recollections of those who have collaborated with Bill Dixon over the years supplement the thorough res...
I Want to Be Ready
A conceptual framework for understanding the development of improvised dance in late 20th-century America
This Is Our Music
This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis, taking as its example the impact of 1960s free improvisation on the changing status of jazz. By examining the production, presentation, and reception of experimental music by Ornette Coleman, C...
Hearings
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I Feel So Good
A major figure in American blues and folk music, Big Bill Broonzy (1903–1958) left his Arkansas Delta home after World War I, headed north, and became the leading Chicago bluesman of the 1930s. His success came as he fused traditional rural blues with the electrified sound that was beginning to emerge in Chicago. This, however, was just one step in his remarkable journey: Big Bill was constantly reinventing himself, both in reality and in his retellings of it. Bob Riesman’s groundbreaking biography tells the compelling life story of a lost figure from the annals of music history. I Feel So Good traces Big Bill’s career from his rise as a nationally prominent blues star, including his h...
Intents and Purposes
How do we define improvised music? What is the relationship of highly improvised performances to the work they are performances of? How do we decide what are the important parts of an improvised musical work? In Intents and Purposes, Eric Lewis uses a series of case studies to challenge assumptions about what defines a musical work and musical performance, seeking to go beyond philosophical and aesthetic templates from Western classical music to foreground the distinctive practices and aesthetics of jazz. Pushing aside the assumption that composition and improvisation are different (or even opposed) musical practices, Lewis’s philosophically informed approach revisits key topics in musical...
The War Against Tuberculosis
In 1905, sanitary conditions in Pennsylvania were appalling. Thousands of children died of preventable and curable diseases, tens of thousands in the coal regions hacked themselves to death from black lung disease, and pollution in the commonwealth’s water killed tens of thousands more. In the wake of an alarming typhoid outbreak in Butler, the Pennsylvania legislature formed a modern state department of health. At its head was Samuel G. Dixon, who would rise to fame as one of the most respected public health experts of his day. While the legislation that created Pennsylvania’s department of health cleared space for its aggressive action, it was Dixon’s deft political touch and keen in...
The Four Year Hitch
The Four Year Hitch By: Don Cox As a sequel to the based-on-a-true-story, Two Hearts, A Romantic Journey from Friendship to Marriage, published in a popular romance magazine, Don Cox’s novel recounts four tumultuous years of the two main characters’ lives after the story ended. Their fairy-tail ending wasn’t true, and Don Cox’s story proves that not everything happens as you are led to believe. With fate being such a strong theme in romantic stories, does fate bring the boy and the girl back together, or does it not?
