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The Encyclopedia of the Piano was selected in its first edition as a Choice Outstanding Book and remains a fascinating and unparalleled reference work. The instrument has been at the center of music history with even composers of large symphonic work asserting that they do not write anything without sketching it out first on a piano; its limitations and expressive capacity have done much to shape the contours of the western musical idiom. Within the scope of this user-friendly guide is everything from the acoustics and construction of the piano to the history of the companies that have built them. The piano-lover might also be surprised to find an entry for Thomas Jefferson, and will no doubt read intently the passages about the changing history of the piano's place in the home. Uniformly well-written and authoritative, this guide will channel anyone's love for the instrument, through social, intellectual, art history and beyond into the electronic age.
In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective art...
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Thomas Walters is an accomplished professional art educator and interdisciplinary humanities professor. His education includes a B.S. degree in Art Education from Atlantic Union College, where he concentrated in drawing, ceramics and art history. He also holds an M.A.T. degree in Art Education from Andrews University with a concentration in Art History. He has completed all the coursework toward a Ph.D. in Interdisciplinary Studies in the arts at Ohio University.His accomplishments include teaching art education, ceramics drawing, music appreciation, art appreciation, art history and interdisciplinary humanities. He has taught at Montemorelos University, Indiana University and IADT: International Academy of Design and Technology. He has exhibited his art works including wood sculpture, painting, drawing and ceramics in the United States, Mexico, and Canada.
Expanded to twice as many entries as the 1985 edition, and updated with new publications, new editions of previous entries, titles missed the first time around, more of the artists' own writings, and monographs that deal with significant aspects or portions of an artist's work though not all of it. The listing is alphabetical by artist, and the index by author. The works cited include analytical and critical, biographical, and enumerative; their formats range from books and catalogues raisonnes to exhibition and auction sale catalogues. A selection of biographical dictionaries containing information on artists is arranged by country. Annotation copyrighted by Book News, Inc., Portland, OR
This book offers a new perspective on the monarchies that have dominated much of human history, by offering a comparative view of the women who lived, worked, and served in royal courts around the globe. The authors of this volume, historians, anthropologists, and archeologists, investigate women's roles in each era and locale, how those roles changed over time, and what women's histories say about the structures of power and the societies in which they lived. The authors take us to palaces in Early modern Southeast Asia, classic Maya royal courts, the Byzantine court, the harem of the Ottoman royal court, the Mughal palace, an African royal harem, the courts of Chinese Emperors and Empresses, the palace of the Shogun, the court of Versailles, Aztec palaces, and a Korean court.
Founded in 1791, the Albany Institute of History and Art is one of the nation's oldest cultural institutions. Today, it boasts outstanding collections largely focused on New York State's Upper Hudson Valley. These include Hudson River School landscape paintings, portraits by Ezra Ames and Charles Loring Elliott, sculpture by Erastus Dow Palmer, landscape and interior paintings by Walter Launt Palmer, and Albany –made silver and other crafts. This comprehensive overview of the Albany Institute of History and Art's American art and decorative-arts collections, presents color plates and essays on about 130 objects (of a total exceeding 20,000). Dating from the beginning of the seventeenth century to the 1990s, each object in this volume was chosen for its national significance, artistic merit, and relevance to the Institute's mission: collecting and interpreting the art, history, and culture of New York State's Upper Hudson Valley through four centuries.
An indispensable introduction to the trade and ceramics of the New Netherland colony.