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"I only like sheep with black wool," said Stanley. "White wool is rubbish. I am just going to play with Rose." Sheep are not all the same - some are white, some are black, some have horns, some don't. Brian doesn't mind about such things, but he finds that there are other sheep who do, and they won't all play together. When the other sheep gang up on Brian because he has blue eyes instead of brown, Brian is very sad and goes off on his own. But everything changes when he meets a hungry wolf... Led by brave Brian, the sheep find that when they all act together, even a wolf can be made to run away.
Jesus instructed his followers to "love your enemies, do good to those who hate you, bless those who curse you, pray for those who mistreat you" (Luke 6:27-28). Not only has this theme long been among the Church's most oft-repeated messages, but in everything from sermons to articles in the Catholic press, it has been consistently emphasized that the commandment extends to all humanity. Yet, on numerous occasions in the twentieth century, Catholics have established alliances with nationalist groups promoting ethnic exclusivity, anti-Semitism, and the use of any means necessary in an imagined "struggle for survival." While some might describe this as mere hypocrisy, Faith and Fatherland analy...
Poland in the Modern World presents a history of the country from the late nineteenth century to the present, incorporating new perspectives from social and cultural history and positioning it in a broad global context Challenges traditional accounts Poland that tend to focus on national, political history, emphasizing the country's 'exceptionalism'. Presents a lively, multi-dimensional story, balancing coverage of high politics with discussion of social, cultural and economic changes, and their effects on individuals’ daily lives. Explores both the regional diversity within Poland and the country’s place within Europe and the wider world. Provides a new interpretive framework for understanding key historical events in Poland’s modern history, including the experiences of World War II and the postwar communist era.
Religious history more generally has experienced an exciting revival over the past few years, with new methodological and theoretical approaches invigorating the field. The time has definitely come for this “new religious history” to arrive in Eastern Europe. This book explores the influence of the Christian churches in Eastern Europe's social, cultural, and political history. Drawing upon archival sources, the work fills a vacuum as few scholars have systematically explored the history of Christianity in the region. The result of a three-year project, this collective work challenges readers with questions like: Is secularization a useful concept in understanding the long-term dynamics o...
A skeleton and a missing woman. A doomed romance. A mystery spanning two generations. Liverpool, 1961. A group of young men come together seeking fame and fortune, as the fledgling sounds of the Swinging Sixties take root in the city. Soon, Liverpool becomes synonymous with the music that shapes a generation. Liverpool, 1999. Skeletal remains found in the docklands lead Detective Inspector Andy Ross and Sergeant Izzie Drake into a journey through time, as the investigation takes them back to early days of the Mersey Beat. Whose bones laid beneath the mud of the River Mersey for over thirty years, and what links them to a young woman, missing for the entire time?
When James Bradley offers Mr Perkins a new job with accommodation thrown in Mr Perkins has no qualms in accepting the offer. But the accommodation is not a patch on their modern home in Empress Drive, Manchester; it's a lonely three storey high Victorian semi with next door boarded up in a run-down street. Mr Perkins daughter, Molly is disappointed with it, but at least she makes a close friend in Sarah Watts at her new school and that's a bonus because strange things are happening in Molly's bedroom. First the tapping and then the voice; who is the boy in the wall? In a thrilling adventure author Brian Porter takes the reader into a malevolent world where only the fact that Molly is special can save herself and Sarah and the boy in the wall.
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Pp. 37-42, 161-167, 176-182, and 227-326 deal with Jews. Argues that Polish nationalism did not inevitably lead to antisemitism. Romantic nationalism ca. 1830-63 was inclusive, displaying openness toward Jews. After the uprising of 1863, when antisemitism was temporarily silenced, positivism was influential among the Polish intelligentsia. This movement has been considered philosemitic, tending toward liberalism and allowing for Jews to be assimilated, i.e. "civilized" by the development of history. In the 1880s Jan Jelenski was the first Pole to refer to himself as an antisemite, but he was isolated among the intelligentsia. His ideas then became influential as antisemitism increased in all spheres and forms. The National Democrats lost hope in history, seeing the world as an arena of the struggle for survival. They considered the Jews unassimilable and dangerous parasites who had to be conquered or exterminated.
On the table of psychiatrist Robert Cavendish lay a strange set of papers, claimed to be the journal of the infamous Whitechapel murderer whose crimes instilled terror on the streets of Victorian London. Delving deeper into the journal, Robert is convinced of its authenticity, and finds that the words of the Ripper have a strange and compelling effect on him. Unable to cast the pages aside, he is drawn into the dark, sinister world of Jack The Ripper. Robert is about to find out just how thin the line between sanity and madness really is. But can he distinguish fact from fantasy?