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Once Upon a Time in Brick Lane
Vintage photographs taken in London's East End that are full of surprise and humanity. Paul Trevor is one of the unsung heroes of British photography and this is his unique collection of photos of one of the most iconic corners of London. Brick Lane is photographed more than almost any other street in the capital yet these elegant black and whites taken in the 70s, 80s and 90s capture something different: a now vanished era freedom and joy and full of grit. This is honest street photography in the very best tradition of Cartier-Bresson.
Brick Lane
***As dramatised on BBC Radio Four*** SHORTLISTED FOR THE MAN BOOKER PRIZE THE SUNDAY TIMES and NEW YORK TIMES BESTSELLER A RICHARD AND JUDY PICK 'Written with a wisdom and skill that few authors attain in a lifetime' SUNDAY TIMES Still in her teenage years, Nazneen finds herself in an arranged marriage with a disappointed older man. Away from her Bangladeshi village, home is now a cramped flat in a high-rise block in London's East End. Nazneen knows not a word of English, and is forced to depend on her husband. Confined in her tiny flat, Nazneen sews furiously for a living, shut away with her buttons and linings - until the radical Karim steps unexpectedly into her life. On a background of ...
Things We Do Not Tell the People We Love
'A deft, satisfying and poignant collection of stories . . . I loved it' Pandora Sykes 'Huma Qureshi is a writer I know I'll be reading for years and years and years' Natasha Lunn, author of Conversations on Love A breathtaking collection of stories about our most intimate relationships, and the secrets, misunderstandings and silences that haunt them. A daughter asks her mother to shut up, only to shut her up for good; an exhausted wife walks away from the husband who doesn't understand her; on holiday, lovers no longer make sense to each other away from home. Set across the blossoming English countryside, the stifling Mediterranean and the bustling cities of London and Lahore, Things We Do Not Tell The People We Love illuminates the parts of ourselves we rarely reveal. *Longlisted for the Jhalak Prize* *Longlisted for the Edge Hill Prize* 'These are stories of fierce clarity and tenderness - I loved them' Lucy Caldwell, author of Intimacies
Salaam Brick Lane
After ten years living abroad, Tarquin Hall wanted to return to his native London. Lured by his nostalgia for a leafy suburban childhood spent in south-west London, he returned with his Indian-born, American fiance in tow. But, priced out of the housing market, they found themselves living not in a townhouse, oozing Victorian charm, but in a squalid attic above a Bangladeshi sweatshop on London's Brick Lane. A grimy skylight provided the only window on their new world: a filthy, noisy street where drug dealers and prostitutes peddled their wares and tramps urinated on the pavements. At night, traffic lights lit up the ceiling and police sirens wailed into the early hours. Yet, as Hall got to know Brick Lane, he discovered beneath its unlovely surface an inner world where immigrants and asylum seekers struggle to better themselves and dream of escape. Salaam Brick Lane is a journey of discovery by an outsider in his own native city. It offers an explicit glimpse of the underbelly of London's most infamous quarter, the real-life world of Monica Ali's bestselling novel.
Street Life in London
Street Life in London (1877-78), by journalist Adolphe Smith and photographer John Thomson, aimed to reveal by the innovative use of photography and essays the conditions of a life of poverty in London. Now regarded as a pioneering photo-text and a foundational work of socially conscious photography - "one of the most significant and far-reaching photobooks in the medium's history" (The Photobook: A History) - Street Life in London failed to achieve commercial success in its own time. In this groundbreaking book, we see the start, but not the conclusion, of a conversation between text and image in the service of education, reportage and social justice. This newly designed and typeset edition contains the full text and makes available to a contemporary audience Thomson's powerful images in their original size and rich colour.
On Brick Lane
Brick Lane today is a place of extremes – a street that's constantly reinventing itself. Blending history and reportage with personal testimony and urban myths, and interspersing these with maps and photography, On Brick Lane is a one-of-a-kind chronicle of one of London's most remarkable streets. Bringing to life the memories and realities of Brick Lane's many communities, Rachel Lichtenstein harnesses the voices of the famous, the infamous and the obscure, merging memoir, reportage, poetry, photography and local history. The result is as vibrant and fascinating as the neighbourhood it so movingly celebrates.
Spitalfields
SHORTLISTED FOR THE HESSELL-TILTMAN HISTORY PRIZE 2017 AN OBSERVER BOOK OF THE YEAR 2016 Religious strife, civil conflict, waves of immigration, the rise and fall of industry, great prosperity and grinding poverty – the handful of streets that constitute modern Spitalfields have witnessed all this and much more. In Spitalfields, one of Britain's best-loved historians tells the stories of the streets he has lived in for four decades. Starting in Roman times and continuing right up to the present day, Cruickshank explains how Spitalfields' streets evolved, what people have lived there, and what lives they have led. En route, he discovers the tales of the Huguenot weavers who made Spitalfield...
How to Disappear Completely and Never be Found
With echoes of 'Camus' and 'Kafka', this play follows one man's desperate attempts to buck - and exit - the system. 'How to Disappear Completely & Never Be Found' won the 2006 Arts Council John Whiting Award despite rejection by nearly every theatre in London. It premieres at the Sheffield Crucible, March 2007.
18 Folgate Street
Growing up in California, Dennis Severs fell in love with the England he saw in old black and white movies. At seventeen he came to London, looking for a home with a heart. In 1979 he found one, a run-down silk-weaver's house in Spitalfields, and over the next twenty years he transformed it into an enchanted time-capsule, transporting us back to the eighteenth century. From cellar to roof, he filled 18 Folgate Street with original objects and furniture, found in the local markets, lit by candles and chandeliers. More than that, he invented a family to live here, the Jervis family, Huguenot weavers who fled persecution in France in 1688, and bought the house in 1724. Sounds and scents bring their world to life, always just out of sight - floorboards creak, fires crackle, a kettle hisses on the hob. Visitors step through the frame of time, like entering an old master painting. As we move from room to room on a tour you will never forget, we follow the Jervis story from the days of the Georges and the Regency to harsher Victorian times - and even to the attic room of Scrooge himself.
William Morris and his Palace of Art
William Morris and his Palace of Art is a comprehensive new study of Red House, Bexleyheath; the only house commissioned by William Morris and the first independent architectural work of his close friend, Philip Webb. Morris moved in to Red House as an ebullient young man of 26, with an independent income and a head brimming with ideas and the persistent question of ‘how best to live? Red House, together with its Pre-Raphaelite garden, stands as the physical embodiment of his exuberant spirit, youthful ambition, passionate medievalism, creativity and great sense of possibility. For five intense years from 1860–5, it was a place of halcyon days – happy family life, loyal friendship, goo...
