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Chivalry and the Perfect Prince
Chivalry and the Perfect Prince is a survey of the ceremonial armor crafted for the Spanish Habsburg monarchs of the sixteenth century. It examines notable tournaments and pageantry held at the courts of Charles V and Philip II, and the artworks associated with them. Braden Frieder guides the reader through these tournaments, jousting, and other knightly exercises as part of a larger aristocratic culture that included arms and armor, paintings, tapestries, medals, and sculptures with chivalric themes. Frieder presents Habsburg tournaments in their proper historical context as an extension of imperial politics, drawing comparisons with popular chivalric literature of the period. Frieder’s study utilizes extensive primary source material and contemporary documents, many appearing for the first time in English. Included in this book are eighty-one illustrations of fine art and armor from the sixteenth century, the crescendo of the armorer's art in Europe. For the first time in print, these artworks are treated collectively, as integral parts of aristocratic life and culture during the Renaissance.
Chivalry & the Perfect Prince
Chivalry and the Perfect Prince is a survey of the ceremonial armor crafted for the Spanish Habsburg monarchs of the sixteenth century. It examines notable tournaments and pageantry held at the courts of Charles V and Philip II, and the artworks associated with them. Braden Frieder guides the reader through these tournaments, jousting, and other knightly exercises as part of a larger aristocratic culture that included arms and armor, paintings, tapestries, medals, and sculptures with chivalric themes. Frieder presents Habsburg tournaments in their proper historical context as an extension of imperial politics, drawing comparisons with popular chivalric literature of the period. Frieder's study utilizes extensive primary source material and contemporary documents, many appearing for the first time in English. Included in this book are eighty-one illustrations of fine art and armor from the sixteenth century, the crescendo of the armorer's art in Europe. For the first time in print, these artworks are treated collectively, as integral parts of aristocratic life and culture during the Renaissance.
Armour and Masculinity in the Italian Renaissance
During the Italian Wars of 1494 to 1559, with innovations in military technology and tactics, armour began to disappear from the battlefield. Yet as field armour was retired, parade and ceremonial armour grew increasingly flamboyant. Displaced from its utilitarian function of defense but retained for symbolic uses, armour evolved in a new direction as a medium of artistic expression. Luxury armour became a chief accessory in the performance of elite male identity, coded with messages regarding the owner's social status, genealogy, and political alliances. Carolyn Springer decodes Renaissance armour as three-dimensional portraits through the case studies of three patrons of luxury armourers, Guidobaldo II della Rovere (1514-75), Charles V Habsburg (1500-58 and Holy Roman Emperor from 1519-56), and Cosimo I de'Medici (1519-74). A fascinating exposition of male self-representation, Armour and Masculinity in the Italian Renaissance explores the significance of armour in early modern Italy as both cultural artefact and symbolic form.
Ceramic Sculpture
More than 20 American ceramic artists present a broad variety of inspiring clay sculpture pieces and some unique techniques they used.
Military Ethos and Visual Culture in Post-conquest Mexico
Bringing to bear her extensive knowledge of the cultures of Renaissance Europe and sixteenth-century Mexico, Mónica Domínguez Torres here investigates the significance of military images and symbols in post-Conquest Mexico. She shows how the 'conquest' in fact involved dynamic exchanges between cultures; and that certain interconnections between martial, social and religious elements resonated with similar intensity among Mesoamericans and Europeans, creating indeed cultural bridges between these diverse communities. Multidisciplinary in approach, this study builds on scholarship in the fields of visual, literary and cultural studies to analyse the European and Mesoamerican content of the martial imagery fostered within the indigenous settlements of central Mexico, as well as the ways in which local communities and leaders appropriated, manipulated, modified and reinterpreted foreign visual codes. Military Ethos and Visual Culture in Post-Conquest Mexico draws on post-structuralist and post-colonial approaches to analyse the complex dynamics of identity formation in colonial communities.
A King Travels
A King Travels examines the scripting and performance of festivals in Spain between 1327 and 1620, offering an unprecedented look at the different types of festivals that were held in Iberia during this crucial period of European history. Bridging the gap between the medieval and early modern eras, Teofilo Ruiz focuses on the travels and festivities of Philip II, exploring the complex relationship between power and ceremony, and offering a vibrant portrait of Spain's cultural and political life. Ruiz covers a range of festival categories: carnival, royal entries, tournaments, calendrical and noncalendrical celebrations, autos de fe, and Corpus Christi processions. He probes the ritual meanin...
City Views in the Habsburg and Medici Courts
In City Views in the Habsburg and Medici Courts, Ryan E. Gregg relates how Charles V, Holy Roman Emperor, and Duke Cosimo I of Tuscany employed city view artists such as Anton van den Wyngaerde and Giovanni Stradano to aid in constructing authority. These artists produced a specific style of city view that shared affinity with Renaissance historiographic practice in its use of optical evidence and rhetorical techniques. History has tended to see city views as accurate recordings of built environments. Bringing together ancient and Renaissance texts, archival material, and fieldwork in the depicted locations, Gregg demonstrates that a close-knit school of city view artists instead manipulated settings to help persuade audiences of the truthfulness of their patrons’ official narratives.
Music in Elizabethan Court Politics
Music and musical entertainments are here shown to be used for different ends, by both monarch and courtiers.
Jousting in Medieval and Renaissance Iberia
Based on close reading of original sources, Fallows (Spanish, U. of Georgia) offers a detailed reconstruction of the history and practice of jousting, detailing techniques and injuries, styles of fighting, and all the parts of the arms and armor used, with frequent citing of original descriptions. As is typical for this publisher, the volume is beautifully produced, printed on good stock and well-illustrated with color and b&w plates. Notable is the inclusion of three 15th- and 16th-century jousting manuals, presented in full in side-by-side English and Spanish translation. A glossary and bibliography are provided. The Boydell Press is an imprint of Boydell & Brewer. Annotation ©2011 Book News, Inc., Portland, OR (booknews.com).
Henry VIII and Charles V
King Henry VIII and Emperor Charles V both ruled for almost forty years at a time when momentous changes in society, politics and religion were taking place in England and across Europe. Richard Heath takes a fresh look at these two individuals and the importance of their relationship in determining both their immediate policies and the future of their lands. Although always rivals for status, Henry and Charles, despite their very different temperaments, had much in common. Both had been brought up as devout Christians and in the chivalric tradition. Ties between their lands (by 1520 Charles was Holy Roman Emperor as well as ruling Spain, the Low Countries and much of Italy) were close. Ther...
