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Botanical Culture and Popular Belief in Shakespeare's England
"Addressing an imbalance in early modern studies, Bonnie Lander Johnson reveals how, through interest in popular plant cultures and beliefs - tree ballads, embroidery, pedagogical tales, almanacs - Shakespeare put illiterate culture in contact with questions usually deemed learned and elite: theology, politics, the military and medicine"--
Botanical Culture and Popular Belief in Shakespeare's England
The Shakespearean stage offered London playgoers a glimpse of the illiterate and rural plant cultures rapidly disappearing from their increasingly urban and sophisticated lives. The same cultures also circulated in popular texts offstage: bawdy tree ballads, botanical tales, almanacs and accounts of kitchen physic. Here Bonnie Lander Johnson argues that, while Shakespeare's plants offered audiences a nostalgic vision of childhood, domestic education and rural pastimes, this was in fact done with an ironic gesture that claimed for illiterate culture an intellectual relevance ignored by the learned and largely Protestant realm of print. Addressing a long-standing imbalance in early modern scholarship, she reveals how Shakespeare's plays - and the popular, low botanical beliefs they represent - engaged with questions usually deemed high, literate and elite: theological and liturgical controversies, the politics of state, England's role in Elizabethan naval conflict and the increasingly learned realm of medical authority.
Chastity in Early Stuart Literature and Culture
In this book, Bonnie Lander Johnson explores early modern ideas of chastity, demonstrating how crucial early Stuart thinking on chastity was to political, medical, theological and moral debates, and that it was also a virtue that governed the construction of different literary genres. Drawing on a range of materials, from prose to theatre, theological controversy to legal trials, and court ceremonies - including royal birthing rituals - Lander Johnson unearths previously unrecognised opinions about chastity. She reveals that early Stuart theatrical and court ceremonies were part of the same political debate as prose pamphlets and religious sermons. The volume also offers new readings of Milton's Comus, Shakespeare's The Winter's Tale, Henrietta Maria's queenship and John Ford's plays. It will appeal to scholars of early modern literature, theatre, political, medical and cultural history, and gender studies.
Ground-Work
How does soil, as an ecological element, shape culture? With the sixteenth-century shift in England from an agrarian economy to a trade economy, what changes do we see in representations of soil as reflected in the language and stories during that time? This collection brings focused scholarly attention to conceptions of soil in the early modern period, both as a symbol and as a feature of the physical world, aiming to correct faulty assumptions that cloud our understanding of early modern ecological thought: that natural resources were then poorly understood and recklessly managed, and that cultural practices developed in an adversarial relationship with natural processes. Moreover, these essays elucidate the links between humans and the lands they inhabit, both then and now.
Chastity in Early Stuart Literature and Culture
This book explores early modern ideas of chastity and their cultural, political, medical, moral and theological applications, demonstrating how early Stuart thinking on chastity governed even the construction of different literary genres. It will appeal to scholars of early modern literature, theatre, political, medical and cultural history, and gender studies.
Vanishing Landscapes
In the past, we were deeply bound to all things green and growing. We once knew the landscape and the plants around us as well as we knew ourselves. But today our relationship with plants and nature has grown distant - we have lost a sense of plants as precious. Vanishing Landscapes tells the story of how plants disappeared from our daily lives one by one. First were apples, then household medicines like saffron, cloth dyes like woad, grapes for making wine, and then, eventually, the timber and reeds we used to build our houses and the wheat we grew for our bread. In their place came the first corporation, the first factory, the banking system, private property, global trade, and modern medi...
Discoveries on the Early Modern Stage
"This is a study of the dramatic use, treatment, and staging of performed 'discoveries' - actions which the theatre is uniquely able to exploit visually and explore verbally. The motif of discovery - in the now almost obsolete sense of uncovering or disclosing - is prominent in the language and action of Elizabethan, Jacobean, and Caroline plays. Visual discoveries are used repeatedly through the period by virtually every playwright, regardless of company or venue. These discoveries are of two different but related kinds: the disguise discovery - the removal of a disguise to uncover identity; and the discovery scene - the opening of curtains or doors to reveal a place or the removal of a lid or cover to effect a disclosure. This is the first analysis of staged discoveries as such; in it I show how and why these actions are essential to the way a play dramatizes and explores such interrelated matters as deception, privacy, secrecy, and truth; knowledge, justice, and renewal"--
English Mythography in Its European Context, 1500-1650
Greco-Roman mythology and its reception are at the heart of the European Renaissance, and mythographies-texts that collected and explained ancient myths-were considered indispensable companions to any reader of literature. Despite the importance of this genre, English mythographies have not gained sustained critical attention, largely because they have been wrongly considered mere copies of their European counterparts. This volume focuses on the English mythographies written between 1577 and 1647 by Stephen Batman, Abraham Fraunce, Francis Bacon, Henry Reynolds, and Alexander Ross: it places their texts into a wider, European context to reveal their unique English take on the genre and also unfolds the significant role myth played in the broader culture of the period, influencing not only literary life, natural philosophy and poetics, but also religious conflicts and Civil War politics. In doing so it demonstrates, for the first time, the considerable explanatory value classical mythology holds for the study of the English Renaissance and its literary culture in particular, and how early modern England answered a question we still find fascinating today: what is myth?
The BBC National Short Story Award 2021
A group of teenage boys take turns assessing each other’s changing bodies before a Friday night disco… A grieving woman strikes up an unlikely friendship with a fellow traveller on a night train to Kiev… An unusually well-informed naturalist is eyed with suspicion by his comrades on a forest exhibition with a higher purpose… The stories shortlisted for the 2021 BBC National Short Story Award with Cambridge University take place in liminal spaces – their characters find themselves in transit, travelling along flight paths, train lines and roads, or in moments where new opportunities or directions suddenly seem possible. From the reflections of a new mother flying home after a funera...
