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An examination of the methodology of the first book that attempted to use coins as historical documents, in the contexts of contemporary humanist and artistic responses to Classical Antiquity.
This study examines the visual and textual evidence for free-standing images of gods which functioned ceremonially in order to determine the distinct formats, the defining characteristics, and in which ceremony or ceremonies each type functioned.
"This book uses a gender perspective to examine sermons and other officially endorsed discourses of the Catholic Church in eighteenth- and nineteenth-century Mexico City. Analyzing the different ways that, over time, gendered images, metaphors, and hagiographical examples were used in sermons and other documents, the book examines how the church negotiated challenges to its cultural and ideological hegemony. Beginning with sermons from the early eighteenth century, the author follows the evolution of church discourses as preachers reveled in Baroque analogies, embraced ideals of the Enlightenment, targeted women's alleged moral vices at times of political crisis, and ultimately turned to notions of women as ""the devout sex"" in order to combat incipient liberalism. Put another way, liberals after independence were not the only ones to assert a kind of ""republican motherhood"": preachers countered with a vision of ""Catholic motherhood"" that had great resonance in Mexico even into the twentieth century."
From Athens and Arcadia on one side of the Aegean Sea and from Ionia, Lycia, and Karia on the other, this book brings together some of the great monuments of classical antiquity--among them two of the seven wonders of the ancient world, the later temple of Artemis at Ephesos and the Mausoleum at Halikarnassos. With 250 photographs and specially commissioned line drawings, the book comprises a monumental narrative of the art and architecture that gave form, direction, and meaning to much of Western culture.
This catalogue comprises those vases from Corinth and Athens with painted decoration in the Detroit Institute of Arts. Each vase is given a description of salient features, attribution to a painter and date, and discussion of the painted decoration.
A central bank¿s transparency about its objectives, economic outlook, & policy changes may affect the public¿s views about future economic & financial conditions. In keeping with this theory, since 1994 the Fed. Open Market Comm. has gradually increased the transparency of its statements accompanying changes in the fed. funds rate target. This article investigates whether private agents¿ ability to predict the economy¿s direction has improved since 1994. The analysis focuses on forecasts of macroecon. variables such as inflation, gross domestic product growth, & unemployment & policy variables such as short-term interest rates. There is little evidence that transparent monetary policy enhances the public¿s ability to predict bus. cycles. Tables.
Before 2007, economists thought that financial crises would never happen again in the United States, that such upheavals were a thing of the past. Gary B. Gorton, a prominent expert on financial crises, argues that economists fundamentally misunderstand what they are, why they occur, and why there were none in the U.S. from 1934 to 2007. Misunderstanding Financial Crises offers a back-to-basics overview of financial crises, and shows that they are not rare, idiosyncratic events caused by a perfect storm of unconnected factors. Instead, Gorton shows how financial crises are, indeed, inherent to our financial system. Economists, Gorton writes, looked from a certain point of view and missed eve...
Story of the Riley's of Washington, D.C., who have made their way up from poverty to the well-to-do suburb of Chevy Chase, Maryland.