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A Boccaccian Renaissance
A Boccaccian Renaissance brings together essays written by internationally recognized scholars in diverse national traditions to respond to the largely unaddressed question of Boccaccio’s impact on early modern literature and culture in Italy and Europe. Martin Eisner and David Lummus co-edit the first comprehensive examination in English of Boccaccio’s impact on the Renaissance. The essays investigate what it means to follow a Boccaccian model, in tandem with or in place of ancient authors such as Vergil or Cicero, or modern poets such as Dante or Petrarch. The book probes how deeply the Latin and vernacular works of Boccaccio spoke to the Renaissance humanists of the fifteenth century....
Boccaccio’s Decameron and the Ciceronian Renaissance
Boccaccio's Decameron and the Ciceronian Renaissance demonstrates that Boccaccio's puzzling masterpiece takes on organic consistency when viewed as an early modern adaptation of a pre-Christian, humanistic vision.
Boccaccio's Revenge
13occaccio's 'Revenge or the Old (9row 3 notes 64 Index 76 Introduction If Giovanni Boccaccio had encountered the deadly widow in black when he was ten years younger, he might have laughed oft'the humiliating incident and dressed it up for a rollicking episode of the Decameron, instead of laying the lady bare in a vitriolic satire under the name of the Old Crow. According to the most logical interpretation of his personal account, how ever, he was a greying man of forty-two; the bloom of youth had withered within him; and by the end of 1355, when he wrote the bitter denunciation, his "inimical Fortune" had dealt him a series of nasty blows. Since the publication of the Decameron, new materia...
Boccaccio and the Book
As a new digital era increasingly impacts on the 'age of print', we are ever more conscious of the way in which information is packaged and received. The influence of the material form on the reading process was no less important during the gradual shift from manuscript to early print culture. Focusing on the physical structure and presentation of manuscripts and printed books containing texts by one of the most influential authors of the medieval period, Rhiannon Daniels traces the evolving social, cultural, and economic profile of Boccaccio's readership and the scribes and printers who laboured to reproduce three of his works: the Teseida , Decameron , and De mulieribus claris . Rhiannon Daniels is a British Academy Postdoctoral Fellow in the Department of Italian at the University of Leeds.
Tales from Boccaccio
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The Cambridge Companion to Boccaccio
A major re-evaluation of Boccaccio's status as literary innovator and cultural mediator equal to that of Petrarch and Dante.
The English Boccaccio
"The Italian author Giovanni Boccaccio has had a long and colourful history in English translation. This new interdisciplinary study presents the first exploration of the reception of Boccaccio's writings in English literary culture, tracing his presence from the early fifteenth century to the 1930s. Guyda Armstrong tells this story through a wide-ranging journey through time and space -- from the medieval reading communities of Naples and Avignon to the English court of Henry VIII, from the censorship of the Decameron to the Pre-Raphaelite Brotherhood, from the world of fine-press printing to the clandestine pornographers of 1920s New York, and much more. Drawing on the disciplines of book history, translation studies, comparative literature, and visual studies, the author focuses on the book as an object, examining how specific copies of manuscripts and printed books were presented to an English readership by a variety of translators. Armstrong is thereby able to reveal how the medieval text in translation is remade and re-authorized for every new generation of readers." -- Publisher's description.
