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The Boiled in Between is the debut novel by Turner Prize-winning artist Helen Marten, a bold and daring work of fiction which transposes the poetic sensibility of Marten's visual work to the page. It is a challenging, playful, enigmatic, tactile and deliberately ambiguous work of great inventiveness, which will establish Marten as an exceptional talent and unique voice in contemporary fiction. The novel began as an attempt to map the structure and stories of a house; within its tilted, sensuous, alchemical world, characters navigate strange, meticulously indexed landscapes - real and conceptual - to question language and definition and illuminate the associative movements of our minds. Spliced between three voices, the narrative is a project always in movement. The characters traverse these in-betweens: the hot-blooded living world; the curious disembodiment of the imagination; and the rampant snipping away at time in a progression morbidly (and comically) ever closer to death.
Helen of Troy: From Homer to Hollywood is a comprehensive literary biography of Helen of Troy, which explores the ways in which her story has been told and retold in almost every century from the ancient world to the modern day. Takes readers on an epic voyage into the literary representations of a woman who has wielded a great influence on Western cultural consciousness for more than three millennia Features a wide and diverse variety of literary sources, including epic, drama, novels, poems, film, comedy, and opera, and works by Homer, Euripides, Chaucer, Shakespeare Includes an analysis of a radio play by the prize-winning author of The Curious Incident of the Dog in the Night-time and a Faust play by a contemporary Scottish playwright Explores themes such as narrative difficulties in portraying Helen, how legal history relates to her story, and how writers apportion blame or exculpate her Considers the aesthetic and narrative difficulties that ensue when literature translates myth
Ancient Greek culture is pervaded by a profound ambivalence regarding female beauty. It is an awe-inspiring, supremely desirable gift from the gods, essential to the perpetuation of a man's name through reproduction; yet it also grants women terrifying power over men, posing a threat inseparable from its allure. The myth of Helen is the central site in which the ancient Greeks expressed and reworked their culture's anxieties about erotic desire. Despite the passage of three millennia, contemporary culture remains almost obsessively preoccupied with all the power and danger of female beauty and sexuality that Helen still represents. Yet Helen, the embodiment of these concerns for our purporte...
As soon as men began to write, they made Helen of Troy their subject; for close on three thousand years she has been both the embodiment of absolute female beauty and a reminder of the terrible power that beauty can wield. Because of her double marriage to the Greek King Menelaus and the Trojan Prince Paris, Helen was held responsible for an enduring enmity between East and West. For millennia she has been viewed as ane xquisite agent of extermination. But who was she?
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How does a very small girl hide a very large lion? It's not easy, but Iris has to do her best, because mums and dads can be funny about having a lion in the house. Luckily, there are lots of good places to hide a lion - behind the shower curtain, in your bed, and even up a tree. A funny, heart-warming story about a very special friendship.
History is a love story: a tale of desire and jealousy, abandonment and fidelity, abduction and theft, rupture and reconciliation. This contention is central to Grafting Helen, Matthew Gumpert's original and dazzling meditation on Helen of Troy as a crucial anchor for much of Western thought and literature. Grafting Helen looks at "classicism"—the privileged rhetorical language for describing cultural origins in the West—as a protracted form of cultural embezzlement. No coin in the realm has been more valuable, more circulated, more coveted, or more counterfeited than the one that bears the face of Helen of Troy. Gumpert uncovers Helen as the emblem for the past as something to be stolen, appropriated, imitated, extorted, and coveted once again. Tracing the figure of Helen from its classical origins through the Middle Ages, the French Renaissance, and the modern era, Gumpert suggests that the relation of current Western culture to the past is not like the act of coveting; it is the act of coveting, he argues, for it relies on the same strategies, the same defenses, the same denials, and the same delusions.
Helen of Troy by Andrew Lang is a captivating narrative that brings the legendary figure of Helen of Troy to life. Known as the "face that launched a thousand ships," Helen's story is a timeless tale of beauty, love, and conflict. Lang's expert storytelling and meticulous research paint a vivid picture of Helen's life and the era she lived in. This is not just a tale of an individual, but a glimpse into the world of ancient Greek mythology. Ready to embark on an epic journey into the heart of Greek legend? Look no further than Helen of Troy. Grab your copy today!
Helen of Troy engages with the ancient origins of the persistent anxiety about female beauty, focusing on this key figure from ancient Greek culture in a way that both extends our understanding of that culture and provides a useful perspective for reconsidering aspects of our own.
This monograph lays the groundwork for a new approach of the characterization of the Homeric Helen, focusing on how she is addressed and named in the Iliad and the Odyssey and especially on her epithets. Her social identity in Troy and in Sparta emerges in the words used to address and name her. Her epithets, most of them referring to her beauty or her kinship with Zeus and coming mainly from the narrator, make her the counterpart of the heroes.