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This book takes up the obtrusive problem of visual representation of fiction in contemporary Russian book design. By analyzing a broad variety of book covers, the study offers an absolutely unique material that illustrates a radically changing notion of literature in the transformation of Soviet print culture to a post-Soviet book market. It delivers a profound and critical exploration of Russian visual imaginary of classic, popular, and contemporary prose. Among all the carelessly bungled covers of mass-published post-Soviet series the study identifies gems from experimental designers. By taking a comparative approach to the clash of two formerly separate book cultures, the Western and the Soviet, that results both in a mixture of highbrow and lowbrow forms and in ideological re-interpretations of the literary works, this book contributes to opening an East-West dialogue between the fields of Russian studies, contemporary book and media history, art, design, and visual studies.
Since the late 1980s, there has been an explosion of women’s writing in Russia, Central and Eastern Europe greater than in any other cultural period. This book, which contains contributions by scholars and writers from many different countries, aims to address the gap in literature and debate that exists in relation to this subject. We investigate why women’s writing has become so prominent in post-socialist countries, and enquire whether writers regard their gender as a burden, or, on the contrary, as empowering. We explore the relationship in contemporary women’s writing between gender, class, and nationality, as well as issues of ethnicity and post-colonialism.
Skilfully connecting multidisciplinary sources along broad historical continuum, The Space of the Book will be a valuable resource as the study of Russian print culture takes on new directions in a digitized world.
A gripping account of the Russian visionaries who are pursuing human immortality As long as we have known death, we have dreamed of life without end. In The Future of Immortality, Anya Bernstein explores the contemporary Russian communities of visionaries and utopians who are pressing at the very limits of the human. The Future of Immortality profiles a diverse cast of characters, from the owners of a small cryonics outfit to scientists inaugurating the field of biogerontology, from grassroots neurotech enthusiasts to believers in the Cosmist ideas of the Russian Orthodox thinker Nikolai Fedorov. Bernstein puts their debates and polemics in the context of a long history of immortalist though...
This book examines the lives of the famous Russian painter, thinker, and mystic Nikolai Roerich and his wife, Elena Roerich, the “mother” of Agni Yoga esoteric teaching. Extensively researched, it focuses on the couple’s spiritual quest, resulting in their gradual transformation under the influence of theosophy, spiritualism and Elena’s psychic “fiery experience” into mystics and gurus who fashioned their new version of the “myth of the Masters,” the invisible guides of humanity. Special attention is given to N. Roerich’s travels in Central Asia and Far East, his cultural and public activities and particularly his Buddho-Communist utopia. The myth of the Masters revived will appeal to those interested in New Age esotericism, mysticism, and Russian thought in the first half of the 20th century.
The book provides a detailed description of “the Russian crime of the twenty-first century” as well as a thorough examination of the eighty sessions of the nine-month-long trial (during 2016-2017) of Boris Nemtsov’s alleged killers. It directs attention to the chief obstacle in determining what precisely happened shortly before midnight on February 27, 2015, on a bridge located a mere stone’s throw away from the Kremlin, in an area under the active surveillance of the Russian Federal Protective Service. The glaring absence of closed circuit videos from this most heavily guarded site in Russia is underscored. Given the absence of such key evidence, those seeking to investigate the mur...
The Russian Orthodox Church (ROC) faced various iterations of modernization throughout its history. This conflicted encounter continues in the ROC’s current resistance against—what it perceives as—Western modernity including liberal and secular values. This study examines the historical development of the ROC’s arguments against—and sometimes preferences for—modernization and analyzes which positions ended up influencing the official doctrine. The book’s systematic analysis of dogmatic treatises shows the ROC’s considerable ability of constructive engagement with various aspects of the modern world. Balancing between theological traditions of unity and plurality, the ROC’s today context of operating within an authoritarian state appears to tip the scale in favor of unity.
The Kremlin has sought to establish an exclusive Russian sphere of influence in the nations lying between Russia and the EU, from Georgia in 2008 to Ukraine in 2014 and Belarus in 2020. It has extended its control by means of military intervention, territorial annexation, economic pressure and covert activities. Moscow seeks to justify this behavior by referring to an alleged threat from NATO and the Alliance’s eastward enlargement. In the rhetoric of the Kremlin, NATO expansion is the main source for Moscow’s stand-off with the West. This collection of essays and analyses by prominent politicians, diplomats, and scholars from the US, Russia, and Europe provides personal perspectives on ...
On 8 December 2013, Ukraine’s central Lenin monument in Kyiv was pulled down. In the following months, in what became known as the “Leninfall,” Ukraine swept away hundreds of communist monuments, expressing an explicit desire to break away from the Soviet past and, implicitly, from Russia. This book examines the evolution of post-Euromaidan de-Sovietization beyond the issues of toppling of old statues and implementation of new anti-totalitarian laws. It explores decommunization as both a political and cultural phenomenon that exposes the multivocality of the Ukrainian population and involves various forms of dialogical interaction between ordinary citizens and the state. Posters, graffiti, or street names are physical and discursive canvases where old meanings are being contested and re-articulated, and where new political symbols that combine nationalist and democratic elements are being defined.
This edited volume assembles the work of leading international scholars in a comprehensive history of Russian literary theory and criticism from 1917 to the post-Soviet age. By examining the dynamics of literary criticism and theory in three arenas—political, intellectual, and institutional—the authors capture the progression and structure of Russian literary criticism and its changing function and discourse. The chapters follow early movements such as formalism, the Bakhtin Circle, Proletklut, futurism, the fellow-travelers, and the Russian Association of Proletarian Writers. By the cultural revolution of 1928, literary criticism became a mechanism of Soviet policies, synchronous with o...