You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
"'Jordan Delvaney!' The call to action: somewhere a disaster, a cataclysmic monkeywrench smashed into the delicate re-creation of reality that was the twenty-ninth century form of leisure activity. Someone had twisted one of the carefully arranged Plots that were the set-pieces known as The Frames. But this time, correcting the chaos of riot and murder that could result from such deviations was only the beginning of Del's troubles. This time, cause and effect led inevitably to an ancient intergalactic ship, to the eerie plunge into hyperspace in search of a chunk of writhing time somehow poised in thermodynamic equilibrium in its own strange universe--this time he had to find Time itself."--Pg. [1].
Beneath the Earth's shattered crust...does the Black Army still wait? After a thousand years of defeat...is the Black Army still fit? Inside their lost underground stronghold...is the Black Army drilling? Archeologists considered the legend superstition and poked about among the surface ruins. Tourists regarded the tales as tourism ads to glamorize a burned-out world. Robots believed only what they saw and none had ever seen such an army. But when a combination of all three tripped the alarm by accident, they found reality turned suddenly into nightmare...as the Black Army awoke to march against the universe!
Robotic minds made interstellar travel possible, but human minds still controlled the destination and purpose of such flight. Conflict develops only when a programmed brain cannot evaluate beyond what is visible and substantial, whereas the human mind is capable of infinite imagination - including that which is unreal. Such was the problem at the singularity in space in which the ALTAIR STAR and a hundred other vessels had come to grief. At that spot, natural laws seem subverted - and some other universe's rules impinged. For Buchanan, the station meant a chance to observe and maybe rescue his lost vessel. For the robotic navigators of oncoming spaceships, the meaning was different. And at Singularity Station the only inevitable was conflict.
He had forgotten his real name, so they called him "Spingarn" after the last role he had played. He was the man the directors of the Frames regarded as their major headache - for he was guilty of two unforgivable arrogances. He had programmed himself into every one of the vast world-staged dramas he had directed - and he had reactivated the forbidden Frames of the pre-human planet of Talisker. In those days of an overcrowded colonized cosmos, a thousand years from now, the Frames were the major means of diversion. Historical re-creations and fictional dramas played out with planets as stages and while populations as actors - the Frame directors and their robot assistants had become the masters of all life. They could not destroy Spingarn, THE PROBABILITY MAN, but they could sentence him to undo the damage he had done. So he was sent to the mad Frames of Talisker to unravel the secret of their origin a billion years before the universe
The Frames were only a realization of the ultimate form of escape. Books, films, sensors, complete total experience - and finally the Frames. The saviors of civilization had shown the way: move the tribes of Americans to Europe, the tribes of the Germans to Spain, the tribes of the English to Switzerland and permutate the combinations endlessly. Use trains, then aircraft, then spaceships. The Frames of the Thirtieth Century were a logical extension of the Mechanical Age's exploitation of the means of mass travel. Now, whole populations moved to new areas of experience. New worlds - new re-created worlds - were manufactured for them. And it had all begun on Talisker. But whatever had left the monstrous scenery on Talisker's desert had not begun anywhere in our universe.
Stranded in a High Peak transport cafe during a freak snowstorm, Jerry Howard finds himself in a vortex of Satanism... Brenda was a motorway girl with a strange scar on her back. The Mark of the Beast. She knew the history of the Brindley legend. And she alone knew the rites... Now it was Walpurgisnacht, and the horned goat was expected. Events moved fast to a horrendous climax on the...DEVIL'S PEAK"
Thirteen-year-old Hannah Higgins is convinced her summer is ruined when she is forced to travel to Africa and work in a remote village in Kenya with her mom and uncle. Never having been to a developing country, she finds the food gross and the community filthy. She has to live without electricity or running water. Then she is told she must attend school. Just when she thinks nothing could make this trip any worse, she learns people there are dying of hunger and preventable disease. Hannah becomes frustrated and wants to help, but when poverty threatens the lives of people she loves, all she wants to do is go home.
The commemorative brass plate in the abandoned Derbyshire village church showed Sir Humphrey and Lady Sybil de Latours standing together. At the side of the man is a lion, and beside Sybil a fanged dog. Strangely, the face of Sybil has been obliterated, despite the clear detail elsewhere. But young artist Sally Fenton takes a rubbing nonetheless, to sell to tourists from the shop that she and her paramour, Andrew Thomas, share. She hangs it in their bedroom, but at night the moonlight makes the static objects in the image begin to move--and writhe. Soon life in the village becomes a nightmare, and Sally and Andy are powerless to stop the evil from spreading. And then the ancient image comes alive! A first-rate horror novel by a masterful writer.
None
“Humane, impossible, homely and alien, Draeger's extraordinary stories are as close to dreams as fiction can be.” —China Miéville This collection of three magical stories introduce English-language readers to the detective Bobby Potemkine and his musical dog Djinn—and they come to us offering, among other things, mystery, romance, maritime-adventure, and a very angry noodle named Auguste.