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Biodun Jeyifo examines the connections between the innovative and influential writings of Wole Soyinka and his radical political activism. Jeyifo carries out detailed analyses of Soyinka's most ambitious works, relating them to the controversies generated by Soyinka's use of literature and theatre for radical political purposes. He gives a fascinating account of the profound but paradoxical affinities and misgivings Soyinka has felt about the significance of the avant-garde movements of the twentieth century. Jeyifo also explores Soyinka's works with regard to the impact on his artistic sensibilities of the pervasiveness of representational ambiguity and linguistic exuberance in Yoruba culture. The analyses and evaluations of this study are presented in the context of Soyinka's sustained engagement with the violence of collective experience in post-independence, postcolonial Africa and the developing world. No existing study of Soyinka's works and career has attempted such a systematic investigation of their complex relationship to politics.
Boasting new extracts from major works in the field, as well as an impressive list of contributors, this second edition of a bestselling Reader is an invaluable introduction to the most seminal texts in post-colonial theory and criticism.
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Essays that examine the aesthetics and the radical politics of one of Africa's greatest writers
Presents eight twentieth-century plays from seven African countries, along with explanatory notes and over thirty background writings and works of criticism.
The Locations and Dislocations of African Literature: A Dialogue Between Humanities and Social Science Scholars brings together classic studies by some of the best known scholars in the field. It places these studies for the first time in disciplinary frameworks and alongside one another, as in the several conversations that gave rise to them. In essence, the book puts Africanist humanities and social science scholars in rigorous and productive dialogue with one another.