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This exhaustive cumulative guide covers the changes in key personnel and administrative institutions from 1968 to the present. It traces the career paths of the many high officials within the numerous governmental, military, educational, and economic organizations in China. The directory also provides information on major institutions in China by following the restructuring, division, and mergers of organizations. This new edition includes new sections on trade organizations; special administrative regions; museums, libraries, and galleries; banks and insurance companies; and social and community mass organizations.
This biographical dictionary is an indispensable research tool for information about the prominent persons of the past seven decades in China. The book documents nearly 600 Chinese individuals who contributed, for better or worse, to the development of Chinese life and culture since the founding of the People's Republic of China in 1949. Though the book is weighted toward political figures, it includes persons in business, the military, academia, medicine, social movements, the arts, entertainment and athletics. In addition to an objective description of the person's life, an analysis is provided that identifies the individual's contributions and importance.
What does a Dutchman have to do with the rise of the Chinese Communist Party? Finding Allies and Making Revolution by Tony Saich reveals how Henk Sneevliet (alias Maring), arriving as Lenin’s choice for China work, provided the communists with two of their most enduring legacies: the idea of a Leninist party and the tactic of the united front. Sneevliet strived to instill discipline and structure for the left-leaning intellectuals searching for a solution to China’s humiliation. He was not an easy man and clashed with the Chinese comrades and his masters in Moscow. This new analysis is based on Sneevliet’s diaries and reports, together with contemporary materials from key Chinese figures, and important documents held in the Comintern’s China archive.
A cumulation of approximately 140 biographical reference works published through 1989, covering China, Taiwan, and Hong Kong. All Chinese language entries are accompanied by English language abstracts.
A history of children's literature in China, set in the framework of China's revolution and modernization. Lu Xun and his brother Zhou Zhuren were the founding fathers of the idea of the political importance of children and how that connected with literature tailored for them in the 20s and 30s.
Motion pictures were introduced to China in 1896, and today China is a major player in the global film industry. However, the story of how Chinese cinema became what it is today is exceptionally turbulent, encompassing incursions by foreign powers, warfare among contending rulers, the collapse of the Chinese empire, and the massive setback of the Cultural Revolution. This book coversthe cinematic history of mainland China spanning across over one hundred and twenty years since its inception. Historical Dictionary of Chinese Cinema, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 200 cross-referenced entries on the major filmmakers, actors, and historical figures, representative cinematic productions, genre evolution, significant events and institutions, and market changes. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese Cinema.
This book introduces the major works and debates in Chinese children's literature within the framework of China's revolution and modernization. It demonstrates that the guiding rationale in children's literature was the political importance of children as the nation's future.
Children’s literature today is dominated by the gothic mode, and it is in children’s gothic fictions that we find the implications of cultural change most radically questioned and explored. This collection of essays looks at what is happening in the children’s Gothic now when traditional monsters have become the heroes, when new monsters have come into play, when globalisation brings Harry Potter into China and yaoguai into the children’s Gothic, and when childhood itself and children’s literature as a genre can no longer be thought of as an uncontested space apart from the debates and power struggles of an adult domain. We look in detail at series such as The Mortal Instruments, T...
The contributions in this book are partly based on papers given at the 7th congress of the European Society for Translation Studies, held at the University of Mainz in Germersheim. For this publication, all papers have undergone a review process. In order to illustrate the variety of contents and approaches involved in the concepts of translation policy and politics, the chapters are organised thematically rather than chronologically. The objective in doing so was to show how policies influence a wide array of discursive practices. The first group of articles is concerned with the policy of translating and interpreting in power settings. A second group deals with translation policies as applied to a wide corpus of literary texts. A third group is devoted to the policies of media translation.