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The Blood is the Life
The essays in this volume use a humanistic viewpoint to explore the evolution and significance of the vampire in literature from the Romantic era to the millennium."--BOOK JACKET.
Blood Dark
Set during World War I, this monumental philosophical novel about human despair inspired Albert Camus' own writing and prefigured the greater existential movement. Blood Dark tells the story of a brilliant philosopher trapped in a provincial town and of his spiraling descent into self-destruction. Cripure, as his students call him—the name a mocking contraction of Critique of Pure Reason—despises his colleagues, despairs of his charges, and is at odds with his family. The year is 1917, and the slaughter of the First World War goes on and on, with French soldiers not only dying in droves but also beginning to rise up in protest. Still haunted by the memory of the wife who left him long ago, Cripure turns his fury and scathing wit on everyone around him. Before he knows it, a trivial dispute with a complacently patriotic colleague has embroiled him in a duel.
Blood and Gold
Winner of the Saltire Society Fiction Book of the Year 'a beguiling mixture of poetry, moving prose and magical realism' - Stephen McGinty, The Sunday Times Jeda is a girl on the cusp of adulthood, living in Edinburgh; with a white father and a black mother, she feels self-conscious and out of place. Her feelings of alienation allow the stories of the shapeshifting Shadowman, who embodies all that is negative, to feed on her doubts and insecurities. The death of her mother, Rahami, gives the Shadowman an opportunity to control Jeda through her grief and his lies, but her mother's last gift to her daughter was a box of stories. When the box is flung open, the stories escape, setting in motion an incredible journey. Jeda learns more about her African ancestry through tales of slavery, cruelty and colonisation, but she also discovers pride and love and sacrifice, ultimately embracing her dual heritage and her unique place in the world. Filled with tragedy, wonder and magic, Blood and Gold explores the themes of loss and oppression, while asking us to examine our own identities, attitudes, and humanity.
Medieval Blood
Publisher Description
Blood & Roses
The definitive collection of 19th century,literature in which the vampire, or vampirism -,both embodied and atmospheric-appears. In a single,volume charged with sex, blood and horror, 17,seminal texts by legendary authors cover the whole,of that delirious period fom Gothic and Romanticthrough Symbolism and decadence to,proto-Surrealism and beyond.
Books of Blood
Here are the stories written on the Book of Blood. They are a map of that dark highway that leads out of life towards unknown destinations. Few will have to take it. Most will go peacefully along lamplit streets, ushered out of living with prayers and caresses. But for a few, the horrors will come, skipping, to fetch them off to the highway of the damned ... From the brilliant World Fantasy Award winner Clive Barker come fourteen spine-chilling stories of darkness unleashed, gathered together in one volume for the first time. These are visionary tales of terror which will curdle the very marrow in your bones ...
Blood
Adult children take revenge on their brutal father, but the victim crawls back. Literary black comedy with lashings of thriller.
Blood, Symbol, Liquid
Blood serves an excellent indicator of a nexus of late medieval and early modern Cultural Change, in which matter and meaning seems to have segregated progressively. As the harmony of body and spirit succumbed under the strain of competing world views, blood lost its unity as an embodied sign, a semiotic substance. The wordplays that impose themselves with such ease in this area of research attest to the enduring permeability of the material and the spiritual when it comes to blood. This volume brings together papers presented at a workshop entitled 'Blood-Symbol-Liquid', held in Groningen on 23-24 March 2006. The organizers were keen to put the shifting composition of the material and symbolic components of blood in a broad chronological and thematic perspective, forcing the contributors to merge their respective disciplinary approaches stemming from literary history, art history and the history of religion, medicine and science.
Blood Novels
In the late nineteenth century, Spain’s most prominent writers – Juan Valera, Leopoldo Alas, and Benito Pérez Galdós – made blood a crucial feature of their fiction. Blood Novels examines the cultural and literary significance of blood, unsettling the dominant assumption of the period that blood no longer played a decisive role in social hierarchies. By examining fictional works through the rubric of "blood novels," Julia H. Chang identifies a shared fascination with blood that probes the limits of realism through blood’s dual nature of matter and metaphor. Situating the literature within broader cultural and theoretical debates, Blood Novels attends to the aesthetic contours of material blood and in particular how bleeding is inflected by gender, caste, and race. Critically engaging with feminist theory, theories of race and whiteness, literary criticism, and medical literature, this innovative study makes a case for treating blood as a critical analytic tool that not only sheds new light on Spanish realism but, more broadly, challenges our understanding of gendered and racialized embodiment in Spain.
Blood Matters
In late medieval and early modern Europe, definitions of blood in medical writing were slippery and changeable: blood was at once the red fluid in human veins, a humor, a substance governing crucial Galenic models of bodily change, a waste product, a cause of corruption, a source of life, a medical cure, a serum appearing under the guise of all other bodily secretions, and—after William Harvey's discovery of its circulation—the cause of one of the greatest medical controversies of the premodern period. Figurative uses of "blood" are even more difficult to pin down. The term appeared in almost every sphere of life and thought, running through political, theological, and familial discourse...
