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Afternoons with the Blinds Drawn
'A compelling personal account of the dramas of a singular British band' Neil Tennant The trajectory of Suede - hailed in infancy as both 'The Best New Band in Britain' and 'effete southern wankers' - is recalled with moving candour by its frontman Brett Anderson, whose vivid memoir swings seamlessly between the tender, witty, turbulent, euphoric and bittersweet. Suede began by treading the familiar jobbing route of London's emerging new 1990s indie bands - gigs at ULU, the Camden Powerhaus and the Old Trout in Windsor - and the dispiriting experience of playing a set to an audience of one. But in these halcyon days, their potential was undeniable. Anderson's creative partnership with guitar...
Coal Black Mornings
Evening Standard Book of the Year. Observer Book of the Year. Guardian Book of the Year. Sunday Times Book of the Year. Telegraph Book of the Year. New Statesman Book of the Year. Herald Book of the Year. Mojo Book of the Year. Brett Anderson came from a world impossibly distant from rock star success, and in Coal Black Mornings he traces the journey that took him from a childhood as 'a snotty, sniffy, slightly maudlin sort of boy raised on Salad Cream and milky tea and cheap meat' to becoming founder and lead singer of Suede. Anderson grew up in Hayward's Heath on the grubby fringes of the Home Counties. As a teenager he clashed with his eccentric taxi-driving father (who would parade aroun...
Coal Black Mornings
Evening Standard Book of the Year. Observer Book of the Year. Guardian Book of the Year. Sunday Times Book of the Year. Telegraph Book of the Year. New Statesman Book of the Year. Herald Book of the Year. Mojo Book of the Year. Brett Anderson came from a world impossibly distant from rock star success, and in Coal Black Mornings he traces the journey that took him from a childhood as 'a snotty, sniffy, slightly maudlin sort of boy raised on Salad Cream and milky tea and cheap meat' to becoming founder and lead singer of Suede. Anderson grew up in Hayward's Heath on the grubby fringes of the Home Counties. As a teenager he clashed with his eccentric taxi-driving father (who would parade aroun...
In the City
In this fascinating history of London s popular music, Paul Du Noyer, critically-acclaimed music writer and founding editor of Mojo, celebrates the people and places that have made London the most exciting and diverse musical city on earth. The Wes
Theo Kalomirakis' Private Theaters
Bijou, Paramount, Loew's, Fox -- the names themselves conjure up rich carpeting, heavily curtained prosceniums, and gilded carvings. Though the glittering movie palaces of the past have for the most part vanished, their appeal endures, and today they are being built anew on a more intimate scale. This illustrated book affords an unprecedented look at the magnificent private theaters created throughout the United States by New York-based designer Theo Kalomirakis.Twelve years after the Greek-born, movie-mad Kalomirakis came to New York in 1974, he built a small but fully realized movie theater -- "the Roxy" -- in the basement of his Brooklyn brownstone. Today he custom-designs sumptuous priva...
While We Were Getting High
A ROUGH TRADE BOOK OF THE YEAR 2020 "To flip through the book is to be immersed back in the glory days of Cool Britannia... and it's just as cool as you remember" GQ Remember Britpop and the '90s through hundreds of its most striking images - with many seen here for the very first time. Taken by renowned photographer Kevin Cummins, chief photographer at the NME for more than a decade, the images in this book explore the rise and fall of Cool Britannia and all that came with it. Nostalgic, anarchic and featuring contributions from icons of the Britpop era including Noel Gallagher and Brett Anderson, While We Were Getting High is a seminal portrait of a decade like no other. Artists featured include: Oasis Blur Suede Pulp Elastica Supergrass The Charlatans Gene Sleeper Kula Shaker Echobelly The Bluetones ...and many more
Black Teeth and a Brilliant Smile
Writing is the hardest thing I've done. It's a grind. You see me up here and you think I've made it. But it's not all it's cracked up to be. The Beacon, Buttershaw 1990. Andrea Dunbar, acclaimed writer of Rita, Sue, and Bob Too, mum, sister, best friend, is struggling with her latest work. Her aching head is full of voices, stories from her past which have to be heard... A bittersweet tale of the north/south divide, it reveals how a shy teenage girl defied the circumstances into which she was born and went on to become one of her generation's greatest dramatists. Adelle Stripe's 'outstanding debut novel' of Andrea Dunbar's life is adapted for the stage by Lisa Holdsworth. This edition was published to coincide with the stage premiere at the Ambassador Theatre, Bradford in May 2019.
Nature and Necessity
Even though they were mother and daughter they were known mostly as ‘the sisters’. It was a union that would lead them both into lives they wished they had not had. For thirty-five years, two women frighten each other through the fading twilight of the last century, their existence an unacknowledged tragedy of manners. Confusing their duty to one another for the feelings they’re too busy to mention, their desire for “modest social success” ends by asphyxiating whatever lies within its grasp. From the art galleries of Manhattan Island to the pubs of the North Yorkshire Moors, Nature and Necessity is a wild reimagining of the nineteenth-century realist novel, a story of siblings battling for survival and supremacy, a war story without armies, and a warning that even the most promising and prosperous of lives can be crushed by the fear of uttering the confession: I love you.
Here They Come with Their Make-Up On
An in-depth, insider's look at how Suede--one of the most popular British bands of the 1990s--came back from the brink to create their most successful album, Coming Up.
