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The Invisible Dead
People are dying in the West Yorkshire city of Fordley, from the kind of random, everyday accidents that happen in a busy city. Or are they? Forensic pathologist Elle Richardson, doesn't think so. She believes there's a serial killer, stalking the streets. But with no hard evidence to go on, West Yorkshire police are treating them as unfortunate deaths. Convinced she's right, Elle turns to her good friend, Forensic Psychologist Doctor Jo McCready. Working as a police consultant, Jo's methods have proved successful in the past. But this time, she'll have to go it alone, with none of the resources or backup of a major enquiry team. If this is murder, Jo McCready must work out the link between these seemingly unrelated deaths - then get inside the mind of a killer. As the body count rises, the clock is ticking down and Jo's profile leads her to one shocking and deadly conclusion. When people she cares about are put at risk, it's as personal as it gets and Jo must risk everything to win a deadly game of psychological cat and mouse. Can she prove her theory and prevent anyone else from dying before it's too late?
Roan
Philadelphia born and bred, Mattie McCoy, was sassy, cool, confident and sexy. Her former career of repossessing autos kept her mentally and physically in shape for sleuthing in an early twentieth-century, Victorian mansion. She didn't need anyone, nor did she want anyone, to keep her from her search for her grandfather's fortune. But then, there was that one obstacle; that Texas tin star and his two deputies. Well, that cowboy was just like any other man. He could easily be seduced and lied to. He had his tiny brain in his Levis, but Mattie knew she had what was needed to melt those cold, ice-blue slits on his bronzed face. And that dark, foreboding, dreary mansion was just plain evil. It held too many mysteries, too many secret passageways and the aroma of impending death. What clues could be found prowling around in there? And what did that sheriff know that he wasn't telling? All Mattie and her friends wanted was a little adventure. That got that and a whole lot more.
How Good Do You Want to Be?
He guided LSU to its first football championship in forty-five years. He turned down countless offers from professional teams to stay with the job he loves. Now Nick Saban reveals the secrets that will help you lead and succeed at work and in life. Excellence doesn’t happen overnight. It comes from hard work, consistency, the drive to be the best, and a passion for what you do. Few understand this better than Nick Saban, the hottest college football coach in the game. Now, in How Good Do You Want to Be?, Saban shares his winning philosophy for creating and inspiring success. In more than three decades as a player and coach, Saban has learned much about life and leadership, both on the fiel...
Jet
The weekly source of African American political and entertainment news.
America's Best, Britain's Finest
What is a mixed movie? A film to which artists of various nationalities contribute. Popular examples are "Land of the Pharaohs," "The Bridge on the River Kwai," "Casino Royale" and "The Sundowners." British players like Errol Flynn, Stewart Granger, Rex Harrison and James Mason have always been welcome in Hollywood. Not so well known are the numerous examples of American actors who lent their talents to British films, such as Robert Ayres, Phyllis Kirk, Mona Freeman, Frank Sinatra, Carol Lynley, William Bendix, Russ Tamblyn, William Holden, Raquel Welch, Joan Crawford, Gene Tierney, Van Johnson, Vincent Price, Tab Hunter, Alex Nicol, Zachary Scott, and Wayne Morris, to mention but a few such appearances that are detailed in this book.
Dividend Tax Abuse
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Drawing from Observation (Reprint)
Perceptual drawing, in which one renders the physical world as it appears to an observer, is the focus of this new text for the introductory drawing course. With an emphasis on progressive skill development, Drawing from Observation offers a balanced mix of hands-on technique and perceptual theory while making a compelling argument for the long-term value of studying perception-based drawing.
