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For hundreds of years economists have misrepresented the complexity of human psychology and worked with an asocial understanding of wellbeing. They have celebrated wealthy and powerful patrons and turned a blind eye to pervasive elite crime. They have recommended brutal policies and sanctified the "invisible hand" of supposedly beneficial markets - while downplaying destruction to communities and environments. Originally part of moral philosophy, economics is a 'gospel' that human problems can be traced back to 'scarcity', with salvation in efficiency, competitive markets, specialisation, technology and growth. In the contemporary world this guiding faith in the pursuit of growth is crashing against ecological boundaries. The economic system is caught in a Catch 22 because, without growth, it will be impossible to service debts and the financial system will implode.
From early portraits of her five sisters, to photos taken above bookshelves and under beds, and later series on the New York City subway, Moyra Davey has spent four decades with a practice that comprises photography, film and writing. This book surveys Davey's work, bringing together her photos and film-stills; her writings on photography, memory, art and historical figures; alongside a suite of new essays and interviews. Davey examines the texture of life: defaced currency, empty whiskey bottles, the dust under a record player's needle. She also acknowledges that photos can be mementos, and for some time has printed her images as a kind of correspondence, sending them through the mail; when...
This new edition of Introduction to Lattices and Order presents a radical reorganization and updating, though its primary aim is unchanged. The explosive development of theoretical computer science in recent years has, in particular, influenced the book's evolution: a fresh treatment of fixpoints testifies to this and Galois connections now feature prominently. An early presentation of concept analysis gives both a concrete foundation for the subsequent theory of complete lattices and a glimpse of a methodology for data analysis that is of commercial value in social science. Classroom experience has led to numerous pedagogical improvements and many new exercises have been added. As before, exposure to elementary abstract algebra and the notation of set theory are the only prerequisites, making the book suitable for advanced undergraduates and beginning graduate students. It will also be a valuable resource for anyone who meets ordered structures.
Sharing for Survival recognises that official climate policy is dominated by states in thrall to fossil fuel and financial lobbies. It offers a realistic radical way to rapidly reduce emissions through stabilising the economy and ensuring social justice. Its authors explore climate policy in a way that ensures social justice and equity matter, and... * Recognise that the UNFCCC process is going nowhere; * Explore the impact of fossil fuel depletion on the climate crisis; * Take for granted that we are entering a period of economic and social upheaval; * Challenge the idea that the climate crisis can be resolved in a growth economy; * Propose no-nonsense approaches to controlling fossil fuel ...
(Boosey & Hawkes Chamber Music). This step-by-step instructional booklet takes the student from the basics of holding the recorder, breathing and tonguing to notes, rests and counting. The book also progresses from solos to duets to trios.
Investigates how data production and consumption territorialize the physical landscape filtered through Ireland’s role in global communications and, as told by the Irish Pavilion at the 2021 Venice Architecture Biennale, features an installation that focuses on the materiality of data infrastructure in space. As our everyday lives become increasingly entangled with data technologies, the book addresses the utopian fantasy that surrounds the Cloud, as transcending physical presence or resourcing. By bringing the physical infrastructure around data, and its impact on the environment under the spotlight, it hopes to reframe how we understand data production and highlight the myth that informa...
In this groundbreaking and “poignant” (Los Angeles Times) book, David Kessler—praised for his work by Maria Shriver, Marianne Williamson, and Mother Teresa—journeys beyond the classic five stages to discover a sixth stage: meaning. In 1969, Elisabeth Kübler-Ross first identified the stages of dying in her transformative book On Death and Dying. Decades later, she and David Kessler wrote the classic On Grief and Grieving, introducing the stages of grief with the same transformative pragmatism and compassion. Now, based on hard-earned personal experiences, as well as knowledge and wisdom gained through decades of work with the grieving, Kessler introduces a critical sixth stage: meani...
Will Hodgkinson dreamt of being a guitar legend but never got round to it. Now in his thirties and married with children, he still nurtures hopes of emulating his heroes. So he decides to learn the guitar from scratch, start a band and play a gig before it's too late. On his journey of discovery, he picks up tips along the way from Johnny Marr and the Byrds' Roger McGuinn, and attempts to play Davey Graham's 'Anji'. Will his debut gig end in bum notes, 'musical differences' and disaster?
An essential selection of Moyra Davey's sly, surprising, and brilliant essays
A groundbreaking study of the extraordinary photographers, writers, printmakers, and publishers who formed a flourishing modernist community in Kentucky Dozens of American cities witnessed the founding of camera clubs in the first half of the 20th century, though few boasted as many accomplished artists as the one based in Lexington, Kentucky. This pioneering book provides the most absorbing account to date of the Lexington Camera Club, an under-studied group of artists whose ranks included Ralph Eugene Meatyard, Van Deren Coke, Robert C. May, James Baker Hall, and Cranston Ritchie. These and other members of the Lexington Camera Club explored the craft and expressive potential of photograph...