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Shortlisted for the J. Anthony Lukas Prize The story of art collective Gran Fury—which fought back during the AIDS crisis through direct action and community-made propaganda—offers lessons in love and grief. In the late 1980s, the AIDS pandemic was annihilating queer people, intravenous drug users, and communities of color in America, and disinformation about the disease ran rampant. Out of the activist group ACT UP (AIDS Coalition to Unleash Power), an art collective that called itself Gran Fury formed to campaign against corporate greed, government inaction, stigma, and public indifference to the epidemic. Writer Jack Lowery examines Gran Fury’s art and activism from iconic images li...
In "The Book Book" readers will learn how to make book planning, typesetting, layout, and prepress production accessible to and easy for anyone with computer experience.
A “devastating” (Nation) examination of how a cabal of tech-billionaires is colluding with once-idealistic journalists to create an entirely new media landscape Owned is the story of the underreported and growing collusion between new wealth and new journalism. In recent years, right-wing billionaires like Elon Musk, Peter Thiel, Marc Andreessen, and David Sacks have turned to media as their next investment and source of influence. Their cronies are Glenn Greenwald and Matt Taibbi—once known as idealistic and left-leaning voices, now beneficiaries of Silicon Valley largesse. Together, this new alliance aims to exploit the failings of traditional journalism and undermine the very idea o...
For fans of Oppenheimer, a riveting investigation into the modern nuclear weapons landscape. Nuclear weapons are, today, as important as they were during the Cold War, and some experts say we could be as close to a nuclear catastrophe now as we were at the height of that conflict. Despite that, conversations about these bombs generally often happen in past tense. In Countdown, science journalist Sarah Scoles uncovers a different atomic reality: the nuclear age’s present. Drawing from years of on-the-ground reporting at the nation's nuclear weapons labs, Scoles interrogates the idea that having nuclear weapons keeps us safe, deterring attacks and preventing radioactive warfare. She deftly a...
From a social critic and journalist, a poignant book that encourages publicly grieving what we've lost in order to move towards a hopeful future. Our era is one of significant and substantial loss, of unraveling hopes and expectations, of dreams curtailed, of aspirations desiccated. At the same time, we are denied the means of mourning the futures that are being so brutally curtailed. At such a moment, taking the time to grieve is a radical act. Through in-depth reporting intertwined with memoir, Sarah Jaffe shows how public memorialization has become more than a refusal or a protest: it is a path to imagining a better world. When we are able to mourn the lives, the homes, and the worlds we have lost, we are better prepared to fight for a transformed future.
An unexpected family photograph leads Dionne Ford to uncover the stories of her enslaved female ancestors, reclaim their power, and begin to heal Countless Black Americans descended from slavery are related to the enslavers who bought and sold their ancestors. Among them is Dionne Ford, whose great grandmother was the last of six children born to a Louisiana cotton broker and the enslaved woman he received as a wedding gift. What shapes does this kind of intergenerational trauma take? In these pages, which move between her inner life and deep research, Ford tells us. It manifests as alcoholism and post-traumatic stress; it finds echoes in her own experience of sexual abuse at the hands of a relative, and in the ways in which she builds her own interracial family. To heal, Ford tries a wide range of therapies, lifestyle changes, and recovery meetings. “Anything,” she writes, “to keep from going back there.” But what she learns is that she needs to go back there, to return to her female ancestors, and unearth what she can about them to start to feel whole.
Now with a new epilogue-- an unprecedented and unwavering history of the Supreme Court showing how its decisions have consistently favored the moneyed and powerful. Few American institutions have inflicted greater suffering on ordinary people than the Supreme Court of the United States. Since its inception, the justices of the Supreme Court have shaped a nation where children toiled in coal mines, where Americans could be forced into camps because of their race, and where a woman could be sterilized against her will by state law. The Court was the midwife of Jim Crow, the right hand of union busters, and the dead hand of the Confederacy. Nor is the modern Court a vast improvement, with its i...
Brave, clear-eyed, and passionate, Stakes Is High is the book we need to guide us past crisis mode and through an uncertain future. The events of the past decade have forced us to reckon with who we are and who we want to be. We have been invested in a set of beliefs about our American identity: our exceptionalism, the inevitable rightness of our path, the promise that hard work and determination will carry us to freedom. But in Stakes Is High, Mychal Denzel Smith confronts the shortcomings of these stories -- and with the American Dream itself -- and calls on us to live up to the principles we profess but fail to realize. In a series of incisive essays, Smith exposes the stark contradictions at the heart of American life, holding all of us, individually and as a nation, to account. We've gotten used to looking away, but the fissures and casual violence of institutional oppression are ever-present. There is a future that is not as grim as our past. In this profound work, Smith helps us envision it with care, honesty, and imagination.
The real history of being an orphan in America is nothing like the myth, and nothing like the American dream. The orphan story has been mythologized: Step one: While a child is still too young to form distinct memories of them, their parents die in an untimely fashion. Step two: Orphan acquires caretakers who amplify the world’s cruelty. Step three: Orphan escapes and goes on an adventure, encountering the world’s vast possibilities. The Sun Won't Come Out Tomorrow upends this. Pairing powerful critiques of popular orphan narratives, from Annie to the Boxcar Children to Party of Five, journalist Kristen Martin explores the real history of orphanhood in the United States, from the 1800s t...
In this cinematic memoir, follow one man's journey from gang member to Black liberation leader to political prisoner–and the justice and redemption he fought for along the way. Inspired by Malcolm X, Russell Shoatz became a lifelong crusader for justice, a soldier in the most militant units of the Black Liberation Army. Shoatz was convicted to life in prison following a coordinated attack on a park police station that left one guard dead.The prison walls, however, could not deter Shoatz’s battle for personal and collective freedom. He escaped state prisons twice, making him a living legend, and endowed him with the moniker “Maroon,” once used to honor runaway slaves from plantations. He survived 22 years in solitary confinement, prompting an international campaign for his freedom. I Am Maroon charts a life of dizzying intrigue and a long struggle for liberation. With an unforgettable voice, Maroon reminds us that we too are capable of radical change, leaving us a blueprint for how we might dedicate our lives and minds to the ongoing fight for freedom.