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The Court Cities of Northern Italy examines painting, sculpture, decorative arts, and architecture produced within the fourteenth, fifteenth, and sixteenth centuries.
Highlights Calvino's fascination with folk tales, knights, social & political allegories, & science fiction.
"A profusely illustrated history of the occult nature of the tarot from its origins in ancient Persia. The origins of the tarot have been lost in the mists of time. Most scholars have guessed that its origins were in China, Egypt, or India. Huson has expertly tracked each symbol of the Minor Arcana to roots in ancient Persia and the Major Arcana Trump card images to the medieval world of mystery, miracle, and morality plays. A number of tarot historians have questioned the use of the tarot as a divination tool prior to the 18th century. But the author demonstrates that the symbolic meanings of the Major Arcana were evident from the time they were first employed in the mid-15th century in the popular divination practice of sortilege. He also reveals how the identities of the court cards in the Minor Arcana were derived from a blend of pagan and medieval sources that strongly influenced their interpretation in tarot divination."--Publisher marketing.
First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
The two alphabetically arranged volumes cover all of the major artistic developments in Italy from c.1300 to c.1600, a period that marks the Renaissance of the humanistic spirit of classical antiquity. All three periods of the Renaissance are covered: early, high and late.
Publisher description
Ricci's book ranges widely over Calvino's oeuvre to illustrate the accuracy of the idea articulated by Calvino himself that a visual image lies at the origin of all his narrative. The book's main theme is the difficult interface between word and image that Calvino struggled with throughout his career, the act of perception that rendered visible that which was invisible and transformed what was seen into what is read. Ricci holds that Calvino's narrative has an 'imagocentric' program and that his literary strategy is 'ekphrastic' i.e. it is characterized by literary description of visual representation, real or imaginary. The book is interdisciplinary in nature and will interest not only scholars of literature but also those who work with the visual arts and with information technology.
By the end of the fifteenth century, Cassandra Fedele (1465-1558), a learned middle-class woman of Venice, was arguably the most famous woman writer and scholar in Europe. A cultural icon in her own time, she regularly corresponded with the king of France, lords of Milan and Naples, the Borgia pope Alexander VI, and even maintained a ten-year epistolary exchange with Queen Isabella and King Ferdinand of Spain that resulted in an invitation for her to join their court. Fedele's letters reveal the central, mediating role she occupied in a community of scholars otherwise inaccessible to women. Her unique admittance into this community is also highlighted by her presence as the first independent woman writer in Italy to speak publicly and, more importantly, the first to address philosophical, political, and moral issues in her own voice. Her three public orations and almost all of her letters, translated into English, are presented here for the first time.
Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.