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Rebecca West and the God That Failed
After completing his biography of Rebecca West in 1995, Carl Rollyson felt bereft. As his wife said, "Rebecca was such good company." He had already embarked on another biography, but Rebecca kept beckoning him. He felt there was more to say about her politics-a misunderstood part of her repertoire as reporter and novelist. And had he done justice to her enormous sense of fun and humor? He regretted excising the portrait of her he wanted to put at the beginning of his biography. His editor kept cutting away at what he called Rollyson's doorstop of a book. And then after years of waiting, Rollyson received her FBI file. He kept running into Rebecca, so to speak, when he was working on his biographies of Martha Gellhorn and Jill Craigie. Interviews in London often turned up people who had known West as well. Thus piece by piece, Rollyson accumulated what is now another book about Rebecca West. This new collection tells the story of how his biography got written, of what it means to think like a biographer, and why West's vision remains relevant. She is one of the great personalities and writers of the modern age, and one that we are just beginning to comprehend.
English Fictions of Communal Identity, 1485–1603
Challenging a long-standing trend that sees the Renaissance as the end of communal identity and constitutive group affiliation, author Joshua Phillips explores the perseverance of such affiliation throughout Tudor culture. Focusing on prose fiction from Malory's Morte Darthur through the works of Sir Philip Sidney and Thomas Nashe, this study explores the concept of collective agency and the extensive impact it had on English Renaissance culture. In contrast to studies devoted to the myth of early modern individuation, English Fictions of Communal Identity, 1485-1603 pays special attention to primary communities-monastic orders, printing house concerns, literary circles, and neighborhoods-that continued to generate a collective sense of identity. Ultimately, Phillips offers a new way of theorizing the relation between collaboration and identity. In terms of literary history, this study elucidates a significant aspect of novelistic discourse, even as it accounts for the institutional disregard of often brilliant works of early modern fiction.
Duncton Wood
The epic first novel in the allegorical fantasy series about the romance and adventures of a community of moles is “a breathtaking achievement” (The Washington Post). The moles of Duncton Wood live in the shadow of Mandrake, a cruel tyrant corrupted by absolute power. A solitary young mole, Bracken, leads the fight to free them. Only by putting his trust in the ancient Stone, a forgotten symbol of a great spiritual past, can Bracken find the strength to challenge Mandrake’s darkness. When Bracken falls in love with Rebecca, Mandrake’s daughter, the moles must make life and death choices as their extraordinary search for freedom and truth begins. Together, Bracken and Rebecca will embark on moving journey that will challenge them in ways they could never have imagined. But can they save Duncton before it’s too late? “A passionate, lyrical, appealing tale . . . Consistently absorbing . . . Enchanting.” —Cosmopolitan “A great big mole-epic with a great big theme.” —Daily Mail
Gustavus Boswell and Descendants
Gustavus Boswell lived in Charles County, Maryland during the Revolutionary War period and later in North Carolina, Virginia, and South Carolina, finally settling in Alabama where he died after 1836. Descendants lived in North Carolina, Alabama, Mississippi, Texas, and elsewhere.
The Court-Martial of Mother Jones
In March 1913, labor agitator Mary Harris "Mother" Jones and forty-seven other civilians were tried by a military court on charges of murder and conspiracy to murder—charges stemming from violence that erupted during the long coal miners' strike in the Paint Creek and Cabin Creek areas of Kanawha County, West Virginia. Immediately after the trial, some of the convicted defendants received conditional pardons, but Mother Jones and eleven others remained in custody until early May. This arrest and conviction came in the latter years of Mother Jones's long career as a labor agitator. Eighty-one and feisty as ever, she was able to focus national attention on the miners' cause and on the govern...
Duncton Quest
As the moles face a devastating threat, a new hero must rise and lead the followers of the Stone in this sequel to the classic fantasy Duncton Wood. When Tryfan, son of Bracken and Rebecca, returns to the sacred Burrows of Uffington, he finds dreadful signs of death and destruction. For out of the chilly North have swarmed the grikes, a fanatical tribe of warrior moles bent on destroying all believers in the powers of the Stone. Tryfan’s duty is clear—to muster and protect the few remaining Stone followers from the evil that seems certain to engulf them. With only a frail and timid mole named Spindle for company, he sets off on an epic journey . . . But can he save his friends?
Index to Encyclopedia of American Quaker Genealogy
Provides an alphabetical listing of all the names included in the six previous volumes of the Encyclopedia. Each of the 600,000 entries in the Index contains the surname, given name, and the volume and page number where the name can be found. Annotation copyrighted by Book News, Inc., Portland, OR
Descendants of Edward Boswell
Edward Boswell, born ca 1750, could be a son to an Edward Boswell who came to America in 1635. Descendants and relatives lived in Virginia North Carolina, Tennessee, Maryland, Ohio, and elsewhere.
The Life, Extinction, and Rebreeding of Quagga Zebras
Extinction of quagga zebras left behind historical records, art, literature, and DNA whose information led to their rebreeding.
Narcissism and Suicide in Shakespeare and his Contemporaries
The subjects of this book are the subjects whose subjects are themselves. Narcissus so himself himself forsook, And died to kiss his shadow in the brook. In accusing the introspective Adonis of narcissistic self-absorption, Shakespeare's Venus employs a geminative construction - 'himself himself' - that provides a keynote for this study of Renaissance reflexive subjectivity. Through close analysis of a number of Shakespearean texts - including Venus and Adonis, Romeo and Juliet, Julius Caesar, Hamlet, and Othello - his book illustrates how radical self-reflection is expressed on the Renaissance page and stage, and how representations of the two seemingly extreme figures of the narcissist and...
