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Winner of the Saltire Society Fiction Book of the Year 'a beguiling mixture of poetry, moving prose and magical realism' - Stephen McGinty, The Sunday Times Jeda is a girl on the cusp of adulthood, living in Edinburgh; with a white father and a black mother, she feels self-conscious and out of place. Her feelings of alienation allow the stories of the shapeshifting Shadowman, who embodies all that is negative, to feed on her doubts and insecurities. The death of her mother, Rahami, gives the Shadowman an opportunity to control Jeda through her grief and his lies, but her mother's last gift to her daughter was a box of stories. When the box is flung open, the stories escape, setting in motion an incredible journey. Jeda learns more about her African ancestry through tales of slavery, cruelty and colonisation, but she also discovers pride and love and sacrifice, ultimately embracing her dual heritage and her unique place in the world. Filled with tragedy, wonder and magic, Blood and Gold explores the themes of loss and oppression, while asking us to examine our own identities, attitudes, and humanity.
LONGLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION 'To tell the story of a country or a continent is surely a great and complex undertaking; but the story of a quiet, unnoticed place where there are few people, fewer memories and almost no reliable records - a place such as Glen Conach - may actually be harder to piece together. The hazier everything becomes, the more whatever facts there are become entangled with myth and legend. . .' Deep in the mountains of north-east Scotland lies Glen Conach, a place of secrets and memories, fable and history. In particular, it holds the stories of three different eras, separated by centuries yet linked by location, by an ancient manuscript an...
In between tea and billiards, a pair of amateur detectives investigates their host's disappearance. Droll whodunit from the creator of Winnie the Pooh sparkles with witty dialogue, deft plotting, and an amusing cast.
This book focuses on a rising generation of female storytellers, analysing their innovation in interdisciplinary collaboration, and their creation of new multimedia platforms for story-led performance. It draws on an unprecedented series of in-depth interviews with artists including Jo Blake, Xanthe Gresham-Knight, Mara Menzies, Clare Murphy, Debs Newbold, Rachel Rose Reid, Sarah Liisa Wilkinson, and Vanessa Woolf, while Sally Pomme Clayton’s reflections on her extraordinary four-decade career provide long-term context for these cutting-edge conversations. Blending ethnographic research and performance analysis, this book documents the working lives of professional storytelling artists. It...
This landmark text captures a global cross-section of leading voices and provides a clear and coherent overview of the user studies domain and user issues in digital libraries. As the information environment becomes increasingly electronic, digital libraries have proliferated, but the focus has often been on innovations in technology and not the user. Although user needs have become a popular concept, in practice the users are rarely consulted in the development of services. Research and analysis of users is essential to fine-tune the content and approach of digital libraries to the diverging requirements and expectations of incredibly varied communities and to ensure libraries are effective...
Part personal history, part biography, Dotter of Her Father's Eyes contrasts two coming-of-age narratives: that of Lucia, the daughter of James Joyce, and that of author Mary Talbot, daughter of the eminent Joycean scholar James S. Atherton. Social expectations and gender politics, thwarted ambitions and personal tragedy are played out against two contrasting historical backgrounds, poignantly evoked by the atmospheric visual storytelling of award winning comic artist and graphic novel pioneer Bryan Talbot. Produced through an intense collaboration seldom seen between writers and artists, Dotter of Her Father's Eyes is intelligent, funny and sad - a fine addition to the evolving genre of graphic memoir.
This is a superb collection of stories, focusing on light and darkness, winter and its festivals, by one of the greatest story-tellers of the twentieth century. Through a variety of characters from shipwrecked Scandinavians to an Edinburgh gentleman, George Mackay Brown looks at the impact of new ways of thinking on the traditional way of life of Orkney.
Narrated by the most compelling voice since Curious Incident of the Dog in the Night-time, this is a quirky and original voyage of self-discovery triggered by a lost urn of ashes.
THE STORY: This intense work was commissioned by the Edinburgh International Festival, where it received its world premiere. Two people who once had a passionate affair meet again fifteen years later. Ray is confronted with his past when Una arrive