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Sean Scully
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The Centrifugal Soul
In 'The Centrifugal Soul', Mat Collishaw's forthcoming exhibition at Blain/Southern, the artist presents new sculpture, installation and paintings. Drawing on various forms of illusion, the exhibition explores ideas of superficial truth and the erosive effect of our primal urges for visual supremacy. Collishaw worked with evolutionary psychologist Geoffrey Miller - whose theory is that the origins of art stem from natural instincts of courtship and reproduction - to produce the title work and centrepiece of the exhibition. 'The Centrifugal Soul' is a sculpture in the form of a zoetrope, a pre-film animation device that produces the illusion of motion through rapid rotation and stroboscopic light. Throughout his work, Collishaw has examined the way in which we consume imagery and how our biology has conditioned us to respond. The exhibition reflects the consistent themes addressed in the artist's practice and the diversity of his chosen mediums. Moreover, it questions how much choice we have in accepting what seems to be a natural preoccupation with self-image.
Tracing Invisible Lines
TRACING INVISIBLE LINES is a critical autoethnographic text built around Gregory Ulmer’s concept of the “Mystory.” Dedicated to the enhancement of imagination and innovation in a digital-media saturated society, Ulmer’s Mystory is a creative research method that draws narratives from three domains of discourse (personal, professional, popular). Analysing these domains means generating fresh insight into the deep-seated emblems that drive the creative disposition, or “invariant principle,” of the practice-led researcher. Here, the mystoriographical approach has mobilized an exploration of the interrelations between self and society, between memory and imagination, as well as betwe...
Pageants, Parlors, & Pretty Women
Pageants, Parlors, and Pretty Women: Race and Beauty in the Twentieth-Century South
International Lonely Guy
Publisher description
Journals
'For God's sake look after our people' Captain Scott's harrowing account of his expedition to the South Pole in 1910-12 was first published in 1913. In his journals Scott records his party's optimistic departure from New Zealand, the hazardous voyage of theTerra Nova to Antarctica, and the trek with ponies and dogs across the ice to the Pole. On the way the explorers conduct scientific experiments, collect specimens, and get to know each other's characters. Their discovery that Amundsen has beaten them to their goal, and the endurance with which they face an 850-mile march to safety, have become the stuff of legend. This new edition publishes for the first time a complete list of the changes...
"Marketing Art in the British Isles, 1700 to the Present "
A cultural history of the first truly modern art market, Marketing Art in the British Isles, 1700 to the Present furthers the burgeoning exploration of Britain's struggle to carve a niche for itself on the international art scene. Bringing together scholars from the UK, US, Europe, and Asia, this collection sheds new light on such crucial notions as the internationalization of the art market; the emergence of an increasingly complex exhibition culture; issues of national rivalry and emulation; artists' individual and collective strategies for their own promotion and survival; the persistent anti-commercialism of an elite group of art lovers and critics and accusations of philistinism levelle...
Fodor's Inside Berlin
One of the world’s coolest cities, Berlin has grabbed the world’s attention with its cutting-edge arts scene. Cosmopolitan and affordable, Berlin will delight foodies, scenesters, and fashionistas. Fodor’s brand new guidebook, Inside Berlin, touches on top tourist sights, including Museum Island, Schloss Charlottenburg, and Brandenburg Gate, and delves deep into the best under-the-radar places that only insiders from Berlin know and go. The Fodor's Inside series is designed for travelers looking for authentic, hyperlocal experiences. Perfectly sized to fit in your bag or pocket, these guides are designed with an artistic bent and are easy to use, look good, and don't make you feel like...
Credo
Credo brings together essays from different stages in Imants Tillers’ career, from ‘Locality Fails’ to ‘Metafisica Australe’ and ‘Journey to Nowhere’, and closes with an essay written especially for the collection, ‘The Sources’, on the artists and writers he has drawn on in his art. These essays express an aesthetic credo which has larger implications for both literature and art created out of the experience of migration. His self-coined concepts like ‘the idea of incommensurability’ and ‘reversible destiny’, his ideas about appropriation and the importance of reproduction in Australian culture, the encyclopaedic range of his work, and his orientation and re-orientation towards Aboriginal art, articulate an Australian aesthetic which constantly seeks connectedness between the local and the international, and a broader understanding of the complexities of provincialism. What he calls ‘the revolt of the margins’ is evident in the provocative nature of his writing too, in its wit and irony and intelligence.
BlainSouthern
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