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Compiled in 1976 by George Woodcock, this book lists works by 600 poets in 1200 books and booklets during the era leading up to Canada's literary coming of age. "This listing of the writings in verse of Canadian poets between 1960 and 1973 came into existence because I was invited by Carl F. Klinck, the General Editor of the Literary History of Canada, to write for a new edition of that work the chapter covering poetry published in Canada since 1960. It was obvious that my first need was an adequate list, for I very soon realized that in quantity, even more than in character, the poetry published in Canada during the past decade has differed radically from what had appeared at any other time in the literary progress of our country." - Introductory note by George Woodcock
Experimental literature accelerated dramatically in Vancouver in the 1960s as the influence of New American poetics merged with the ideas of Marshall McLuhan. Vancouver poets and artists began thinking about their creative works with new clarity and set about testing and redefining the boundaries of literature. As new gardes in Vancouver explored the limits of text and language, some writers began incorporating collage and concrete poetics into their work while others delved deeper into unsettling, revolutionary, and Surrealist imagery. There was a presumption across the avant-garde communities that radical openness could provoke widespread socio-political change. In other words, the interme...
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Process poetics is about radical poetry — poetry that challenges dominant world views, values, and aesthetic practices with its use of unconventional punctuation, interrupted syntax, variable subject positions, repetition, fragmentation, and disjunction. To trace the aesthetically and politically radical poetries in English Canada since the 1960s, Pauline Butling and Susan Rudy begin with the “upstart” poets published in Vancouver’s TISH: A Poetry Newsletter, and follow the trajectory of process poetics in its national and international manifestations through the 1980s and ’90s. The poetics explored include the works of Nicole Brossard, Daphne Martlatt, bpNichol, George Bowering, Roy Kiyooka, and Frank Davey in the 1960s and ’70s. For the 1980-2000 period, the authors include essays on Jeff Derksen, Clare Harris, Erin Mour, and Lisa Robertson. They also look at books by older authors published after 1979, including Robin Blaser, Robert Kroetsch, and Fred Wah. A historiography of the radical poets, and a roster of the little magazines, small press publishers, literary festivals, and other such sites that have sustained poetic experimentation, provide context.
This collection of essays is an attempt by bill bissett's family to define a brother for whom brotherhood is the desideratum behind every brush stroke or utterance. bill bissett is family to everyone who knows him, as he has created a grid of light that connects strangers. Included are essays by Jaime Reid, Jay Ruzesky, Susan Musgrave, Joy Kurapatwa, Scott Watson, Adeena Karasick, and Tim Carlson.
Atkins Collected Petrarch / Petrarch Collected Atkins. All of Petrarch translated / transfigured / transplanted by Tim Atkins - a hallucinogenic, euphoric striptease of a traductory odyssey. A TLS and Salon.com Book of the Year 2014.
Across more than twenty chapters, Future Horizons explores the past, present, and future of digital humanities research, teaching, and experimentation in Canada. Bringing together work by established and emerging scholars, this collection presents contemporary initiatives in digital humanities alongside a reassessment of the field’s legacy to date and conversations about its future potential. It also offers a historical view of the important, yet largely unknown, digital projects in Canada. Future Horizons offers deep dives into projects that enlist a diverse range of approaches—from digital games to makerspaces, sound archives to born-digital poetry, visual arts to digital textual analy...
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The suggestion is here that soul-making is the true vocation of the poet. Poetry is personal speech on universal experience, and in this selection of poems the individual approach to the sacred is emphasized over any adherence to orthodoxy or doctrine. In this anthology, spiritual traditions of East and West are filtered through the personal vision of sixteen contemporary Canadian poets. These poets are joined together not by faith and similar belief, but in each following their own path to truth. Their poems and stories and editor Sussan McCaslin's insightful introduction illuminated fundamental themes of spiritual life that resonated in each of us.