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To Life!
This title documents the burgeoning eco art movement from A to Z, presenting a panorama of artistic responses to environmental concerns, from Ant Farms anti-consumer antics in the 1970s to Marina Zurkows 2007 animation that anticipates the havoc wreaked upon the planet by global warming.
New Art and Science Affinities
"New Art/Science Affinities" was written and designed in one week by four authors (Andrea Grover, Régine Debatty, Claire Evans, and Pablo Garcia) and two designers (Thumb), using a rapid collaborative authoring process known as a "book sprint." The topic of "New Art/Science Affinities" is contemporary artists working at the intersection of art, science, and technology, with explorations into maker culture, hacking, artist research, distributed creativity, and technological and speculative design. Chapters include: Program Art or Be Programmed, Subvert!, Citizen Science, Artists in White Coats and Latex Gloves, The Maker Moment, and The Overview Effect. 60 international artists and art collaboratives are featured, including Agnes Meyer-Brandis, Atelier Van Lieshout, Brandon Ballengée, Free Art and Technology (F.A.T.), Rafael Lozano-Hemmer, Openframeworks, C.E.B. Reas, Philip Ross, Tomás Saraceno, SymbioticA, Jer Thorp and Marius Watz. ISBN# 0977205347. Details: www.cmu.edu/millergallery/nasabook
Beyond Human
Explores the implications of our animal origins and posthuman futures for our understanding of our humanity and our relations with other species.
Art Practice as Research
'Art Practice as Research' presents a compelling argument that the creative and cultural inquiry undertaken by artists is a form of research. The text explores themes, practice, and contexts of artistic inquiry and positions them within the discourse of research.
Jamaica Bay
For more than two centuries after the Dutch settled its meandering shores, Jamaica Bay was little more than a watery expanse broken by small islands and a handful of mills. Rapid growth after the Civil War transformed the bay into a microcosm of a developing nation, as meadows gave way to houses and factories, and giant steamers and locomotives appeared. Plans to create the world's largest deepwater port here were never realized, yet Jamaica Bay did emerge as a hub for aviation; the first successful transatlantic flight departed over the bayfollowed by millions of flights that have taken off from John F. Kennedy International Airport ever since. Through historic photographs, Jamaica Bay illustrates the bay's transformation into a shellfishing haven, a recreational playground with hotels and casinos, and now the focus of a longterm environmental rehabilitation.
Behind the Carbon Curtain
Exploring censorship imposed by corporate wealth and power, this book focuses on the energy industry in Wyoming, where coal, oil, and gas are pillars of the economy. The author examines how governmental bodies and public institutions have suppressed the expression of ideas that conflict with the financial interests of those who profit from fossil fuels. He reveals the ways in which university administrations, art museums, education boards, and research institutes have been coerced into destroying artwork, abandoning studies, modifying curricula, and firing employees. His book is an eloquent story of the conflict between private wealth and free speech. Providing more of the nation's energy than any other state, Wyoming is a sociopolitical lens that magnifies the conflicts in the American West. But the issues are relevant to any community that is dependent on a dominant industry--and wherever the liberties of citizens and the ethics of public officials are at risk.
Socially Engaged Art History and Beyond
What is socially engaged art history? Art history is typically understood as a discipline in which academics produce scholarship for consumption by other academics. Today however, an increasing number of art historians are seeking to broaden their understanding of art historical praxis and look beyond the academy and towards socially engaged art history. This is the first book-length study to focus on these growing and significant trends. It presents various arguments for the social, pedagogical, and scholarly benefits of alternative, community-engaged, public-facing, applied, and socially engaged art history. The international line up of contributors includes academics, museum and gallery c...
Global Warming
Global Warming has become perhaps the most complicated issue being faced by world leaders. Thus, it requires field of attention for many modern societies, power and energy engineers, academicians, researchers and stakeholders. The so-called consensus in the past century anthropogenically induced Global Warming, has recently been disputed by rising number of climate change panelists. Whatever the uncertainties of climate models are, mankind has to strive towards reduction in the amount of greenhouse gases emitted into the atmosphere in order to preserve natural resources and living organisms by introducing new advances on alternative fuels and other related technologies. This book presents the state-of-the-science fundamentals on the origin of Global Warming and other related technologies that can be implemented to reduce human impact as well as to present novel policies that world leader should adopt. In this book, chapters received from various authors are placed in three sub- sections in a sequential and easy manner so as to strive an appropriate balance between breadth and depth of coverage of various topics.
Art, Design and Science, Engineering and Medicine Frontier Collaborations
Science and art were not always two separate entities. Historically, times of great scientific progress occurred during profound movements in art, the two disciplines working together to enrich and expand humanity's understanding of its place in this cosmos. Only recently has a dividing line been drawn, and this seeming dichotomy misses some of the fundamental similarities between the two endeavors. At the National Academies Keck Futures Initiative Conference on Art, Design and Science, Engineering and Medicine Frontier Collaborations: Ideation, Translation, and Realization, participants spent 3 days exploring diverse challenges at the interface of science, engineering, and medicine. They were arranged into Seed Groups that were intentionally diverse, to encourage the generation of new approaches by combining a range of different types of contributions. The teams included creative practitioners from the fields of art, design, communications, science, engineering, and medicine, as well as representatives from private and public funding agencies, universities, businesses, journals, and the science media.
